Sexy Photo Mix (Adult Picture Book)

Resistance Revival Chorus This is a collective of more than 60 women who come together to sing protest songs in the spirit of collective resistance. As soon as I saw them I approached them to photograph them. There is such joy in their group of powerful women. The images were printed with https: I designed it myself and I was inspired by the French company that makes photo books called Innocence https: Melissa McGill helped me edit the final selection for printing.

Tell me about the images? The images are from a trip we took this summer to my home country Brazil. We went to Bahia, a place that I had never been to. This year I wanted to try something that would be exciting and new for all of us, including my parents… so we all met in Trancoso. I was very excited about the location we were going to and I knew I wanted to photograph a fashion editorial story while there, so I packed a few looks for the girls that would be appealing to fashion magazines. Before Trancoso, we had a quick stop at Salvador to see Pelourinho, a historical town of Brazil.

The first day was awful: At that point, I thought: Then I had to stop and manage my expectations given the fact that my daughters are not professional models and they just wanted to have fun on their trip too. Most days she would say yes, some days I would bribe her with ice cream. Bia 4 only did it if there was ice cream involved. It would take us minutes max each time. Upon my return, I shared the images with Milk Magazine and a fashion editorial was born. They must have really liked it as they published almost 30 images!

That is very unlikely for fashion spreads. I was very pleased with the project too. How many did you make? I printed copies which is a very small number and it goes by really fast! Do you think printed promos are effective for marketing your work? It is really hard to say because nobody calls you and says: I recently went to Minneapolis with my agent Kate at Apostrophe for a handful of book shows and meetings with prospect and old clients.

At a lunch meeting, photographer Jeff Vallee who was also joining us asked an art director what are the promos that usually stands out to her. That really stuck with me and months later after that trip, when I was trying to decide what to promote, I picked the one that was the closest to my heart. I noticed a more positive reaction from receivers for this promo than my previous one.

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Last time I sent out 2k posters featuring new images and never once I got an email about it. This time there were emails, texts, tags on Instagram… art directors and photo editors were kind enough to show their excitement and it means the world to me! That just popped into my head, just this second. I bet the jokes are as offensive, juvenile and of-the-moment as ever, and maybe someone still kills Kenny?

The tie binding these classic comedies, though, is that each satirizes the normal, or the everyday.

Peter and Stewie Griffin would have fun dicking around with the other four for sure. As this column is a weekly event, and has continued for so many years, my life and job have essentially merged. The very first picture, with its huge blast of flash, and high key effect, seems like an edgy shot, but then most fall back on convention. Yes, it made me think of that phase in my own life, which is a good thing, but the generic nature of the photographs nagged at me.

As did the feeling that the images were a tad performative. There were two photographs that really grabbed me, as they were dripping with emotion, and felt authentic. In one, the family sits together, eating, and the camera is at a distance. The second, a similar moment. These pictures would make quite the diptych in an exhibition, frankly. The mother, on the toilet, with the baby. The camera, again at a distance. The angle of her bent neck alone signals her deep exhaustion.

A tripod and timer, most likely, or a helper photographer. To purchase Athlete, click here. To purchase Puppy Styled, click here. To purchase The Animal Kingdom, click here. To purchase Bali, click here. To purchase Portraits, click here. Cover photograph by Ricardo Nagaoka. What can you tell us about the audio footnotes? Our photography issue features very minimal text.

We believe photographs tell their own stories, but we also wanted to give readers a multilayered storytelling experience. How did the photographers come to choose their subjects? In the mountains of Utah, we found a mother of four who designed her dream mansion with some help from Pinterest. In Oregon, we visited a woman who lost her house to foreclosure in ; convinced she would get the house back, she moved to an apartment four blocks down the street.

We caught up with a screenwriter as he drifts between Los Angeles Airbnbs, and, in Seattle, we met a formerly homeless woman who has found stability and privacy in a tiny house of her own. And much, much more. What made you focus on this particular theme? We wanted to dive into this subject and explore its complexities and richness.

How many images did each photographer turn in? It was a range: But for others, who shot for weeks and were photographing many people, edits were much wider. DSJ has been family owned and operated since the s and handles all of my promo printing and stationery needs. I cannot say enough great things about their quality and their customer service. My Office Manager, Evan Mulling, and I paced the booklet, while its design is taken from booklets we produced in and called Gravity and Levity.

