Samson, le sang et le miel (Histoires de la Bible) (French Edition)

How do music and sound effects register in our memories, when our attention is mainly focused on images? You can learn and view more of her work on her website. This week, to celebrate the U. A surf-rock soundtrack leads you through the tale of a young boy and his suntanned skating gang, all wearing matching navy windbreakers and sliding and zigzagging barefoot on small wooden planks. The film focuses on cousins MacArthur and Natt, young men displaced by the storm and now reliant on dangerous odd jobs to support their families. Employed by another victim to gut his wrecked house, they find themselves up against old divisions of race and class left newly exposed by the storm.

Hurricane Katrina had devastated the city just three months before, and we wanted to help out in some small way. We volunteered with a group called Common Ground Collective, gutting a flooded house outside the city in Plaquemines Parish. Gutting is what it sounds like: The experience stuck with me.

When I got back to New York, I was determined to somehow set my film school thesis film there. A year later, we were shooting The Second Line. It was nominated for both a Gotham and an Independent Spirit Award. He is currently developing a variety of feature-length projects, as well as a profane TV series set on a cruise ship. With Al Thompson, J. Bohdanowicz captures her routines with singular precision, economy and tenderness, in perfectly self-enclosed vignettes that together form a picture of a woman, her world, and the mutual affection that brings them into harmony.

Vivacious, joking, an unabashed coquette, Juliane Sellam is delighted with her work and with the daily tasks of baking, gardening, and remembering that carry her through each day and into the next. Bohdanowicz told us a little more about how this collaboration came to be: The opportunity to shoot the film was offered two months before my departure and so I funded the film with a line of credit. I left from Toronto to Paris armed with thirty ft. When I arrived at her apartment I was about to knock on the door, but then felt something beneath my feet, it was a doormat that said, "Maison du bonheur".

An overwhelming sense of comfort came over me and when a beautiful woman in a long blue dress opened the door, with her hair pinned up in a stunning updo, her warm and inviting smile made me feel at ease. Within 20 minutes of our meeting we began collaborating and scheming on a film which I believe captures a life well-lived. A Berlinale Talents alumni, she is currently in post-production on her third feature, MS Slavic 7 , which was co-directed with actor Deragh Campbell. She is currently pursuing her MFA in film production at York University, and you can read more about her work on her website.

Labarthe, who sadly passed away earlier this year. Olivier Assayas himself directed an entry in the series about Hou Hou Hsiao-Hsien twenty years before he became the subject of Aware, Anywhere. You definitely understand that he is someone who thinks about cinema incredibly well, and who works within a film legacy, who has a clear notion of film history, of the present and future of cinema.

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You also get that Olivier is someone who always questions and challenges himself, who works constantly. He is currently developing two narrative feature projects. The program will also include a list of five films the director loves, with his commentary on each.! With graphic, stylized frames and a peculiar narrative structure blending elements of film noir, the short tells the mysterious journey of a young woman who travels to Japan to write an adventure novel and gets drawn into an espionage plot.

I mean these films that one makes to get rid of bad ideas before confronting the real questions of cinema. But when we started to, I automatically rejected them. I got to work for the first time with Denis Lenoir, who became the cinematographer for all of my early features, and with Luc Barnier, who edited them. Elli Medeiros was the superstar — in a Warholian way — of all of my short films and she is still one of my best friends. Hence I should appreciate it more. The crew staged the Tokyo decors between an abandoned warehouse in Paris and on docks in Normandy.

It was financed thanks to a grant from the French government, which Assayas had finally obtained after applying multiple times. With Southern Belle , Peduzzi brings us a raw, empathic cinematic portrait of real-life 26 year-old Texan Taelor Ranzau, whose inheritance after the sudden death of her oil tycoon father brings many evils into her life.

We are honored to show it, for the first time outside of France, on the site. Shining a light on issues afflicting the country such as prescription drug abuse, Southern Belle is nevertheless a work of dark poetry, led by the movement and voice of its tragic heroine. The gentle lens applied to Taelor, as well as the intimate access granted to her life, can be explained by the fact that Peduzzi knew his subject well.

They dated a decade before the shoot and remained friends. Peduzzi shot the film during two separate trips to Houston, Texas, accompanied by one or two people. From the size of the crew to the camera work, every decision was meant to allow as much intimacy as possible to enter the film. To prepare the shoot, Peduzzi rewatched many films with his crew including films by the Maysles, Cassavetes, and also Laura Poitras. But a film where reality appears crazier than fiction, depicting these lives without judging them, by showing a dark side of the United States that also reflect contemporary societies elsewhere in the world.

I was stunned by how the individuals in the film were true performers, their use of alcohol or drugs surely helping this, but still they play with reality, and act the reality of their own lives. He also directed fashion shorts for Pigalle and LT Peduzzi is currently prepping his new film, also non-fiction and based on another fascinating female character he met in Houston, Texas while shooting Southern Belle.

We asked the director how this unique and fortuitous production came to be. Previously I had made a promise with a certain company to deliver a short film for their exhibition, in order to raise some of the budget for In Another Country. I was given total freedom to make any film that I wished to make.

In Another Country played in competition at Cannes in and inaugurated a cycle of films largely in English and often starring French actress Isabelle Huppert. We look forward to the U. Finally, it was also the first time that I used jazz, rock and pop music — my personal taste usually prompts me to use classical music although there is still a bit of John Cage at the end of the film. All these first times have made Malika is Gone an important film for me; by enabling other films, it has been a path that led me somewhere — which is not so often the case. It is the tale of two sisters, roommates and close friends who have helped to shoulder each others burdens for as long as they can remember, and played by real-life siblings Tilly and Maggie Hatcher with tenderness and infectious humor.

As the film begins, Jeannie Tilly Hatcher , co-owner of a vintage clothing store in Austin, Texas, finds herself assailed by anxieties that her business partner Ann Dodge might be considering legal action against her. She turns to her unemployed sister Maggie Hatcher and law student ex-boyfriend Alex Karpovsky for guidance, and as the knots of her quandary tighten and elaborate, Bujalski inaugurates an investigation into the economic lives of ordinary Americans that would continue into his most recent films, Results and Support the Girls.

Looking back on the film now, Bujalski told us: Of these, Beeswax seems to be the one that was seen by the fewest people, and received the least enthusiastic response. Probably not coincidentally, I continue to suspect that it is my best. A student at Harvard University, he was mentored by Chantal Akerman and remained close with the Belgian director until her passing in His first films, Funny Ha Ha and Mutual Appreciation , have been enormously influential for their attention to character and lo-fi but considered aesthetic.

