Train of thoughts

Novotny is an aesthete and his fascination of lines and forms is brilliantly conveyed through the montage of images, words and the music of the Sofa Surfers. Music that flows the whole way through and is synergetic with the image in pulse and rythm, contrary to the mainstream use of music in documentaries today, where the music is poured on like sugar to hide lack of energy in the sequences. In the next chapter, in Los Angeles, close to Hollywood, the metro looks like a film set.

Tokyo, where the train is always on time and where staff on the platform pushes the last one into the train carriage, for women often to be sexually harrassed, says one of the people, we do not see but hear. The solution for telling the story is in this case to follow one person, whose thoughts circle around death and suicide.

Again Novotny takes stylistical elements from all shelves — slow motion, stop motion animation, whatever suits the sequence. Everything in the editing is controlled but within the controlled space, small music videos, you could call it, emerge and stand out. There is a flow in this film, a very intense one with stops on the way, with faces within the lines and the forms of the tracks and the movements, with light and shadow, and with sometimes incredibly beautiful sequences.

With a, in a positive sense, aggressive approach to its subject. Thank you Novotny, for not having chosen the Parisian metro, where it is not an experience, but a torture to walk and walk from one station to the other did you try that with Les Halles? It is fascinating like it is to watch your new work. Film Festival and is to have its live premiere in Venice at the opening of the Austrian Pavilion of the Architecture Biennale late August. It emanates a strong feeling of both loneliness and togetherness.

Visual artist Timo Novotny establishes a specific mood, successfully balancing profoundly composed images with a very sophisticated soundtrack with music composed and performed by the Sofa Surfers collective with whom film maker also performs. It is quite literally the seedbed of a wide variety of human stories New York , a center of diverse musical production Los Angeles , a favored locale of suicide and sexual deviance Tokyo , a glitzy tourist attraction Moscow , or an ideal place for study or relaxation. Set to the excellent, uninterrupted soundtrack by Sofa Surfers rightfully dubbed the Austrian Massive Attack , the filmmakers accompany us through the underground railways of several world metropolises, discovering what makes them unique.

Sometimes visually reminiscent of a classy music video, this whimsical movie stands out for its original visual treatment and effective interplay of music and image.

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The time spent on the subway is down time or "wasted time," an opportunity to let your mind drift or philosophize, and at the same time the subway represents better than anything else everyday life, the banality you need every day. Did you look for your approach somewhere between the means of transportation and the metaphor for the dark, mysterious zones of the city and in people? What really led me to this project is architecture. When I get home after walking through a city and look at the pictures on my camera, there are about a hundred of the subway and just one of the city.

The subway also reflects the city and explains why the people in Tokyo are the way they are, and why New York is the way it is. The important thing is maintaining a buildup of tension and portraying individual cities. There are a few stops in Vienna in between that take us away from the stress and tell us how the subway can also be something quiet and lyrical. Have your travels inspired you to observe subways more closely?

In particular it was a trip to Prague and one to Munich where I had an extremely powerful experience of architecture. Is the subway the symbol of urbanity in your opinion? For a European, yes. There, the subway plays a purely symbolic role, it gives the city the impression of an urban character. You could cover the same amount of ground by bicycle or on foot, but it creates the impression that Hannover is a cosmopolitan city. How did you choose the cities? The are subway systems around the world.

Of course, the most honest thing to do would be making documentaries, in my case the premise was to make cinema and this world tangible by means of cinematic images. The great thing about it is that nothing works, sometimes people just get stuck and then have to get out in the middle of a tunnel and walk to the next station, and they start talking to each other as a result.

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Then you go to LA, this anti-city. I had fun shooting underground there, at places that have rarely been filmed in the past. After LA the obvious thing, of course, was to continue on to Latin America, but I wanted to continue on westward. Capitalism and how it has come out on top in Tokyo represents the future for me.

The film continues westward, from the middle course between capitalism and communism?

train of thought

The basic idea was analyzing social systems and creating varieties. We begin in Vienna and end up in Vienna, though the return to Europe is at the conclusion, in Moscow. Is he also your alter ego? The subway is a system where everything runs "on rails" and is controlled, where safety plays an important role, and at the same time one of your interviewees claims that for him the subway is a place where you lose all orientation in time and space.

Do you consider the subway a place with a number of contradictions? In all five cities we stay in the range of the legal and controllable.

This buildup of tension does a little more to illustrate my thinking. Can you briefly describe the five cities? In Vienna we had a problem right away, so I had to get out. Communication works without a hitch. It represents the city and life there. The walls outside the system are just as thin as they are underground. We chose someone who can talk to anybody, who knows the subway and uses it. This idiom, which uses train in the sense of "an orderly sequence," was first recorded in , in philosopher Thomas Hobbes's Leviathan.

References in periodicals archive? Given an occasional "uh huh" or nod to let the talker know you are following his or her train of thought. Listening skills for physician executives.

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train of thoughts

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How to use a word that literally drives some people nuts. The awkward case of 'his or her'. Identify the word pairs with a common ancestor.