Those booklets were designed by Edward Leida eddieleida , a design director and typographer in New York City. Ed chose the typeface and laid out the type for the NOIR booklet as well. We were inspired by movie stills from the s and s. Vintage wardrobe was pulled by stylist Jeanne Yang jeanneyangstyle. Sets were designed and built by Anthony Altomare photobuffalo.

And… we shot each of the talent individually over a day and a half. Even the group shots were shot as singles and comped together in post by my long time retoucher, the immensely talented Angie Hayes at the Happy Pixel Project angiemariehayes. We printed NOIR booklets and mailed them to entertainment and editorial clients. We reduced our mailing hassle by taking the bulk of the envelopes to Mail and More, our go-to spot for all of our shipping needs. How many times a year do you send out promos? We create a booklet like this once a year, or every other year, depending on how much new work we have to show.

In addition, we regularly print a variety of 5. With the booklets, their size and weight give them some gravitas that increases the chances that clients will hold onto them or perhaps, display them in their offices. The year was , and I was living in Greenpoint, Brooklyn. As hard as it may be for some people to believe in , liberal Americans hated George W. Bush, and his neocon cronies, about as much as the Millennials hate Trump.

And John Kerry, the presumptive nominee, was a sure-loser, I felt. So in the primary, even though deep down I knew he was too good to be true, I voted for John Edwards. Still, it was a horrible decision in retrospect, as I saw the slick veneer, and suspected it was only that, but given that Kerry was so uninspiring, I threw my vote in a riskier direction. The one thing I liked about Edwards was he kept talking about Two Americas. The land with opportunities, compared to the one without.

Cities, as we all know, are almost always liberal. Food, culture, and proximity provoke an inherently mind-opening experience. Open-minded people are more free-thinking, or less fixed in their world views, and tend to vote Democratic. In Red America, from Nebraska down to Mississippi, most people live in an Evangelical, white, agricultural culture in which farming, ranching, and growing things is a part of daily life. Killing a chicken with your bare hands or fixing a pick-up truck with your buddy, for rural folks from Alabama to South Dakota, would seem as normal as drinking beer and eating beef.

Remember how vociferously Brett Kavanaugh yelled that he likes beer? If you live in a hip part of Atlanta, your local coffee shop will be more similar to one in Oakland or Boulder than it will be to any establishment miles outside the city. Lifestyles, cultures, religions and demographics that are so different as to be unrecognizable to the other side. A vision, perhaps, that helps us view the past as it exists in the present. When I got a few pages into this book, though, I had the strong suspicion that the photographer had been around a while.

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Given the subject matter, of the South, and how many projects you see coming out of the Hartford MFA program that look like everyone wants to be Alec Soth-mixed-with-Eggleston, it could easily have been made by a younger artist. After the first picture, which seemed way too generic, and the second, which was a bit boring, this book really took off. Frankly, other than just a few street-scene pictures that seemed obvious, I thought the rest were both haunting and cool, which is a hard mix to pull off.

Forgotten books on the staircase of the local store. The honest truth is, there are people living in rural areas that are cool as hell.

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And Red America is far-from-exclusively-white, so there are rural Latinos and African-Americans living differently from their urban counterparts as well. A few weeks ago, I wrote a little screed promoting understanding between these two Americas. As mentioned above, on set, I need to be ready and prepared to capture anything and everything that an animal may give me.

Because sometimes I may only get one split second for that perfect portrait. Obviously access to the animals is a challenge with a project as large as this. So they come from a range of sources and I worked closely with a team of producers to find the right animals and went to great lengths to ensure those animals were living in a great environment and being treated with the utmost respect for their wellbeing. For example, the Cheetah on the back of the book was photographed at an amazing sanctuary called Cat Haven near Dunlap, CA and we are donating a portion of the proceeds to Cat Haven as a way to give back and create more awareness.

Some of the animals I shoot in a traditional studio with a painted Cyc and cover while others I shoot on location where I bring the lighting setup to them. Regardless, I utilize lighting to create a consistent, timeless aesthetic. Finally, not exactly a production or tactical note, but all the animals have names. And this is a very important part of the intention to connect with the audience.