In Computer Chess , an eccentrically philosophical period piece shot on analog video cameras, premiered at Sundance. In addition to her filmmaking practice, Telaroli is an accomplished curator, archivist and critic, and we find in Silk Tatters a movie made by a compulsive, perceptive watcher of the world.

Her characters are borrowed from other films, but they too are people who gaze at what they see in a mixture of rapturous love and wild fear. They also dance and sing and dream, until nature reasserts itself in a flower or a field. The movie screened on 35mm at BAM, and in-between the two evening screenings programmer Jake Perlin spoke about the transition that was happening from 35mm projection to digital projection.

That Fall also marked the beginning of a relationship that would take me to new highs and new lows. A few years later Brigadoon , and the entire Minnelli retrospective, was still at the forefront of my consciousness. At the same time my relationship, one built on the rocky foundation of loving and living movies, had reached a breaking point after slowly turning abusive. The result of it all is Silk Tatters , a movie born of movies and an attempt to solve a problem through them, to inexplicably move forward through looking back.

The montage, a strict combination of found and newly shot footage and layering different varieties and shades of light ie: To combine the very alive present, flowers and plants captured in Central Park, with the gasping for breath past, our constantly evolving cinematic history. To find a new context for something someone once loved. She has also edited and contributed to comprehensive anthologies on the work of William A. Recently, she consulted on Martin Scorsese Presents: Republic Rediscovered, a film series at MoMA celebrating the poverty row studio, in addition to creating the series trailer and publishing a selection of image essays to accompany the show.

Shot when Gavras was only 21 years old, with a modest video camera, the short announces his unique talent for crafting imaginative, stylish, thrilling film sequences and for capturing era-defining moments. It was a time when a friend working in a pizza delivery shop, and another friend owning a rifle and Mexican hats was enough to shoot a little film. The chase scene with scooters was probably the stupidest thing we did. Middle of Paris, no helmets, no permission, and a live working real riffle… Those were delicious times. Their aim was to shoot raw, funny films quickly with their friends, without becoming preoccupied with any intellectual or moral meaning: Set in Marseille today, the short film follows a young pair who first lock eyes on the bus to work.

Over the course of 84 hours together, they wander the city with a fresh perspective, sharing their interests, distastes, and life stories until a tragic event suddenly brings them closer. The story bends poetically between narrative and essay. Nance plays with form and the result is both fluid and effective. His debut feature, An Oversimplification of Her Beauty , which premiered at the Sundance Film Festival in , launched him as an exciting new talent. Nance earned a Guggenheim Fellowship in , and he has directed numerous short films and music videos, some of which you can see on his website.

She has the keys and knows her way around. As expected, she finds her books, her ficus plant, her old habits. But Jimena is an infiltrator in her own home, assuming her role as burglar with curiosity and clumsiness. She has found a way to enter the past through a side door — and then to hang out for a while, enjoying a glass of cold water and the sun of a summer afternoon. The construction is deceptively simple — one actor, one location.

Marianna Sanguinetti is a filmmaker and actress from Argentina. She is an alumnus of the Universidad del Cine in Buenos Aires, where she completed Antes de irme as a student, and has worked on a number of other short films as an actress and assistant director. A selection from the New York Film Festival, The Layover captures the intimate life of two flight attendants, during the one-year anniversary of the passing of a loved one.

Partners in real life, Connor and Stankus have been making a series of short films starring their family members. The idea for the series originally came from their desire to work on a project together, without necessarily needing an expensive budget or asking for infinite favors from friends in the industry.

Their crew consists of the two of them. The filmmakers wanted to avoid making straightforward documentaries about their relatives, and instead create short, engaging narratives. Stankus further explains their self-imposed challenge: For Connor, it is also a way to approach her work differently: I have that part of my work that is very stylized and planned, and this gets a bit more towards direct cinema.

For me, it is about stripping everything away and having it be almost plain. Connor is one of the most exciting new American cinematographers. You can see more of their respective work on their websites: To mark the U. In a couple of minutes and sequences, Gus Van Sant kidnaps our eyes, bringing us along the journey of four teens driving through the open road of an American desert landscape.

Van Sant delivered the ad, and separately made his own short film; one that feels complete in and unto itself. It is released in select theaters in the U. The film plays as an evening romantic confession. Pollack began with a real-life voicemail that her French friend Clovis had once left her and that she had saved. She created a fictional narrative around it, blending photographs and footage of Clovis and other friends from when they had first met during time abroad in London, along with archival images and a video she had asked him to shoot of himself recording that message shot in Paris.

Pollack then edited all of this material together, playing with the textures and associations of the different formats and mediums. We love the simplicity, contemporaneity and sensibility of the result. Pollack enjoy working with, and mixing, both mediums. I want to experience more before sitting down and writing. A US premiere at the festival in , this mischievous study of vacationing American academics finds its sprawling ensemble of characters popping up across the country and around the world over the course of and , their hair down, mood mellow and Snapples close at hand.

It is at once a nostalgic, freely imagined snapshot of a past that perhaps never was, and a psychedelic speculation about futures yet to come. L for Leisure is the weirdly cohesive result of four years of production and a precarious, fragmented shooting schedule. But L for Leisure was a sustained moment of our considering the middle distance — a past that is still accessible to us through memories, and directly through all sorts of everyday artifacts, but still feels somehow irretrievable.

By blurring the line between historical recreation and fiction filmmaking at its most artificial, We Demand becomes a woozy, wandering road trip of the mind, a journey toward political action set against a back-projected sky. Everson and Harold choose to depict Roebuck during a few precisely rendered moments of reflection and preparation. As Everson has said of his style and formal preoccupations: The films suggest the relentlessness of everyday life—along with its beauty—but also present oblique metaphors for art-making.

Mathews and Tonsler Park , and over shorts. He has been the subject of mid-career retrospectives at the Harvard Film Archives, the Tate Modern and the Whitney Museum, and the recipient of fellowships from the Guggenheim Foundation and Harvard University. Harold is a Professor of history and African American studies at the University of Virginia, Charlottesville, where she specializes in African American history, black cultural politics, and labor history.

Since its highly acclaimed launch earlier this year in Sundance and SXSW, Hereditary has been hailed as one of the most distinctive, chilling horror films in recent years — announcing the arrival of an exciting American filmmaker. Hereditary takes you into the nightmarish story of a family who is haunted and terrorized by an ominous presence after the passing of a grandmother watch the trailer below! The film, which is being released this week in the U.

Similar themes can be found running through Hereditary: It stars the hypnotic Rachel Brosnahan as a self-involved, spoiled aspiring actress who shares with us her personal issues, including those about her mother and ex-boyfriend. This darkly funny satire unfolds in a series of ingeniously framed vignettes, contributing to the eerie atmosphere that Aster brings to the screen.

