Doroga: Russian Language (Russian Edition)

To avoid this trap, Kalashnikov invested in aesthetic continuity.

In focusing on this, he did not have to start from scratch because his material already provided a certain stylistic homogeneity. The majority of clips adopt the same camera angle and the same focus; there are no camera techniques involved, just the road in front of the camera. Realizing that dashboard camera aesthetics is not enough to provide sufficient coherence for the film, Kalashnikov looked for ways to add to it.

One solution he offers is smooth visual transitions between episodes. The Road Movie sets off with winter scenery and for the first twenty minutes, which is roughly one third of the film, we are driving through Russian winter roads of snow, ice, and wind.

The slow, natural change of the seasons smoothes the patchy sequences of road accidents and curiosities. By no means, however, does it support the chronological order of the episodes. As seen from the date recorded in many of the clips, they belong to different years. Kalashnikov applies the same free-flowing approach when it comes to the time of the day.

The documentary does not jump from day into night and back. For the most part night episodes, which are a minority in the film, are only edited into sequences with other night episodes—this again softens the edges of originally quite diverse footage. Similar consistency emerges when it comes to the structure of the film.

Two kinds of clip arrangement can be distinguished in The Road Movie: One episode begins with a hilarious family conversation about who went to pee during the night and how many times that is interrupted by a horrific road accident the family witnesses. Kalashnikov's only task here is to choose where to cut, and he always allows time for the events to unfold. Each short story in the film has exposition, even if it comes as short, rising action, climax, and the end. The few exceptions, such as a police chase through a city at night that ends abruptly, are most likely due to the absence of closure in the original footage.

The aesthetic homogeneity and orderly clip arrangement in The Road Movie sharply contrast with the excessive nature of the events shown. The staff were very friendly and spoke English. On a warm day, they have outdoor seating and the Mir castle is visible with This is the 3rd time I have been to this place.

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The first 2 times were over 7 years ago, when my wife was pregnant with our daughter. The cafe has not as much kerb appeal as the other one that has views of the We were group of 8 people stopping there for lunch. We got there super-tasty, home production food ham, sausages, meat , big portions and everything fresh. The service was very nice and friendly! We were group of about 12 cyclists, hungry and impatient: And in this Cafe they managed to serve everything in time.

I guess just one table got another coffee they didn't order, but that's quite possible in such conditions. The food is tasty, service While staying in the hotel in the Mir Castle we looked for a restaurant in the village. Our expectations were not high when we ended up here, but the food was really good and cheap as well. The waiter suggested a carpaccio of very thin All of your saved places can be found here in My Trips.

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Russian Language by Aleksandra Marinina. Available in Russia Shop from Russia to buy this item. Or, get it for Kobo Super Points! Aleksandra Marinina — Doroga. Ratings and Reviews 0 0 star ratings 0 reviews. Overall rating No ratings yet 0.