Afrika. Auf der Suche nach Jonathan Makeba (German Edition)

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Sorry, out of stock. Please enter valid pincode to check Delivery available unavailable in your area. Description "Tributo a Jonathan Makeba" relata a luta de um l der politico, no cora o da frica Negra, em busca do desenvolvimento local e regional, atrav s da mudan a do modelo de relacionamento das empresas multinacionais que operam no continente africano.

Tributo a Jonathan makeba Portuguese Edition Author: Submit Review Submit Review. Pick Of The Day. Other Books By Author. Monday to Saturday 9. E-Gift Coupon , click here. There is such a strong emotional connection between the two that you can feel and hear this bond in every breath, every word, every chord and every note. The distinctive trait of this duo and this beautiful album is grounded in the awareness of the jazz idiom and the freshness of authenticity and individuality. At the age of eleven he began studying trumpet, and three years later the piano became his second and eventually main instrument.

By age sixteen, while still at high school, Claus had his first professional performing appearances, both as a sideman as well as a leader. Still in his early twenties he had the chance and honor to be performing with such stellar musicians as Art Farmer, Andy Bey, Mark Murphy to name a few.

As a sideman he soon started appearing in many of the city jazz clubs with musicians such as Ben Dixon, Manny Duran, Jimmy Lovelace, Jon Faddis, and many others. It was in New York that he met, and later took master classes from pianist Dr. Barry Harris who has been a great influence on his writing and arranging. In Claus returned to Munich, Germany, and began splitting his time between the USA and Europe, touring extensively with his own projects as well as a sideman. Some of the greats that Claus has been working with include: Claus has done numerous works on commission for small groups as well as for orchestra.

He is among those piano maestros who feel especially indebted to the musical heritage of bebop pioneers Bud Powell and Thelonious Monk. He never comes across as a musician who scoops things up second hand, slavishly copying and than regurgitating it back: His music has nothing to do with nostalgia — it is about identity and integrity- and it is vital, gripping, moving. She wrote songs and music for seven movies of Austrian director Xaver Schwarzenberger and she was featured on various radio shows and cultural events such as the opening to the Wiener Festwochen.

In the following decade she appeared on hundreds of concerts with the band, performing at all the major European Jazz Festival as well as in China, Cuba, Canada and Russia. Since then the band performed in clubs and festivals in Europe and recorded two CDs, both nominated for the German Critic Prize. The second one won the award in Her voice is a velvety and smoky rich alto, her singing is direct, emotional and passionate. Her unique sense of phrasing and the unaffectedness of her interpretation reveal a profound music personality that while being deeply rooted in the Jazz idiom maintains a strong personal approach and marked individuality.

Not only she sings perfectly in tune, but her voice is full of pathos, energy, poetry and emotion. Available on all major download platforms like amazon, itunes, I have been fortunate to share that space with hundreds of young and gifted musicians travelling from different countries. The research include and contain four different ways and approach: This live record has been recorded in a beautiful small church on the border between Liguria and Tuscany and contain a small part of a huge work basically focussed on italian popular repertoire within Book Of Songs context.

We had a wonderful and very well setted Steinway D in the conch, the special sound of the stone of the church, with a musician as a sound engineer the trumpeter Luca Cosi , and surrounded by the peaceful landscape of south Liguria's hills all around us. It is a beautiful memory for me, and sometimes is just perfect to have the chance to keep the moment, to save the unforgettable on a record.

Nach einer gemeinsamen Probe, an der auch noch der unvergessene Pianist Fritz Pauer beteiligt war nahm Art den jungen Harry zur Seite und lud ihn ein, gemeinsam mit ihm in seiner Wohnung ein wenig zu proben. Art ist seit nicht mehr unter uns. Williams ist einer der angesehensten Bassisten in den USA. Der in Los Angeles lebende John B. Bald kam die Nachfrage nach einer weiteren CD und John B erinnerte sich an seinen alten Lehrmeister Horace Silver in dessen Band er spielte und dem er viel zu verdanken hatte.

Williams — bass, Billy Cobham - drums. Later I came back to play mostly in trio again, besides my ongoing work with Argentine musicians for decades. That Michael Abene proposed to write arrangements of my compositions means an honour and another very important next page for me. It puts me in an unusual context but Michael — a true master - succeeded in keeping the meaning of my songs and enriched them with beautiful sounds and colors.

I would not have started this project without the support of my dear friend Sigi Feigl. His knowledge and dedication were indespensable to make everything happen. I hope you enjoy! And almost since then an intense musical collaboration with Karlheinz Miklin had been along my way. Happy and proud in having been a part of this project! Doing that I had second thoughts. Here was this wonderful musician who has composed some very interesting music over the years but has very rarely been associated with big bands.

Various sizes of small groups yes. The challenge I faced is to try to write the arrangements in such a way as to leave Karlheinz free to play as he would in a small group. His compositions can vary from the craziness of a Joltz's Waltz, Monk-key to beautiful melodies such as Para Pochin and Palomar.