The film premiered at the New York Film Festival in Aster challenged himself to make a short based on the aesthetics and tropes of Pixar movies. The result is full of rainbow colors, with sweeping camera movement, transforming the perfect American suburban life into a perverse, macabre place.

Munchausen premiered at Fantastic Fest in We cannot wait to see what Ari Aster does next. In it, the director himself plays a young man renovating his Athens flat with the help of an assured, older Albanian neighbor Altino Katro. By day, the two almost wordlessly go about their work — demolishing, pulverizing, and carefully rebuilding — and then the younger spends his nights on a rooftop overlooking the city, where friends gather to discourse on subjects both immediate and arcane, from the Greek state to their own supposed godhood.

But his direction is electrifying and attentive, always actively engaging and rooting out some greater sense of personality and identity in the quotidian incidents depicted. Carefully planned camera pans and pushes catch and hold fleeting gestures until they vibrate with strange intensity, and a profound sensitivity to space dynamicizes the staircases, windows and walls around which the characters work and lounge — even as they crumble under the blows of a hammer.

Manodopera is an exhilarating film about work and thought, about how they weave in and out of one another, both in individuals and the camaraderie of a shared task or a summer night. Manodopera prolongs this, while attempting to bring in speechless relationships, of smashing and building actions, that emphasize class relations.

Film not available online. During this ritual, chants and drum beats are performed for nine days and nights to wish the souls of the dead a prompt return to their ancestral home in Africa. Much of my time in Palenque was spent in development of the idea. It was important for me to be there to do so within the community. They introduced me to the main performers of the film. Our main premise for the actual production of the film was to find musicality in the rhythms of day-to-day life. The feature follows a woman who returns alone to the remains of her old village La Bonga, as she tries to convince friends and neighbours to rebuild the town.

Remarkably productive since his first film in , Ryusuke Hamaguchi has now completed two shorts, three documentary features, and six fiction features. Made between these two features, Heaven Is Still Far Away is dramatically spare and modest in comparison, but again proves his remarkable ability to make the familiar strange again, to bring emotions long buried in the routine of modern living ecstatically back to its calm surface.

However, Hamaguchi and his actors find ways to trace these inner landscapes in phantom form, as gestures and gazes, stories and confessions. The unexpected result is a love story in five dimensions, like Joseph L. Hamaguchi notes of the film: Courtesy of them, we can now show it to the public — my first ghost story. Every year, during the Festival de Cannes, we highlight some of the directors selected in the main competition of this prestigious annual rendez-vous of international cinema.

It tells the story of an LA couple, Camille and G. Eva Husson wrote the film in collaboration with her cast, shooting it in five days. A self-produced project made on the go, where Husson was also the cinematographer, the film is an early testimony to her directing strengths — leading her story with sincere, sensitive dialogue and a cinematic sense of her camera.

The minute film played the festival tour before it aired on the European TV channel Arte in Eva Husson has lived between the U. Her first short Hope to Die screened in various festivals including Cannes, Tribeca, Deauville, and it was nominated for awards at the Student Academy Awards and the American Society of Cinematographers.

Her first feature Bang Gang A Modern Love Story , following the sexual exploits and awakenings of a group of adolescents in a small town of France in the age of social media, premiered at the Toronto International Film Festival. We look forward to seeing her new feature Girls of the Sun. With Camille Rousseau, G. The social movement was the most important that France has seen during the 20th century, and it felt short of political change, it remained a cultural milestone known across the world.

We hear narration by a man and a woman: He was then at the beginning of his underground, experimental phase that defined the start of his career, before shifting to narrative features in the eighties. In his feature Regular Lovers , set within a group of young people following the events, Garrel even re-created the short by memory.

He went on to become a prominent, highly-regarded voice in French cinema for over fifty years. His work is characterized by two main periods: In this witty and delicately surreal comedy of confusion, Renzo Renzo Cozza wants to apply for a masters degree at a university in New York, despite not having learned the language, while his friend Ivana Miel Bargman is buying clothes for cheap to sell at a profit in Buenos Aires.

Then they stumble upon Mariana Laila Maltz , a fellow Argentine, but one who might appear more disoriented than she really is, as well as truly befuddled New Yorkers Stephen Gurewitz and David Maloney. Thrown together by chance, the Argentines wander the city increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation. Here as there they employ a loose, flexible narrative framework which allows chance and coincidence to intervene while shooting, and to become structuring devices during the editing and writing.

When 'La novia' was programmed in the New York Film Festival, we decided to take advantage of the occasion to bring three actors from Argentina to NYC, for the festival and to shoot.

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A small budget and a much smaller crew than we'd used previously allowed us to move, search out and register lots of lively action and real visual moments, that we decided to contrast with our almost cartoonish characters and plots. Frankenstein; that was always our main preoccupation.

Emily Kai Bock is one of the most notable music video and commercial directors in recent years. She has provided stunning, award-winning visuals for other artists such as Arcade Fire, Lorde, and Grizzly Bear, along with distinctive commercials for Google, Yves Saint Laurent, and Coca-Cola, among others. The short is told from the perspective of Mandy, a woman stuck between the promises made to her by her charismatic husband and the stark reality of her situation.

In reality, Mandy, who is now seven months pregnant, is left for days in their small, dilapidated house in the middle of nowhere, without money, food, or any means to leave. Bock was inspired to write this story from fragments of personal experience, as well as hearing s imilar stories echoed by mainly other women. She challenged herself to create something completely different from her past work in music videos and commercials: But the film was about being on the other side of a loud, narcissistic and dominating character, because in real-life not everyone has a lot of agency in that situation.

The protagonist is in a prison of her own submission and spends the film trying to find her strength and autonomy. Bock and her close collaborator — and real-life partner — cinematographer Evan Prosofsky, try to shoot as often as possible on film. I was blown away by the way 70mm gives each shot an emotional punch, the clarity and depth seemed almost transformative, breaking free of the romantic gaze 35mm so frequently offers.

Bock was able to attend Sundance two years ago, for writing, directing, and editing a short documentary on the New York underground rap scene, called Spit Gold Under An Empire , which she made in partnership with Sundance TV and Nokia Music. In , she was granted a year-long fellowship to develop her feature by Cinereach. Emily Kai Bock is currently writing the screenplay for her first feature, which will be a new departure in genre for her. This week, we are premiering the first short film by New York-based photographer and writer Jen Steele.

The film captures, through beautiful Super 16mm images, the summer days of two young girls, Bruce and Ruby, half-aware of the jagged emotional state of their mother, who is struggling to keep control of the situation after the off-screen arrest of their father. Follow the Roses initially came from a feature Jen Steele originally wrote in for her mother, who passed away the following year.