The descriptions and names for all the animals are included at the back of the book and at randalford. For examples, Highland Cow No. So by including the name, we are pushing the boundaries of the story and connection with the audience. To see more of this project, click here. To purchase the book, click here. Craig Oppenheimer, Wonderful Machine. Web Collateral and Web Advertising use of up to 56 images in perpetuity.

When the project first landed on my desk, it was similar to a lot of hospitality projects in that the brand wanted a mix of images showcasing everything their hotels have to offer. The creative brief initially encompassed architectural images, lifestyle shots, food, amenities, and more. After learning more about the project and discussing what it would take to accomplish a production of that scale in multiple locations, I was ultimately happy to hear that they decided to focus the efforts of this particular project on just acquiring architectural images, and putting the lifestyle shots on hold.

That being said, they had seven different properties, three of which were in foreign countries, and they had a very specific style of black and white photography that they hoped to achieve. In discussing what was feasible in one shoot day, we landed on eight shots per hotel as a reasonable deliverable. They were willing to limit the usage to web advertising and web collateral use mostly their website and social media , although they did request perpetual use. On one hand, I wanted to start around a few thousand dollars per image, however I also knew that the photographer would be up against other architectural photographers both domestic and abroad , and we wanted to make it appealing for them to hire one photographer, rather than several.

We then anticipated a full travel day and a full scout day prior to each of the international locations which helped to account for limited flights, travel delays and more extensive travel time , followed by one travel day back home.

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In addition to lining up all of the travel plans, the photographer would also need to communicate with each of the hotel chains and essentially plan seven different small productions, and this covered all of the time involved to handle that workload. Additionally, working and traveling with a single assistant who understood the project just as well as the photographer would help to streamline communications and execution. The agency specifically asked us to mark this as TBD and not include this in the bottom line of our estimate.

We were comfortable doing so for the lodging since we assumed the hotels could provide accommodations, and while we anticipated that meals could be covered within the hotel property, we still included additional funds for supplemental meals while in transit in the per diem line items below. Car Rental and Local Transportation: Per Diems, Parking, Carnets, Misc.: Shoot Processing for Client Review: Post Processing Day s: We were asked to provide the client with the cost difference between this estimate and one where each of the domestic shoots would be independent trips, followed by a trip to capture the international locations consecutively.

The client opted to go with our initial proposal, and the photographer was awarded the project. As for lodging and meals, the client did end up providing accommodations and meals on-site. Who shot that image for you? Sebastian Kim shot it originally for Interview Magazine.

The shoot we had scheduled we had to kill sadly as it was going to break our current photo budgets due to travel logistics and all the while we had this big strong image in our minds as the one to beat. Why that image of him for the cover, what spoke to you? His happy eyes which could be corny were it not balanced by the contrasty grainy tone of it all, plus I am a sucker for a big face especially such a good one! Do you see syndication as a mandatory way forward for most magazines? I see this as a strong trend especially for global publishing companies. What are you thoughts on giving a shoot a second life?

Newspaper Club in the UK. Souk Mounsena of The Pursuit Society. My late father ran an electric sign company, so for as long as I can remember and until he passed when I was 15, I was surrounded by craftsmen of all kinds. I have some really fond memories of working with my dad and my brother in the shop.

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As I grew up, I was given more creative and technical tasks like designing and building electric signs. Because of my background, which I think also led me to pursue a creative career, I also gained a huge appreciation for the art of building things by hand. Whether it was watching my dad paint an intricate sign, weld a massive frame from steel, or watch his neon contractor turn tubes of clear glass into a beautiful, glowing masterpiece with nothing but fire, gases, and a lot of patience, I really developed an intrigue in craftsmanship that will be with me forever.

I plan on continuing this series and will likely make more promos from it in the future. Open Preview See a Problem? Thanks for telling us about the problem. Return to Book Page. A photo book for all butt or ass lovers. It may contains fully exposed, t-backs, g-strings, cheeky, bikinis, delightful and sexy. Enjoy this very nice collection from a variety of different types of women, body types and poses.

If you love butt this book was made for you. It contains over 60 A photo book for all butt or ass lovers. It contains over 60 hot photos!! Full Color images included in this digital book. A professional collection of artistic photography. Kindle Edition , 48 pages. To see what your friends thought of this book, please sign up. Lists with This Book.

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