Hopefully I have accomplished this. This was a fun and challenging recording to work on and hope you enjoy the finished project. To give praise at this point in his history would be redundant but equally justified. There are lyrics and one day I will record it with a good singer Billy Eckstine or Sarah Vaughn would be nice , ha! All the other selections are favorites of mine either jazz standards or movie soundtracks.

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About the rhythm section I can confidently say I would have absolutely no reservations playing anywhere in the world with them. Thank you guys for your enthusiastic performances! This was truly a wonderful and special experience followed by many more through the last five years when we were touring Europe together with different projects and line-ups.

Thank you Don for all the musical and personal moments we shared through the years, I will never forget any of them and really learned a lot from you, as a musician and even more important as a human being! In , she founded her own trio - Jan Feco on bass and Marek Urbanek on the drums. She recorded the first demo tape and with her own original arrangements, the famous song Autumn Leaves J.

Kosma won the competition Jazz Prix The international jury composed of R.

1. Fun In The Sun.
2. The Master and His Dogs.
3. The Spirit of the Age.

Dombrowski German music journalist , G. During the same year, a live recording of the bachelor concert by Kristina Barta was nominated by the Czech Radio as a member of the EBU European Broadcasting Union in the prestigious European competition for young jazz projects Euroradio Jazz Competition The band sounds optimistic, after the periods of nervous or depressive modern jazz, perhaps, this is a new trend. In Kristina Barta won with her song "Find peace of mind" which was performed and written by her sister Martina Barta, a competition for the best jazz composition which is annually organized by OSA Performing and Mechanical Rights Society.

Karel Ruzicka and Vit Kristan. She teaches for several years at music schools in Prague. EMA29 debut album was released in by Kristina Barta at the Austrian Alessa Records in cooperation with the Austrian promoter Peter Guschelbauer among others in the years - he was the promoter of the Austrian Joe Zawinul. He has exhibits in Seattle, Houston and Beirut.

This uncompromising and decadent photographer reveals and underscores the interiority of music, which I am introducing to you", Kristina Barta. Musik, die in keine Schublade passt, verstaubt meistens in der Schublade. Der Wiener "Falter" ist sich aber sicher: Jede Nummer ist ein neuer Kosmos. It makes so much fun after all these years to play this great, great music and above all, that we could enlarge our trio to a 12 piece band with 6 horns and thanks to Christoph Cech, the shock arranger, the horns sound awesome and exciting, as I never heard it in a jazz rock formation before.

So I want to thank all the musicians for their musical contribution and overwhelming musicality, hope we can still play some decades. Auch die Verbindung von Jazz und Lyrik hat ihren Platz. ALR This hard-hitting, jaw-dropping trio, features 3 extremely virtuoso musicians from 3 different parts of the world. This hard-hitting, jaw-dropping trio, features 3 extremely virtuoso musicians from 3 different parts of the world.

Performed in over 30 countries with some of the most famous jazz musicians in the world, to name a few: The list of world jazz stars he has been performing with is endless and his collaboration with legendary drummer Roy Haynes lasted for over 20 year. ALR Das Ihre einzigartige Musik spiegelt den historischen und kulturellen Hintergrund ihrer Heimat, an der Kreuzung zwischen dem Osten und dem Westen, des Mittelmeerraumes und des Balkans.

Mixed and mastered by Christoph Kapfer. Immer neu, immer frisch! Jure und ich kennen uns seit fast 15 Jahren! Es dauerte…, war es soweit!! Mixed by Rudi Mille. Peter Guschelbauer, Alessa Records. All band members remain true to the spirit of Bebop, speaking its language with originality and natural ease. Recorded, mixed and mastered by Christoph Amann. Schneider - E - Gitarre. Da klassische Funktionszuweisungen der Instrumente so nicht gelten und gewisse Erwartungshaltungen gar nicht erst entstehen.

Free Idiots - das sind sie allemal. Und entscheidend sind eigentlich alle. Wenn sie von Einfall zu Einfall springen, in und aus dem Rahmen ihrer Kompositionen - energetisch, sprunghaft, irrational. Die Ekstase hat im Zweifelsfall Vorrang. Das ist ihre Idiotie. ALR A contemporary jazz band, Niogi performs original pieces using a combination of acoustic instruments and synths. A contemporary jazz band, Niogi performs original pieces using a combination of acoustic instruments and synths.

The band members mix harmonic and rhythmic influences taken from classical, jazz and world music. Niogi's music expresses a unique interest in cutting-edge synths programming and other electronic means of expression. In Niogi won a special grant from the Israeli Ministry of Culture to advance their music. The band tours regulraly all over Israel, playing at renowned jazz venues and university campuses, gathering an excited audience to follow them. ALR Nostalgie kann Perspektive haben.

Nostalgie kann Perspektive haben. Insofern kann Nostalgie inspirieren, denn der Blick in die Geschichte zaubert alle die aus dem Hut, die einst die Richtung vorgegeben haben. Denn es ist eine Kunst, verankert zu sein, ohne festgelegt zu klingen. Und das eben ist die Idee von Nostalgie ohne Melancholie. Am Ende entsteht im Wechselspiel von alt und neu, von Witz und Eleganz eine Musik, die auf wundersame Weise zeitlos ist. Mit Hilfe vieler Freunde, von damals bis zur Gegenwart. Produced by Per Mathisen, executive producer: Photos by Nicola Robin.