Steele wanted to investigate her childhood, when she witnessed her parents suffering from heroin addiction in the 90s. Steele chose to narrate her short through the elder sister girl, and she tried to shoot mostly from the point of view of the children. You can see more of her work on her website.

She also founded the editorial platform Girls I Know designed to encourage growth and conversation among young women. In his minute film, Nassiri stages memories of Tehran in the 70s, collected from Iranian people now living abroad, through the connected minds of young residents of the City of Angels.

The film gives birth to an urban, virtual territory suspended in time and place, with streets lit by neons and fireworks. The film was produced by up-and-coming Paris based production company Jonas Films. The filmmaker interviewed 30 Iranians who used to live in Tehran at the time and have since moved to North America or Europe. Staging these collected memories in the street of Los Angeles moves people intimate memories in the public space of Los Angeles streets, making it visible.

Also the material space of LA and the virtual spaces described in the stories interact like two tectonic plate rubbing on each other. He was born in Tehran in , and is now based in Paris. We are thrilled to premiere this week the beautiful and audacious debut feature of New York filmmaker Roi Cydulkin.

Caprice is a free-form film, taking the viewer through an impressionistic, cinematically trippy New York City experience. We follow a young man played by Cydulkin struggling to find himself through three strained relationships — the three acts of the film — as he descends into a surreal kind of sickness. The director likes to say his film is not for everyone — but please let Caprice speak for itself! Caprice presents a young couple who lock themselves into a kind of childlike fantasy, with the city as their playground.

As reality starts creeping back inside their world, the relationship begins to sour and collapse. For the remainder of the film, the young man attempts to recreate this codependent fantasy existence with whomever he can, with increasingly disturbing and failing results. Cydulkin shot the film a few years ago, inspired by the people he was engaging with at the time: He cast his friends, and led the small crew of six people, with everyone helping as they could.

It was wild but beautiful; it truly felt like a team effort. He offers us the different definitions, which for him evoked both the film and the production process: Roi Cydulkin was born and raised in New York City. He also works as an editor for photographer Harley Weir and for art director and director Fabien Baron.

He was a finalist for the Sundance Screenwriters Lab and is currently completing the script of his second feature. Cydulkin was making music for most of his early 20s, and he always imagined becoming a writer. This short follows a girl who is sent away on a holiday with her cousins, where she meets a boy on a secret mission. All the while, in the back of her mind, her sister is back home in a hospital bed. Haigh adapted the screenplay from a short story by Sarah Tierney. The Good, the Mad and the Beautiful is a portrait documentary about the inspiring, resilient Carolyn Parker — a woman in her sixties who was the last to leave her neighborhood when Hurricane Katrina approached New Orleans, and the first to return to her devastated community.

Jonathan Demme, along with his producer Daniel Wolfe, followed her over a period of five years, as she was determined to rebuild her house, her church and community. I just wanted to go down and do something, so I started making seasonal visits. Upon their first meeting with Carolyn Parker, they were instantly drawn to her marvelous personality and tenacity, and quickly decided she had to be the leading voice of their film. They would come back every few months, and each time, she would keep revealing more about her life and current struggle, with an inspiring optimism.

Jonathan Demme, who sadly passed away almost a year ago, was the Academy Award-winning director of acclaimed features such as Melvin and Howard , Something Wild , Silence of the Lambs , Philadelphia and Rachel Getting Married Demme also directed performance films such as the beloved Stop Making Sense , immortalizing the live performance of the Talking Heads. Demme directed many other films, including a series of documentaries, all demonstrating his understanding of humanity and his true social and political conscience.

Beigels Already is a wonderful example of a film portrait of a location. The 8-minute short introduces us to the vibrant atmosphere and charismatic people both in the kitchen and in the shop, the making of the bagel, its culture, and what makes this food so loveable. She directed and produced the short on her own, and managed to sell it to the BBC.

The short has been since been broadcast around the world. Today, the shop is a world famous destination for tourists, and also local night owls. Legal Smuggling with Christine Choy , their official debut, screened at the New York Film Festival before touring in dozens of other festivals. This short is also their first episode in a series that presents artists through a personality-revealing anecdote. The Kloster brothers are self-taught animators, originally from Minnesota, and they shine here with an excitement.

A whole summer to make a 4-minute short? It was our first ever animation so we made sure to break out of the studio for coffee and bike ride breaks. That really laid the groundwork for the attention-deficit driven -- yet relaxed -- attitude our animations have. They have already managed to complete their Legal Smuggling series, and they plan to release them all together, with the hope of continuing to expand the project they have dream subjects in mind.!

When asked about their influences, the Klosters say they look up to and identify with artists and musicians who have a certain attitude towards their craft, an attitude which they also see themselves adopting in their work. The filmmaking is assured and the subject is timely the short was shot before the U. The cast features Summer Phoenix, who plays the mother, and French electronic musician Jackson composed the music. As part of her research, Godivier spent time in Texas driving around the border in patrol trucks. She studied photography at the International Center of Photography in New York, 3D computer animation at Studio Mercier in Paris, and then she started directing music videos and fashion films.

Godivier is currently writing her first feature. With Summer Phoenix, Timothy V. The short depicts a woman meeting the private eye she has hired to investigate her husband, exploring the psychological questions and consequences of such an encounter.

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Zvyagintsev mastered the short exercise, bringing depth, mood, and suspense to a scene between two people. The stories themselves dictate the way they should be told. He began his studies and career in film as an actor. In , he directed his debut feature The Return, a mystery-filled reunion between two teenagers and their fathers, which received several awards, including a Golden Lion at the Venice Film Festival.

The Banishment , Elena , Leviathan , and Loveless The clash of cultures awakens her being. Following the success of this short, with prizes in Cannes, Toronto and Sundance, Atsuko Hirayanagi expanded it into her first feature of the same title. Atsuko Hirayanagi had the feature in mind from the beginning, but she started by shooting this short.

The original idea came from a writing exercise where students were asked to write about someone they knew: I wanted to give her a voice and make her speak through Lucy, and to give her the permission to release what she has bottled up inside The short film Oh Lucy!

The feature-length version of this film, also titled Oh Lucy! You can find on the website the list of select theaters where Oh Lucy! The music is by Thom Yorke and cinematography is by Darius Khondji. The original idea of the short was to illustrate the friction between our different perspectives on the world. Together, this group of talent created a gorgeously choreographed film, in which the camera becomes a lead dancer and character, following and confronting the cast.

A fireworks display of physical movement and camerawork emerges, captured through the use of five different ingenious rigs. Among the five rigs used were the Pendulum Rig and The Dolly Zoom, as well as three others created by artist and camera rig veteran Tony Hill: The film is filled with deadpan humor, twisted and despairing characters, and guns. A man Brendan Gleeson , whose wife has just died, embarks on an increasingly bizarre and violent train ride through the Irish countryside, where he encounters a strange and possibly psychotic young oddball.

