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Selected Writings of Max Reger

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Max Reger and Karl Straube

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Questions and evidence; Straube's musical sense and his playing of Reger; Issues of influence; Reger's music under Straube's editorship, Schule des Triospiels ; Max Reger: PrAludien und Fugen ; Max Reger: Vom Orgelspiel; 'Lighter paper for lady cigarette smokers': Straube and a nationalist organ repertory; Teaching and performance within Straube's Leipzig curriculum; The Leipzig Conservatory organ and the implications of its history; Appendices; Bibliography; Index. Andreas Straub Andreas Straub Inbunden.

Max Reger and Karl Straube - Christopher Anderson - Bok () | Bokus

The Legend of Zelda: Chanel Daniele Bott Inbunden. Edited and translated by Christopher Anderson. As the first collection of the composer's writings translated into English, The Selected Writings of Max Reger , Christopher Anderson's second book concerning the composer, is a significant addition to the growing body of Reger scholarship his first was Max Reger and Karl Straube: As editor and translator, Anderson has a close connection to Reger, whose life and work have only recently begun to enjoy some critical attention.

How Anderson became familiar with Reger shaped much of the material in the book.


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Anderson has helped lessen the negative reception that has haunted Reger for many years and presents a book indispensable for English-speaking researchers interested not only in Reger, but also in the largely underappreciated history of early German modernism. Anderson concerns himself primarily with the question, "what sort of person under what sort of circumstances could produce this type of music?

The "game" is, of course, the musical culture of Reger's day—composition, performance, theory, musicology, and so on.


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For purposes of unity and thematic coherence Anderson limits himself to the professional and public essays published between and , and divides the work into four parts. The next is entitled "The 'Draeske' Controversy of ," referring to the debate that stemmed from the premiere of Richard Strauss's Salome.

Draeske argued against the new musical sounds Salome featured and the overall trajectory of music.