Artistry in Rhythm
Anita O'Day - vocalist. June Christy - vocalist. Billy Strayhorn - piano.
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ARTISTRY IN RHYTHM
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Note that since this was originally written in , all time references count back from that year. Fred Astaire was known for his light and effortless looking dancing. His reasoning was that the better they knew the routine, the more relaxed and spontaneous they would appear when they filmed the definitive take for the movie.
There is a fine line to be tread though.
Artistry in Rhythm: Marching Band Conductor Score & Parts: Stan Kenton
Bruce Lee provides a warning as to what happens when one mistakes constant repetition and perceived perfection as the end result. He becomes paralyzed with the framework of the pattern and accepts the pattern as the real thing. He is merely performing his methodic routine as [a] response rather than responding to what is. He is an insensitized pattern: Zen robot, listening to his own screams and yells. He is those classical blocks; he is those organized forms; in short he is the result of thousands of years of conditioning.
You practice not to be perfect, but to have the mental awareness to be able to recover when you do make a mistake. And you only approximate it, you can never really hit it. December 10, at Dialogue Through Dance in the Lindy Hop community.
Compounding this problem is the fact that the majority of performance opportunities available in the Lindy Hop community were mostly limited to the competition events. The irony is that many people generally fear being judged. History illustrates that that aspect of being judged has always been part of American vernacular dances and is unlikely to go away. November 24, at As I was making the list, I discovered that I found it harder and harder to come up with stand out moments as time went on.
October 30, at The most important creative decision concerning the Ultimate Lindy Hop Showdown had nothing to do with the format of the competitions. The event director, Amy Johnson, not only allowed people to film the contests with their own cameras, but also to let them distribute their footage freely.
It was probably the most significant marketing idea in modern Lindy Hop history. October 2, at Charleston , Lindy Hop. The most obvious was the re-emergence of faster classic swing era and hot jazz music at dance events. People were now encouraged to work on their improvisation skills at faster tempos like they previously did to slower, groovier music.
This led people to mine and more vintage film clips for more ideas to move to this music instead of trying to force hip hop or other modern movements into the music. Since most of the Lindy Hop clips had already been found, the search expanded into tap and other jazz inspired black dancers of the past from the Nicholas Brothers to Josephine Baker.