Death never lets go in this short story, but McDonagh manages to counterbalance his dark story with comedy and sincere reflections, conjuring a tragedy that gradually becomes less realistic while at the same time more emotionally wrenching. The short is performed by a powerful cast, led by Brendan Gleeson: He helped me so much on the short, he protected and stood up for me and showed me how to do it in lots of ways.

He started his career in the theater and has been nominated for four Tony Awards for the following plays: McDonagh has directed two more features: With elegant and colourful frames, A Summer Dress follows Luc, a young man who escapes to the beach, seeking time away from his lover, only to encounter a spirited Spanish girl. This film includes graphic nudity! We are presenting this short in partnership with MyFrenchFilmFestival, a month-long online film festival starting today with Paolo Sorrentino leading the jury.

One admires the construction of the narrative in A Summer Dress , cleverly built around a love triangle and a flowery piece of clothing. Over 24 hours, the story manages to capture a tale of sexual liberation, while providing a perfect capsule of time and place. To entertain each other, they start acting as if they are an adult couple. In turn, they overcame their shyness and fall in love online! De Givry deliberately wrote the script for the house he lived in as a child, and later as a teenager when his parents were divorcing. He based his story on the floor plan of the rental.

On the first day of the production, the two actors fell for each other, and became a real couple by the end of the shoot. Aragon, Ripoll 74, f. Giordanengo , l'architecture P. Baumgartner se penche sur. Cela se confirme notamment dans le mot d'introduction de M.

Zimmermann, qui pose des questions essentielles sinon neuves, et dans la table ronde qui conclut le volume J. La contribution de D. Averardo Roger , Escoffier Catherine et Robert. L'antiphonaire de sanda Tullia. Sainte Tulle [F], Association Tetea, London, BL, Royal 16 F. From Sorcery to Witchcraft: Speculum, 76, 4, , p. La distinction n'est pas claire dans les manuels d'Inquisition, dont le premier, la Pradica inquisitionis, est de la main de Bernard Gui.

Ensuite, en , Nicolas Eymeric le Diredorium inquisitorum. Ipsi canamus glo- riam. I frammenti liturgici latini delt 'Archivio Storico Comunale di Nonantola. Con un saggio paleografico di Valentina Longo. Trascrizioni musicali di Eun ju Kim. Archivio storico Nonantola, 4. Raroffio Giacomo e Sodi Manlio. Gra- duale de Tempore, juxta ritum Sacrosanctae Ro-. Editio princeps a cura di Giacomo Baroffio — Manlio Sodi. Monumenta Studia Liturgica, Baroffio Giacomo e Kim Eun Ju. Graduate de Sanctis, juxta ritum Sacrosanctae Romanae Ecclesiae. Aux sources du salut.

Beaune Colette - Lequain Elodie. Ga- brielle de la Tour et ses contemporaines. Quellen — Funde — Hypothesen. Jahrhundert datierten Reste ei- ner in Lorsch gefundenen Farbverglasung, dar- unter der Kopf eines Heiligen. Jahrhundert und der Mitte des Jahrhunderts vorgestellt, schlieBlich ein Kopf aus dem Benediktinerkloster Weifienburg von vor Aus der Buchmalerei wird folgende Hs. Kunst des Cimabue ohne Wirkung, anders als im iibrigen Mittelitalien einschlieBlich Siena, wo der Meister der Clarissen, der mit Rinaldo da Siena zu identifizieren ist, starkes Interesse an dem Florenti- ner Meister zeigt.

Rinaldo werden nach den Minia- turen in einer Pariser Hs. Der Wolf in der Kutte. Approfondimenti in margine a Cimabue. Mitteilungen des Kunsthis- torischen Institutes in Florenz, 44, , S. Der Verfasser betont die Bedeutung von Pisa fur die Kunst des Cosmas und Damian, der mit Gilio di Pietro identisch zu sein scheint.

Sandi Bernardi Opera, IX. In opera omnia S. Bibliotheca audorum, tradudo- rum et scriptorum. Phi- lobiblon, 44, , p. Saint-Gall, StiftsB, produit local, vers , format 10 x 34 cm. Mikrokosmos und Makrokosmos bei Uo- dalscalc von St. Ulrich und Afra um Augsburg, Archiv des Bistums 78, fol. Poetry and Philosophy in the Middle Ages. Udalrici et Afrae Augustensis de Wilhelm Wittmer , soit le fol. Uodalrici dans le ms. Augsbourg, Staats- und Stadtbibl.

Au-dessous, et en plus petit 1: Saint-Gall et la Lombar- die dans F histoire de l'enluminure. Saint-Gall, StiftsB, fol. Kalender, Leerseiten und Miniaturen. Ein Streifzug durch die Det- molder Maerlant-Handschrift. Jacob van Maer- lants Der naturen Bloeme L'examen codicologique du ms. Par exemple, le ms. Biblioteca M arucelliana Firenze. Le Grandi Bibliote- che d Italia. Il traite de la Biblioteca Maru- celliana. Il s'agit d'un Astronomicon de Basinio Parmense ms. Anne Ch al an- don. Baubetrieb im Mittelal- ter. Letztere sind fast durchwegs in Form von Umzeichnungen und Ausschnitten aufgenom- men.

Lediglich Paris, BNF, fr. Jahrbuch der Oswald von Wolkenstein Gesellschaft. Dabei wird heraus- gearbeitet, dass und wie die Kopfbedeckungen zur Charakterisierung der Personen beitragen. In diesem Zusammenhang stellt die a. Edi- zione con apparato di note, introduzione, re- gesti e transunti di Gabriele Iannelli, appen- dici e indici. Presentazione di Luciano Orabo- na. Fonti e Studi, collana diretta da Luciano Ora- bona, 8. Ainsi se poursuit le travail de l'a. Integral With an Introduction by F. Praedic, , 29, p. Dempsey , Rome, , p. Praedic, , 64, p. Quatre des neuf planches p.

Madrid, BN, sigle M contient, aux folios 68rarb, une Expositio libri de anima de nom d'auteur, mais elle suit, dans le la Scientia libri de anima de Pierre d'Espagne. Et- tore Falconi, poursuivant les travaux de Jean Mal-. Heures l'Office de la Vierge, France Paris? Bible, Italie, XIVe s. Buch und Bild im Mittelalter. Ausstellung, Dommuseum Hildesheim, Dezember Ja- nuar Paul Getty Museum, Ms. Zeitschrift fur baye- rische Landesgeschichte, 64, , S. Jahrhundert, wird durch Textvergleich als Abschrift des Druckes von Siegmund Feyerabend von identifiziert.

