TRADITIONAL VS. CONTEMPORARY BOLLYWOOD FILMS
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. To get the free app, enter your mobile phone number. Would you like to tell us about a lower price? Bollywood films are in the West described as stereotypes, in which they believe that they all are melodramatic musicals containing the same plots. In order to prove the opposite of this statement this study focuses on the narrative changes in popular cinema of India, called Bollywood, based in Mumbai.
Literature study examines the history of Bollywood and distinctive film genres of Bollywood films. In depth interviews were conducted with Bollywood professionals, such as Anurag Kashyap, Saurabh Shuklah etc, to give their perspectives on the changing trends in Bollywood films. A content analysis of two movies, a traditional- and a contemporary Bollywood film examined the differences between both films and its narrative changes. The findings suggest that in the last decade there are many contemporary films which reveal the narrative changes in them.
Through the introduction of this topic, this study not only attempts to revise the Bollywood industry, but also aims to introduce the English-speaking audience to the narrative changes in Bollywood films, to depict the changing trends in the films and to show the other side of Bollywood when looking at the contemporary films. Read more Read less.
Kindle Cloud Reader Read instantly in your browser. There has been a keen eye for details when it comes to the colors, the cotton and silks of Bengal, the chikankari embroidery work on the kurtas, the typical golden buttons of the suit, the hat, the English overcoat and the polka-dotted bow-tie. Opulent is what describes the attire of the most recent Devdas. Paro or Parvati is the quintessential character that has a joint destiny with the main protagonist of the film, Devdas.
She is dressed in simple Bengali cotton sarees draped in the typical manner of the region.
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The movie is more focused on story telling through emotions, speech-like dialogues and songs rather than clothes, jewellery and settings. Her authentic costumes are reminiscent of the setting of the story. The flowing cottons and silks with the traditional borders, big red bindis and ornaments have been depicted in a manner that would make them relive that era. However, things were taken much further in terms of attire and jewelry when Sanjay Leela Bhansali chose to heighten the glamor quotient and portray a fantasy-like element to the tale with its larger than life characters.
What one may remember of Paro from the version would be a simple and innocent looking Suchitra Sen in her simple Cotton Bengali sari with the red bindi and kohled eyes.
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Chandramukhi too has undergone a metamorphosis to what she was presented like in the movie, which can be an authentic representation of the character in terms of attire as she exuded simplicity and grace in typical Bengali sarees. Vijyanthimala took the character of Chandramukhi further in the version and gave her an added glamor in her ornate lehangas and dupattas along with exquisite jewelry befitting a courtesan in Bengal during the pre-independence era. To a certain extent the clothes that have been worn are said to be authentic as possible because Bimal Roy was a perfectionist.
However, Chandramukhi that has been played by Madhuri Dixit in the Bhansali magnum opus gives the character a dream-like quality that is almost unattainable. Devdas is a popular film with global appeal, this is the reason why it has been remade so many times and will be remade once again. In fact, there was a movie that was released a while ago by the name of DevD, which was again a modern take on the same characters in an uber modern setting with the protagonists donning western attire.
A modern Devdas of the 21 st century would be more than an alcoholic and would exude the qualities of a metrosexual male. Indian Women Performers in Search of an Identity. The World Encyclopedia of Contemporary Theatre: Their Religious Beliefs and Practices. This developed in a religious context and was given high profile as part of temple worship. There are a number of regional and other styles as well as source texts, but the point we wish to stress is the participative nature of such dance.
In form and content, the heart of dance as worship in Hinduism has always been 'expression' abhinaya , i. Hindu classical dance-forms, like Hindu music, are associated with worship. References to dance and music are found in the vedic literature, The Oxford Handbook of Religion and the Arts.
All of the dances considered to be part of the Indian classical canon Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya and Yakshagana trace their roots to religious practices The concept of dance education. The Reader's Encyclopedia of World Drama.
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Devdas Old vs New
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