VAJRAS DORJES

Phurba is often used during Tibetan Buddhist tantric practices for the clearing or cutting away of evil spirits. Dorje is an inseparable ritual objects in Tibetan Buddhism, and it is always used in combination during religious ceremonies. It is avery important Buddhism symbol of protection. A lovely small dorje or thunderbolt, with four prongs.

It designates sunya or void which cannot be be destroyed but itself destroys all ignorance. Vintage Original Dorje or Vajra.

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We respect the importance of these religious materials. We are practicing Buddhists. But the dorje symbol is not a weapon, it is a ritual object. In Tibetan Buddhism, the dorje symbol is inseparable with the bell. In Tantric Buddhism, the bell represents the feminine, and the dorje re This is a natural stone. As such, natural stones have imperfections, making each one unique. The thunderbolt or diamond that destroy all kinds of ignorance, and itself is indestructible. The Vajra is symbol of Indra also. The bell representing the female aspect, stands for "prajna" or "wisdom The Vajra, or Dorje is a Buddhist symbol representing the nature of reality.

The Buddhist deity called Vajrakilaya is generally depicted holding one of each. It can have other numbers of prongs, too, including one with a single point at each end. In tantric rituals and worship, Hindu and Buddhist, consecrated objects are considered to take on the vajra-character, so that there are vajra-pushpa vajra-flowers, a vajra-bhumi vajra-ground, and so on. The five-pronged 2 plus 3 pair of the Japanese wisdom deity, Kongo. Vajra Buddhas There are 5 buddha families; two are associated with the dorje.

Akshobhya is the Vajra Family buddha, the primordial Buddha associated with vijnana consciousness sometimes described as 'space' or aether [ether]. In his primordial form, he is a. Vajradhara [ thunderbolt bearer. His right forearm extends over the right knee so that the tip of the middle finger touches the earth. This gesture is called the bhusparsha earth-touching mudra. His seed syllable is a blue HUM.

Vajra Dorje

The vehicle, or mount, of Akshobya is a pair of elephants. When represented on a stupa or mandala, he faces the east. His consort or shakti is Lochana. In Tibetan, Vajrapani is called Chana-dorje. Vajrasattva is the white bodhisattva of purification. He is depicted with the vajra of skill raised to his chest while the bell Skt.: See Samayasattva [ Damtsik Dorje ] holding many dorje s. Wrathful Vajrasattva, 15th-century bronze at Argainc. A gentle wind arose from the four directions that, over time, filled the Void.

It began to grow in power until, after eons had passed, the wind coalesced into a substance so thick, so heavy, so solid, so immutable that it formed Dorje Gyatram , the vajra cross that is the basis of the physical universe. Also known as the double dorje visvavajra this powerful symbol is also associated with Amogasiddhi Tibetan: Donyo drupa , who is the Karma family buddha.

His name means Unfailing Accomplishment. His activity transmutes the klesha stain, or imperfection of jealousy. His activity is the subtle one of diminishing attachment. He is green in color, his left hand rests in his lap in the mudra of equanimity and his right at chest level palm outwards in the "granting protection" or "not to fear" gesture. His consort is Damtsig Dolma, Green Tara.

The vajra cross, whether vertical or in X-form, is also considered an emblem of protection. The vishvavajra, vishwa or vishva is Sanskrit for world with the connotation of "the universe as we experience it," and it means the double dorje or crossed dorje s. I t stands for the stability or foundation of the physical world.

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It is also the emblem of Buddhist deities whose influence encourages immoveable determination. Flanking stage right is a pair of tall lighted panels resembling structural columns.

Contrasting dramatically with the rest of the set, their ornate decoration is based on the motif of the double dorje or vajra cross. Chakna Natsho Dorje ] bearing a 5-coloured double dorje.

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In the Indian epic The Mahabharata, Vishnu in his form as Krishna reveals the ultimate nature of the terrible activity at the battlefield of Kurukshetra as a divine manifestation called Vishva rupa that is "brighter than a thousand suns. Arise from the heads of makaras: The monsters themselves are useful for they can provide direction on the path to liberation.

According to one account, Indra , the king of the deva was once driven out of devaloka by an asura named Vritra. The asura was the recipient of a boon whereby he could not be killed by any weapon that was known till the date of his receiving the boon and additionally that no weapon made of wood or metal could harm him. Indra along with Shiva and Brahma went to seek the aid of Vishnu. Vishnu revealed to Indra that only the weapon made from the bones of Dadhichi would defeat Vritra. Dadhichi acceded to the deva's request but said that he wished that he had time to go on a pilgrimage to all the holy rivers before he gave up his life for them.

Dadhichi is then said to have given up his life by the art of yoga after which the gods fashioned the vajrayudha from his spine. This weapon was then used to defeat the asura, allowing Indra to reclaim his place as the king of devaloka. Another version of the story exists where Dadhichi was asked to safeguard the weapons of the gods as they were unable to match the arcane arts being employed by the asura to obtain them. Dadhichi is said to have kept at the task for a very long time and finally tiring of the job, he is said to have dissolved the weapons in sacred water which he drank.

Dadhichi however told them of what he had done and informed them that their weapons were now a part of his bones. However, Dadhichi, realising that his bones were the only way by which the deva could defeat the asura willingly gave his life in a pit of mystical flames he summoned with the power of his austerities.

Vajra - Wikipedia

The deva are then said to have defeated the asura using the weapons thus created. There have also been instances where the war god Skanda Kartikeya is described as holding a vajra. In Buddhism the vajra is the symbol of Vajrayana , one of the three major branches of Buddhism. Vajrayana is translated as "Thunderbolt Way" [13] or " Diamond Way " and can imply the thunderbolt experience of Buddhist enlightenment or bodhi.

It also implies indestructibility, [14] just as diamonds are harder than other gemstones. In Tantric Buddhism Vajrayana the vajra and tribu bell [15] are used in many rites by a lama or any Vajrayana practitioner of sadhana. The vajra is a male polysemic symbol that represents many things for the tantrika. The vajra is representative of upaya skilful means whereas its companion tool, the bell which is a female symbol, denotes prajna wisdom. Some deities are shown holding each the vajra and bell in separate hands, symbolizing the union of the forces of compassion and wisdom, respectively.



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In the tantric traditions of Buddhism, the vajra is a symbol for the nature of reality, or sunyata , indicating endless creativity, potency, and skillful activity. The term is employed extensively in tantric literature: The practice of prefixing terms, names, places, and so on by vajra represents the conscious attempt to recognize the transcendental aspect of all phenomena; it became part of the process of "sacramentalizing" the activities of the spiritual practitioner and encouraged him to engage all his psychophysical energies in the spiritual life.

An instrument symbolizing vajra is also extensively used in the rituals of the tantra. It consists of a spherical central section, with two symmetrical sets of five prongs, which arc out from lotus blooms on either side of the sphere and come to a point at two points equidistant from the centre, thus giving it the appearance of a "diamond sceptre", which is how the term is sometimes translated. Various figures in Tantric iconography are represented holding or wielding the vajra. Three of the most famous of these are Vajrasattva , [2] Vajrapani , and Padmasambhava.

The figure of the Wrathful Vajrapani lit. Padmasambhava holds the vajra above his right knee in his right hand. The varja is almost always paired with a ritual bell.