Karlsruhe, Badische LB, E. Eine Ausstellung der Universitdtsbibliothek Pour ce faire, l'institution mit sur pied une. Buonaguro Carmela , Dons! Introduzione di Giovanni Vitolo. Iter Campanum a cura di Giovanni Vitolo, 9. Sur le corps de l'ouvrage: Ce nous dist li escris Questa no- bile famiglia veneziana tenne il palazzo fino agli ini- zi del s. XIX, ampliandolo nel L'erudizione storica a Capua. I manoscritti di interesse medievistico del Museo Campano di Capua.

Ufficio centrale per i librari le istituzioni culturali e l'editoria. Regione Autonoma Friuli-Vene- zia Giulia. Pratiche di scrittura corne rappresentazione. Voir BC nos 58, 60, 73, 77, 82, , , , , , , , , , , , , , , Edited by Mary-Jo Arn. Bulletin du Bibliophile, 1, , p. Mombello , le ms. A Conspectus of of the Works of Boethius. Italy and the Vatican City. Warburg Institute Surveys and Texts.

II , vol. Translation, Canons, and Cultural Capital: Pour ne citer que quelques exemples: Car- pentras, BM, Le Roman de Cassidorus e. Le livre grec des origines d la Renaissance. Series Latina, CLX k. Textes et documents d'histoire 2. Ces membra disjecta, qui constituent un ms.

Medieval and Renaissance Texts and Studies, Un livre non indispensable Studi trentini di scienze sto- riche, 80, , p. Altri manoscritti che la riportano e conservati parimenti a Trento, sono copie settecen- tesche. Voir nos 85, Dans cet article, l'a. Ce nous dist H escris De la Grammaire des formes d la grammaire du sens. Bruxelles, juillet De nombreuses analyses permettent de comparer dans une vision contrastive plusieurs langues romanes: Comme le fait remarquer A. Boureau dans ses pages de conclusion p. Miscellanea di studi in onore di Iginio Rogger in occasione del suo ottantesimo compleanno.

A cura di Ema- nuele Curzel, Bologna, Dehoniane, , p.

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Pubblicazioni delFlstituto di scienze religiose in Trento, series maior, IV. Viene ampiamente descritto e commentato il ms. XIV, con rubriche e iniziali in rosso. Ripartito all'origine tra Cerimoniale papale ff. Numerosi i codici di rife- rimento usati o citati. Byzantinische Komponisten in der Handschrift A4 Notizie prosopografiche affiancano efficacemente le annotazioni liturgico-musicali. Opportuni i raffronti con i seguenti mss: XV , , , s. XVI 12 , , Metoch. XV-XVI , a. XV , Xeno- phont. Leimonos, ; Meteora, 40, 44, 92, , , s. XV , , , ; Moskva, Go- sud.

XV , , ; S. Derbes Anne - Sandona Mark. Variations on the Theme of Charity in the Arena Chapel. Speculum, 76, 3, , p. Ajout au XVIe s. Unbekannte Weih- einschriften des Zeitschrift fur bayerische Landes- geschichte, 64, , S. Zur Weihe der Burghauser Jakobskirche im Jahr wurde im Jahrhundert eine angelegte Hs. Jahrhunderts nicht mehr auffindbar war. Diesen Pergamentcodex hat der Verfasser jetzt in einer Hs. Im Anhang werden daraus die Weih- einschriften aus St.

Jakob in Burghausen von abgedruckt. Chartres, , p. Livre d'Heures, Metz, Arsenal, ; Cambridge, Fitzwilliam Mus. Saint Augustin, Sermones ad heremitas et Confessiones et Valerius, Epistola ad Augustinum; folios, Lombardie, vers , miniatures. Meyer , B. Woledge , C. Oltrogge , M. Jung , l'a. Wattel, un stemma codicum. Le stemma du noyau ancien p.

Pour ce faire, M. Nous ne pouvons pas toujours nous montrer d'accord avec elle: Ainsi, dans le cas d'une forme Segnor p. Ne multiplions pas les exemples. Une grande partie de l'ouvrage p. Quel de ce type peuvent poser chasteu: Pour ma part, j'aurais tendance qu'il ne s'agit jamais que de la rubrique initiale du de P. Mutation de Fortune ainsi que, dans une moindre mesure, dans YEpistre d'Othea p. L'ouvrage comporte aussi des annexes bien utiles, comme l'analyse du ras. P et qui constituent une marque de fabrique de Wauchier de Denain moralisateur: Di Lorenzo Maria Teresa.

Fonti Musicali Italiane, 5, , p. Le lecteur trouvera en appendice p. Voir nos 38, The Greek script in the 15th and 16th centuries. La dimostrazione dell'assunto sta nei fatto che le premesse immediate a questa simbiosi decora- tiva, evidenziata paradigmaticamente nei famoso Evangeliario greco Baltimora, Walters Art Gallery, W. XV e XVI da un lato, codici greci dal s. Athos, Karakala 11 s. X ; Paris, BNF, gr.

A Porretanean on Aristotle's Categories. F enluminure tardive d Saint-Gall Le Rayonnement de Saint-Gall Dauid in similitudine Christi dicit. Un sommet de cette est atteint, selon M. Les sept figures noir et blanc, malheureusement sont sans plus lisibles. Il s'agit surtout de glossaires de termes grecs et de glossaires de la materia medica. On en retrouve des traces dans les dictionnaires du IXe s. The Analysis of the Letter. A New Palaeographical Method. The English Medieval Book. Studies in of Jeremy Griffiths.

Edwards, Vincent Gillespie and Ralph Hanna.

London, The British Library, Abgerundet wird das Panorama kodikologi- scher Studien von K. Kodikologische und literarhistorische Aspekte kombinieren S. Mit Caxtons zweiter Ausgabe der Canterbury. Tales steht im Beitrag von N. Evangeliorum quattuor codex Petropolita- nus Lat. B Paris, BNF, fr. Un bref chapitre p. Les sources du livre paraissent plus diffuses et composites. A constitue l'essentiel de l'introduction p.

Biaulz nep- veulz p. Kleine Apologie der Lauber-Handschriften. Zeitschrift fur deutsches Altertum und deutsche Literatur, , , S. Er regt an, dafi nach der kunstgeschichtlichen Erfor- schung auch die Textwissenschaft weniger die Pro- duktionsweise als die Produkte selbst in den Blick nehmen sollte. Paul Getty Museum, Stammheim Missal. Fasti Ecclesiae Gallicanae Plusieurs mss au XIXe s. Fragmenten van de Roman van Heinric en Margriete van Limborch. Antwerpse Studies over Nederlandse Literatuur-geschiedenis, 6.

