Recitative and Aria: A un dottor della mia sorte, No. 10 from Il Barbiere di Siviglia

This sheet music was newly engraved from early and authoritative editions. Lyrics by Cesare Sterbini.

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Write a product review. Furthermore, his singing was never less than gracious no matter what stage-business involved him. His highly energetic performance, nimble-footed capers, and handsome, dashing presence made for a convincing factotum. In another debut, tenor Yann Beuron, displayed a light, pleasant tenor.

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Beuron was both aristocratic and youthful as befits the role. Veteran bass Paul Plishka returned to the company in the role of Doctor Bartolo. In yet a third company debut, bass Philip Ens displayed a striking, if somewhat inconsistent bass. Furthermore, he created a unique, fascinating character as Don Basilio, all uptight in his stiff-collared suit.

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The conductor for the production, Stefan Soltesz, was also making his company debut. And it was a distinguished one at that.

Musical matters were kept firmly in hand, the ensembles tight and the orchestra playing with sparkling buoyancy. And while there were, as they also stated, few cuts in the recitatives than usual, the cuts elsewhere were more extensive than such a statement would suggestion. The overall impression left from the performance attended was one of disappointment in the overall level of singing, with none of it standing out as exciting or exemplary.