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WOW - Women Only Women - Theatrical Material for Women

Scope and Content

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These are identified at file level. Archive material may not be photocopied. Arrangements can be made to photograph material in the reading room using non-flash photography.

Cousins, Geraldine , Recording Women: Alternative Theatre in England London: Interviews with Women in Contemporary British Drama. Itzin, Catherine , Stages in the Revolution: Political Theatre in Britain since Sphinx Theatre Company, Flogging the Jewels! Scope and Content The archive consists of the administrative and artistic management papers of the Sphinx Theatre Company formerly the Women's Theatre Group from its beginnings in to Arrangement These papers have been arranged chronologically or alphabetically as follows: New acquisition received Conditions Governing Use Archive material may not be photocopied.

Appraisal Information This collection was appraised in line with the collection management policy.

The case of the missing women playwrights | Culture | The Guardian

Accruals Further accruals are likely. Bibliography Cousins, Geraldine , Recording Women: Harwood Academic Press Craig, Sandy ed.

Routledge Itzin, Catherine , Stages in the Revolution: Corporate Names Sphinx Theatre Company Skip to main content. Log In Sign Up.

The case of the missing women playwrights

Lady Dicks and Lesbian Brothers: One of the latest instalments in the book series Triangulations: English and film a second festival was held in Their backgrounds were diverse in other ways as well; some were visual artists, some had explored clowning, and some had acting experience and formal training in theatre, while others had none at all. WOW accommodated all of this and more, in a group that has never had official leadership and runs on the philosophy that anyone who shows up at the Tuesday night meetings can contribute substantively.

She draws on first-hand experience as an audience member at several WOW performances, and her personal observations add a significant dimen- sion to the picture she is able to create from archival materials and interviews. She also draws on the experiences of her sister, Babs Davy, who was an active WOW member for a decade; this allows her to portray the collective with greater continuity and to offer a sense of it evolving over time within the context of a changing neighbourhood and a changing feminist movement.

Is This When Something is Supposed to Happen: Young Women in New York Pursuing Theatre

One of the strengths of this productive combination of personal knowledge and extensive research is the bal- anced picture of WOW the book offers. Davy does not shy away from expressing the sense of exhilaration many women felt as participants or audience members at WOW events, nor does she uncritically depict the collective as a utopian feminist space.


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English and film can nurture and empower some while alienating or disappointing others.