Uit- gegeven volgens het Brusselse handschrift, Amster- dam-Antwerpen, Description codicologique des fragments p. Paul im Lavanttal fols. Codices Selecti Phototypice Impressi.

La Cousine Bette (ed. Houssiaux)

Aosta, Biblioteca del Seminario Maggiore, Cod. Trinitarian and Philosophical Issues: Comme il est dit dans l'avant-propos: In precedenza le edizioni del anonima e del a cura di P. Themelis , indipendenti una dall'altra, erano semplici trascrizioni diplomatiche. L'analisi lettera- ria e stilistica porta all'attribuzione del testo diretta- mente a Teodoro ii Laskaris. Altri codici citati a documentazione marginale: Athos, Lavra Q 59, I 67, Xenophont. All Roads Lead to Rus: A Journal of and Renaissance Studies, 31, , p. According to the a. Indeed, it should cause no surprise that the commercial and dynastic relations between Kievan Rus and Catholic Europe would result in the eastward transference of artistic influences as well.

In order to prove her point, the a. At the conclusion of the article are included several black and white photos of images from these three mss though their direct source is published books: Christ in Majesty, St. Luke by some initials and St. Eine Rede auf das Akatistos-Fest und Theodoros ii.

Jahrbuch der Os- terreichischen Byzantinistik, 51, , p. Prima edizione critica di un'orazione per la festa dell'Acatisto, sulla base dei codici Athine, E. BC costituiscono un sottogruppo con-. Gli incunaboli e le cinquecentine delta Bi- blioteca comunale di Ala. Catalogo di Anna Gonzo. Prefazione di Eduardo Barbieri. Patrimonio storico e artistico del Trenti- no, Ce catalogue recense tous les incunables et les du XVIe s. Gli Studi Agiografici sul Medioevo in Eu- ropa A cura di Emore Paoli. Lapidge ; Allemagne F. Prinz ; Italie P. Golinelli ; Belgique R. Godding et Pays- Bas A.

Es bestehen Verbindungen zu dem lateinischen Spezial- lunar der Zentralb. Dans ce volume sont reprises une quinzaine de contributions que l'a. Elles ont paru dans diverses revues: Depuis plus de vingt ans, A. Women's Healthcare in the Medieval West. Depuis la publication dans Scriptorium , p. Et que font alors dans cet Appendix les mss de Trotula: Van heymeliken me- dicinen in vrouwen ms.

Trota et Trotula la mention de trois mss latins? D'autre part, dans l'inventaire des textes de ps. Remarques sur l'utilisation de la geste chez Mousket et Aubri de Trois-Fontaines. Wem schrieb Theodoros Pro- dromos epp. Edizione critica con traduzione in tedesco e commento di due lettere di Teodoro Prodromo dai codici Oxford, BL, Barocci gr. Ve- nezia, BN Marciana, gr. Studi bizantini e neogreci, 4 , carmina i-ii.

Périodiques

Queste due epistole metriche, ignote. Wallraf-Richartz-Jahrbuch, 61, , p. Jahr- hunderts publiziert worden, die sich in vier Gruppen zusammenfassen lassen: Ferner das Xantener-M issale Xanten, Stiftsarchiv und -biblio- thek, H , das mit einem ganzseitigen Kanonbild ausgestallet ist und wohl fiir den Xantener Dom be- stimmt war. Die beteiligten Buchmalerinnen arbeiteten wohl etwas vor Loppa vom Spiegel, zu Beginn des Dix-huit mss sont connus, dont une douzaine au Moyen Age. Paris, Arsenal, voir aussi planche 7 et A voir pi. Dans du stemma codicum du Memoriale, l'a.

Jean de Saint-Victor occupe. Augustinianum 41, II, , p. Struktu- rale Bewegungsanalyse an einer mittelalterlichen Handschrift. Methoden der Schriftbeschreib- ung Middeleeuwse Verzamelhandschriften uit de Nederlanden, V. Ange- lo Polizianos Transcription in the Statius Commentary Menander Rhetor, edited with translation and commentary, Oxford, Obert ne mentionne pas en outre tous les mss.

Finalement, dans le ms. Le lieu d'origine du ms. Detmold, Lippische Lan- desbibliothek , 70 anno ? Finalement, au XVIIe s. Fassung des Nibelungenliedes, Wien, , in wieweit das ms. Dans les domaines connexes de l'astrologie et de l'astronomie, citons les Libros del saber de astrologia Madrid, Bibl. D'autre part, il semblerait que le vers du ms. Outre le fait qu'il s'agisse du seul ms. The Cartographie of Thomas Elmhan. Cambridge, Trinity Hall, 1 autographe. Van f et M. Histoire de la Reine Berthe et du Roy Mise en prose d'une chanson de geste. Cette longue analyse ne remet pas en cause les conclusions par A.

Beschrieben von Regina Hausmann. Scrittura di copista, scrittura personate: Zurich, Staatsarchiv, 19 n. Beschrieben von Joachim Vennebusch. Die und hagiographischen Handschriften, 2. Bibliotheca Scriptorum Graecorum et Romanorum Teubne- riana. Les Legendae livre I: Les Carmina historica livre III: BSB, Clm olim St. Klagen- furt, UB, Perg. Hl et Hanovre, Nieders. Leibnitz et son J. Strecker Leipzig, , Nous lirions Nec-prohibere quin uisitem de M2 en 1,1, Maria, v.

Population et espace urbain. Parmi les sources que l'a. Lexiques grec-syriaque et philosophie Lexiques bilingues Fonti, me- todologie, interdisciplinaritd, prospettive. Torino, Archivio di Sta- to, settembre Pubblicazioni degli Archivi di Sta- to, Saggi Relevons les articles suivants: The Index of Middle English Prose.

Kari Anne , Schmidt Rand. Gonville and Caius College, Cambridge, was founded in , the year of the pestilence, by Edmund Gonville. The library of Gonville and Caius was from that of other colleges in that it of two separate ones: This division is still visible in the first complete catalogue by Thomas James, in The library was well stocked right. When one goes through the list of items as in the Summary List of Contents it soon clear that M. The length of the text may vary from a single line written in the margin of a Latin manuscript e.

Paston is a good felaw seyth norwych ye gentelman in ms. Hec cas- trimargia anglice a wodcoke in ms. Per manuscript the following information is provided: Finally, after the last item, some general comment on the ms. Aucun salon ne serait complet, sans son homme politique. Ces deux hommes politiques voulaient faire un noyau de Progressistes dans la grande phalange des Conservateurs. Elle fut charmante et obtint un triomphe complet. Vous ne connaissez point Paris! Et elle laissa les deux artistes confondus, qui firent, avec la critique, un concert de louanges en son honneur.

