Not Too Long Ago: Stories of a Traditional Way of Life

This is a great collection is stories. It really gave me a good perspective on how my relatives grew up and lived. Jerry Flanker rated it it was amazing Nov 19, Edward Legge rated it really liked it May 13, Tanya rated it liked it Sep 24, Robin Dawes rated it really liked it Apr 26, Rhonda marked it as to-read Jan 31, Tammi Hayne marked it as to-read Dec 17, Tammy Baker added it Mar 05, Amy Jenkins marked it as to-read Sep 04, There are no discussion topics on this book yet.

The Aarne-Thompson classification system and the morphological analysis of Vladimir Propp are among the most notable. Other folklorists have interpreted the tales' significance, but no school has been definitively established for the meaning of the tales. It moves in an unreal world without definite locality or definite creatures and is filled with the marvellous. In this never-never land, humble heroes kill adversaries, succeed to kingdoms and marry princesses. A fairy tale with a tragic rather than a happy end is called an anti-fairy tale.

Although the fairy tale is a distinct genre within the larger category of folktale, the definition that marks a work as a fairy tale is a source of considerable dispute. Vladimir Propp , in his Morphology of the Folktale , criticized the common distinction between "fairy tales" and "animal tales" on the grounds that many tales contained both fantastic elements and animals. Were I asked, what is a fairytale? I should reply, Read Undine: As Stith Thompson points out, talking animals and the presence of magic seem to be more common to the fairy tale than fairies themselves.

In his essay " On Fairy-Stories ", J. Steven Swann Jones identified the presence of magic as the feature by which fairy tales can be distinguished from other sorts of folktales. In terms of aesthetic values, Italo Calvino cited the fairy tale as a prime example of "quickness" in literature, because of the economy and concision of the tales. Originally, stories that would contemporarily be considered fairy tales were not marked out as a separate genre.

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Indeed, one less regular German opening is "In the old times when wishing was still effective". The English term "fairy tale" stems from the fact that the French contes often included fairies. Roots of the genre come from different oral stories passed down in European cultures. The genre was first marked out by writers of the Renaissance , such as Giovanni Francesco Straparola and Giambattista Basile , and stabilized through the works of later collectors such as Charles Perrault and the Brothers Grimm.

Before the definition of the genre of fantasy , many works that would now be classified as fantasy were termed "fairy tales", including Tolkien's The Hobbit , George Orwell 's Animal Farm , and L. Although fantasy, particularly the subgenre of fairytale fantasy , draws heavily on fairy tale motifs, [23] the genres are now regarded as distinct.

Culture of Africa

The fairy tale, told orally, is a sub-class of the folktale. Many writers have written in the form of the fairy tale.

Yet the stories printed under the Grimm name have been considerably reworked to fit the written form. Literary fairy tales and oral fairy tales freely exchanged plots, motifs, and elements with one another and with the tales of foreign lands. This, in turn, helped to maintain the oral tradition. According to Jack Zipes , "The subject matter of the conversations consisted of literature, mores, taste, and etiquette, whereby the speakers all endeavoured to portray ideal situations in the most effective oratorical style that would gradually have a major effect on literary forms.

Yet while oral fairy tales likely existed for thousands of years before the literary forms, there is no pure folktale, and each literary fairy tale draws on folk traditions, if only in parody. Oral story-tellers have been known to read literary fairy tales to increase their own stock of stories and treatments. The oral tradition of the fairy tale came long before the written page. Tales were told or enacted dramatically, rather than written down, and handed down from generation to generation.

Because of this, the history of their development is necessarily obscure and blurred. Fairy tales appear, now and again, in written literature throughout literate cultures, as in The Golden Ass , which includes Cupid and Psyche Roman , — AD , [30] or the Panchatantra India 3rd century BC , [30] but it is unknown to what extent these reflect the actual folk tales even of their own time. The stylistic evidence indicates that these, and many later collections, reworked folk tales into literary forms.

Besides such collections and individual tales, in China , Taoist philosophers such as Liezi and Zhuangzi recounted fairy tales in their philosophical works. In the midth century, a vogue for magical tales emerged among the intellectuals who frequented the salons of Paris.

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These salons were regular gatherings hosted by prominent aristocratic women, where women and men could gather together to discuss the issues of the day. In the s, aristocratic women began to gather in their own living rooms, salons, in order to discuss the topics of their choice: This was a time when women were barred from receiving a formal education. Sometime in the middle of the 17th century, a passion for the conversational parlour game based on the plots of old folk tales swept through the salons. Great emphasis was placed on a mode of delivery that seemed natural and spontaneous.

The decorative language of the fairy tales served an important function: Critiques of court life and even of the king were embedded in extravagant tales and in dark, sharply dystopian ones. Not surprisingly, the tales by women often featured young but clever aristocratic girls whose lives were controlled by the arbitrary whims of fathers, kings, and elderly wicked fairies, as well as tales in which groups of wise fairies i. Such literary forms did not merely draw from the folktale, but also influenced folktales in turn.

The Brothers Grimm rejected several tales for their collection, though told orally to them by Germans, because the tales derived from Perrault, and they concluded they were thereby French and not German tales; an oral version of Bluebeard was thus rejected, and the tale of Little Briar Rose , clearly related to Perrault's The Sleeping Beauty , was included only because Jacob Grimm convinced his brother that the figure of Brynhildr , from much earlier Norse mythology , proved that the sleeping princess was authentically Germanic folklore.

This consideration of whether to keep Sleeping Beauty reflected a belief common among folklorists of the 19th century: The work of the Brothers Grimm influenced other collectors, both inspiring them to collect tales and leading them to similarly believe, in a spirit of romantic nationalism , that the fairy tales of a country were particularly representative of it, to the neglect of cross-cultural influence. Andersen's work sometimes drew on old folktales, but more often deployed fairytale motifs and plots in new tales.

Two theories of origins, have attempted to explain the common elements in fairy tales found spread over continents. One is that a single point of origin generated any given tale, which then spread over the centuries; the other is that such fairy tales stem from common human experience and therefore can appear separately in many different origins.

Fairy tales with very similar plots, characters, and motifs are found spread across many different cultures. Many researchers hold this to be caused by the spread of such tales, as people repeat tales they have heard in foreign lands, although the oral nature makes it impossible to trace the route except by inference. Folklorists of the "Finnish" or historical-geographical school attempted to place fairy tales to their origin, with inconclusive results. Fairy tales tend to take on the color of their location, through the choice of motifs, the style in which they are told, and the depiction of character and local color.

The Brothers Grimm believed that European fairy tales derived from the cultural history shared by all Indo-European peoples and were therefore ancient, far older than written records. This view is supported by research by the anthropologist Jamie Tehrani and the folklorist Sara Graca Da Silva using phylogenetic analysis , a technique developed by evolutionary biologists to trace the relatedness of living and fossil species. Among the tales analysed were Jack and the Beanstalk , traced to the time of splitting of Eastern and Western Indo-European, over years ago.

Both Beauty and the Beast and Rumpelstiltskin appear to have been created some years ago. Originally, adults were the audience of a fairy tale just as often as children. In the modern era, fairy tales were altered so that they could be read to children. Canada's Bush Pilot Pioneers. How to write a great review. The review must be at least 50 characters long. The title should be at least 4 characters long.

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