Danse et nouvelles technologies : enjeux dune rencontre (Lart en bref) (French Edition)

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Thierry Fournier | Textes

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Des toiles, mais pas que Le Guide est en kiosques aujourd'hui! Abstract Albeit the child of digital technology, intermediality is a phenomenon that embraces phenomena as old as the oldest cultural media.

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Barbier et Lavenir 5. Froger 6 note 8.

Une histoire longue

Garneau 75 note A medium in our culture can never operate in isolation, because it must enter into relationships of respect and rivalry with other media. Bolter et Grusin Theatre also combines aspects of representational media, which foreground the creation of realities such as film and computer-games, with strategies of media aimed primarily at real-time presentation and communication, like the telephone, fax, and live broadcasting.

For the creation of a reality that is happening in real time theatre is a hard medium to beat; for it makes worlds that are in a very tangible way real for the observers and they experience that world in actual time. Theater is a medium that, from Plato and Aristotle to the present, has been regarded with suspicion, fear and contempt—but also with fascination and desire—by a tradition seeking at all costs to keep the ground from slipping out from under its feet.

Introduction

The structure and language of the digital media, which we believe is so important to contemporary theatre and performance in the age of the intermedial is the clear focus of The Language of New Media. Media elements, be they images, sounds, shapes, or behaviors, are represented as collections of discrete samples pixels, polygons, voxels, characters, scripts.

These elements are assembled into larger-scale objects but continue to maintain their separate identities. The objects themselves can be combined into even larger objects—again, without losing their independence. Chapple et Kattenbelt At the very most, media can remediate Bolter and Grusin other media, which implies in the end a refashioning. Clearly, theatre is not a medium in the way that film, television and digital video are media.

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However, although theatre cannot record in the same way as the other media, just as it can incorporate the other arts, so it can incorporate all media into its performance space. It is in this capacity that I regard theatre as a hypermedium.

Theatre provides film, television and digital video a stage, that is to say a performative situation […]. Operative as part of theatre, the other media become signs of signs as opposed to signs of objects. The Mirror and the Lamp: Romantic Theory and the Critical Tradition.