Madame Marneffe, elle, ne triomphait pas en face comme toutes les autres. Ce mouvement de danseuse agitant sa robe, par lequel elle avait conquis Hulot, fascina Steinbock. Les artistes sont si distraits! Cette petite madame Marneffe est excessivement spirituelle, mais elle est coquette…. Trop fin pour demander madame Marneffe, Stidmann passa roide devant la loge, monta rapidement au second, en se faisant ce raisonnement: Au coup de sonnette, Reine arriva. En effet, Stidmann, qui resta quelques instants rue Vanneau, vit sortir Wenceslas, et lui fit signe de venir promptement.

Je lui avais dit des choses si touchantes: Pourquoi me prendre Wenceslas! Sois douce et bonne, et tu auras la conscience paisible. Au lit de mort, un homme se dit: Oui, je voulais emporter mes douleurs au tombeau, comme un suaire de plus. Et cela, devant le berceau de son enfant! Vous savez tout ce que risque alors une femme.

Nous aurions eu quelques milliers de francs, et il nous en fallait dix mille. Wenceslas, mon ami, votre femme a failli mourir, reprit-elle gravement. Vous voyez combien elle vous aime. Mais plus de Marneffe. Ne te plonge plus jamais dans de semblables bourbiers….

Dalila ne le saurait penser. Wenceslas, tu es un trop grand artiste pour te laisser ainsi dominer. Puis-je me dire toujours. Le suicide paye son opium, son pistolet, son charbon. Hortense demeura pendant dix minutes environ sous cette oppression. Je vous donne une heure. Je suis, malheureusement pour moi, une Hulot et non pas une Fischer. Wenceslas fut donc heureux de pouvoir retourner chez madame Marneffe.

Heureusement pour Crevel, Lisbeth entra. Est-ce que les grands artistes devraient se marier? Ceci, bien entre nous. Je pourrai dire alors: Adeline se retourna, le visage couvert de larmes. Tout cela se devinait. Mais nous causerons de tout cela demain matin. Maintenant que faire avec des femmes qui pleurent? Ne me pleurez pas vivante! Cette femme vous est funeste, elle vous mettra sur la paille. Nous sommes tous dans le secret de nos torts. On vous le rendra, monsieur, votre argent, dit-il en se levant.

Ne me laissez pas aux corbeaux! Adieu, mes enfants, adieu, ma bonne Adeline. Et que vas-tu devenir, Lisbeth? Monsieur Marneffe sera-t-il ou ne sera-t-il pas le successeur de monsieur Coquet? La dotation passera-t-elle ou ne passera-t-elle pas? Attendre un mois, on sait ce que cela veut dire. Tu vois mes larmes, elles tombent sur mon papier, elles le trempent! Tu deviens jaloux, eh! Nous sommes ainsi, nous autres femmes: Je ne vois que la fuite. Pauvre chat, comme je te plains! Je ne connaissais pas mon bonheur.

Mille caresses, mon chat. Tu verras ce soir chez Lisbeth. Vous voulez la guerre, elle sera vive et sans quartier. Victorin et sa femme vinrent. On fit un whist. Lisbeth, il la maltraite! Que ferez-vous pour moi? Il mena deux fois Adeline et Hortense au spectacle. Et la pauvre Adeline croyait avoir reconquis son cher Hector! On la dit si belle encore que tu es capable de me trahir, tu es un si grand libertin!

Je te sacrifierais cent Adeline! La haute administration regorge de filouteries. Cent louis de rente suffiront. Quelle perte pour le monde si elle devenait folle! Je sais maintenant tout ce que je voulais savoir. La session est finie, cependant. Je crois, ma foi, que les journaux appellent aussi les sessions, des campagnes parlementaires.

Elle allait atteindre au but de son ambition, elle allait voir son plan accompli, sa haine satisfaite. Que ta fille ne te voie pas ainsi! Nucingen se moquerait de moi! Mon pauvre oncle se tuera. Ne tue que nous, tu en as le droit, mais ne sois pas un assassin! Reprends courage, il y a de la ressource. Oui, je puis vous sauver tous… Oh!

Quand ne souffrirai-je plus? Cette comparaison suppose une sorte de science culinaire en amour. Supposez madame Marneffe vertueuse! Ces grandes et illustres femmes, ces belles Diane de Poitiers vertueuses, on les compte. Madame Hulot attendait Crevel dans les intentions qui le faisaient venir en souriant aux Parisiens du haut de son milord, trois ans auparavant. Ils auront maintenant pour vivre ce que gagnera Victorin au Palais. Ma vie est joyeuse! Je descends gaiement le fleuve. Surtout, ne me dites pas: En entendant ces mots: Il releva galamment la baronne en lui disant cette insolente phrase: Pourquoi me demandez-vous deux cent mille francs?

Tout le monde fait valoir son argent et le tripote de son mieux. Nous sommes revenus aux temps bibliques! Vous vivez par trop, mon Adeline, rue Plumet! Vous voulez deux cent mille francs? Quand je vous disais: Vient-il chercher votre sublime vertu dont le tarif est de deux cent mille francs? Ce mot fit frissonner madame Hulot, qui fut reprise de son tremblement nerveux. Voyons, il vous faut cette somme? Je vais vous faire avoir vos deux cent mille francs. Cela ne suffit pas, il faut un Gogo, un actionnaire, un Hulot. Elle tremblait de ce tremblement qui, depuis ce moment, ne la quitta plus.

Le sang abandonna ses joues, elle devint blanche, et ses yeux furent secs. Je ne serais plus une duchesse pour vous, monsieur, que je suis toujours ta petite louloutte , vieux monstre! Moi, voyez-vous, monsieur Crevel, je ne me moque point de la religion. Et si je te perdais! Quel est mon devoir? Cet homme est mourant, et que fais-je? Je te voudrais voir inventer, pour deux cent mille francs, une chose plus difficile, une chose vraiment utile.

Cela sent son comptoir. La voix forte et claire de la Lorraine lui permettait de causer avec le vieillard. Mais tout est inutile…. Soyez tranquille, on ne trouvera pas de preuves contre vous. Seulement faites-vous bien oublier. La succession du baron Hulot excite toutes les ambitions. Aussi doit-on se dire, en travestissant Voltaire:. Que vous a fait mon mari? Cet homme, quasi-dissous, y resta plusieurs jours, refusant toute nourriture sans dire un mot.

Je ne doutais pas de vous: Monsieur le comte vous accompagnera chez vous pour vous donner sa signature. En ce moment, Claude Vignon entra. Il alla prendre Hortense et la baisa au front. Je suis indigne de la vie de famille. Les recherches de Victorin furent infructueuses.