NEW Auf der Suche nach dem gefundenen Gesetz (German Edition) by Thomas Naef | eBay

Das Niveau auf dem hier musiziert wird ist einfach Weltklasse! As traveling musicians we come across a lot of people on our journeys. Of course we meet all kinds of different musicians and colleagues, but this homage is not about them, this is about those special ones, off stage, that leaves the doors wide open to their houses or their lodges, and their hearts, so you always feel most welcome.

To have a chance to move around and meet these kind of people is truly one of the most wonderful thing about being a traveling musician. There are some of these kinds in particular who has contributed and inspired a lot to the making of these recordings, probably even without knowing it themselves. This is what Wikipedia says about hospitality and characterises the persons mentioned below here in the best possible way: Hospitality is the relationship between the guest and the host, or the act or practice of being hospitable.

This includes the reception and entertainment of guests, visitors, or strangers. Peter, thank you for who you are and the enormous amount of work you do every day for us and so many other musicians. It was the best start any group can have. Wolfgang Litterak and your whole family at the Weissenwolff hotel, Steyregg, Austria: Yours sincerely, Per Mathisen. Audio at Inntoene jazz festival, recorded and mixed by Alois Hummer.

All audio mastered by Christoph Kapfer.

Linear Position

All photos by Nicola Robin. Produced by Nicola Robin and Per Mathisen. ALR Live concert DVD from "Inntoene jazz festival" and "Jazz unterm Birnbaum", including also documentary footage of life on the road, studio work and funny moments. On the road to Inntoene jazz festival. Presentation of the festival, rig and soundcheck. Gergo arrives with car from Budapest, Hungary, in the morning. Soundcheck only with guitar and drums because Per arrives from Oslo, Norway, only 30 minutes before the concert starts at 1pm. Frantic work with connecting all the cables and pedals.

After the Inntoene jazz festival concert, jumping in the cars and hitting the road from Diersbach to the wonderful Weissensee in the Alps. After the concert enjoying the beautiful lake, then back on the road driving from Weissensee to Hagenberg and setting up in the studio, getting ready for CD recording. Ending the day with a cold one and Internet outside the super hotel Weissenwolf in Steyregg. A wunderbar hot summer night.

No bass on the recording because this clip is made from the recording room. You hear how the track actually sounds on the CD. Again no bass on the recording because this clip is made from the control room.



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Werke aller drei finden Platz im Bogen der Performance. Im Zentrum steht nie ein einziger Spieler oder eine Spielerin, sondern immer das Trio. Der Gesamtklang ist hier das Individuum. Fortschreitende Tradition ist das, was diese Musik ausmacht. Man erkennt dadurch die musikalische Sprache sofort wieder, in der die Kompositionen geschrieben wurden. ALR Anna Lauvergnac is an artist with a complex personality. In her many years with the Vienna Art Orchestra she used her voice as a horn in the sax section, duetted with A.

Mears' didjeridoo and interpreted Ellington and Strayhorn ballads. But she never sounded so beautiful and fully expressive as with her own quartet, and "Coming back home", the 2nd recording of the band, is simply superb. Anna Lauvergnac is an artist with a complex personality. In her carreer she has been able to fit into many musical environments, keeping her distinct style and sound in every musical situation.

In her many years with the Vienna Art Orchestra she used her voice as a horn in the saxophone section, duetted with Adrian Mears' didjeridoo and interpreted Ellington and Strayhorn ballads. In her splendid first solo recording she courageously produced a full project of ballads, my favorites being her duets with jazz legend Andy Bey, she shone on Till Martin's spare arrangements and delighted audience and critics interpretating the compositions of Randy Newman with the Julia Huelsmann Trio. But she never sounded so beautiful and fully expressive as with her own quartet, and "Coming back home", the second recording of the band, is simply superb.

Anna Lauvergnac reaffirms her elegance in phrasing, excellence in rhythmic interpretation and uncommon sensitivity, the album is remarkable, a marriage of well-known and rarely-explored jazz standards, and four original songs. A pleasant peculiarity here is the judicious choice of extraordinarily modern-sounding compositions selected from the bursting jazz catalog of the 30's and 40's. The art of writing a song lies in the respect of a fragile balance between lyrics and melody, mood and sound, but most of all in the emotional and musical authenticity that a song needs to be expressive and sincere: They are a reverie of the four seasons: The quartet performs with flawless unity, yet each musician maintains a marked individuality that celebrates the strength and spirit of jazz.

Claus Raible has something approaching telepathy with Anna Lauvergnac. Their synchronicity in unpredictable music movements is astounding as he breaks the rules of classic 'comping' to create a freer and fuller interdependence between melody, lyrics and harmony. As always, Raible proves to be able to draw power from the roots of modern jazz to flourish into his own personal musical language, delivering a serial of spectacular solos in which he takes risks and music phrases to the limits.

Like an aerialist defying gravity, he creates unforeseen lines which soar with beauty and danger in a perfect balance between rhythmic urging and harmonic tension.