Hollywoods Copyright Wars: From Edison to the Internet (Film and Culture Series)
The outcome of the case had little effect on the practice of duping competitor's films, and instead led to film companies internally changing their business model from selling to renting.
Hollywood's copyright wars : from Edison to the internet
In the end, film was declared a type of photography rather than a new medium, a short-sighted decision that failed to solve the industry's issues and contributed to [End Page ] monopolization. Decherney also alludes for the first time to public performance rights in this chapter, noting that the nature of early film made it difficult to classify the works as performances. As subsequent chapters illustrate, however, the rise of narrative film, the studio system, writers unions, and the artists' struggles to control specific characters and works once again led to cases that challenged the definition of authorship, ownership, and performance.
Chapter two, "Hollywood's Golden Age of Plagiarism," underscores the distinction between an idea which is shared and cannot be owned and an expression of that idea which can be protected by copyright.
Hollywood’s Copyright Wars - From Edison to the Internet | Columbia University Press
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In lieu of an abstract, here is a brief excerpt of the content: From Edison to the Internet by Peter Decherney. Books on the implications of media copyright easily run the risk of being academically rigorous but so densely written and jargon-filled as to be barely readable by an audience unversed in the intricacies of the law. Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
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Peter Decherney author Paperback 18 Oct English. Includes delivery to Russia.
Copyright law is important to every stage of media production and reception. It helps determine filmmakers' artistic decisions, Hollywood's corporate structure, and the varieties of media consumption.
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The rise of digital media and the internet has only expanded copyright's reach. Everyone from producers and sceenwriters to amateur video makers, file sharers, and internet entrepreneurs has a stake in the history and future of piracy, copy protection, and the public domain. Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law.
Many of Hollywood's most valued treasures, from Modern Times to Star Wars , cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law. Many landmark decisions have barely changed the industry's behavior, while some quieter policies have had revolutionary effects. His most remarkable contributions uncover Hollywood's reliance on self-regulation.