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VISIONS OF THE UNKNOWN

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Differing styles of illumination in the two older volumes point to divergent schools of art for which no other evidence now survives.


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This is the tip of the iceberg. Here inside ornate illuminated frames are canon tables inter-gospel concordances as devised by St Eusebius of Caesarea , a standard feature in later gospels.

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Commentaries by Professor Watson show how the canon tables operate. Matthew, Mark, Luke and John are wearing the robes seen on Egyptian monks and priests in contemporary Coptic art. The Khazneh or treasury, cut into the rock walls of Petra in the early first century CE in the shape of a steep, pillared circular pavilion known as a tholos , was similar to older depictions in Pompeiian wall painting. To understand the process of cultural transmission, the Khazneh had to be dated. I was there about six months on and off between visits to Amman, doing my PhD in the s from Sydney.

VELFERD Visions Of The Unknown vinyl at Juno Records.

At the end of the day all the tourists would leave the valley, and there would just be us and the Bedouin. There was a gas canister in the kitchen, which had a water tank filled by a donkey brought by a little boy.

The tholos of Petra steered Dr McKenzie towards Pompeii, towards the architecture of Alexandria on which she wrote a volume in the Pelican History of Art series , and towards depictions of similar structures in gospel manuscripts of the 8th century and later. That was a big problem. The illuminations in the Garima Gospels were made in the middle of that long gap. Interesting to see these, thank you.

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I recall hearing about it in and have a copy of the report. Often, it's just St. Mikael with acoustic guitar and vocals, letting the simplicity speak for itself, but the better moments come when surrounded by a full band, such as the addition of P. The bonus tracks added to both discs are of far less interest, sounding even more primitive whether drugged blues or an off-key crooner. The Unknown culls from a wider time period, and it is even less coherent than Visions.

There are great guitar freak-outs mixed with echoing folk songs, all reverbed and tweaked out, but often the playing is plain and sometimes extremely poor. A short CD of the best tracks between these two would probably have been more interesting; one really has to wade through a lot to get to the good parts on these basement tapes. New releases , Issue 18 , releases , recordings Related artist s: Search Artist Title Release Label.


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Visions Of The Unknown

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