Il busto del condottiero (Italian Edition)

About the genre of commentarii see: From here, the encounter between this biography and the genre of the de arte militari treatises can be noticed through an accurate reading. Furthermore, the biographies written in the XVI century by Giovan Battista Tedaldi have to be taken into account, who personally served Giovanni, and by Gian Girolamo Rossi , bishop of Pavia.

On this subject see also: Dizionario Biografico degli Italiani, Treccani. Fortitudo is one of the four cardinal virtues, according to the system invented by Plato, in which the fortitude, often combined with the courage, is the one that grants resoluteness and tenacity in difficulties.

In the laical context, fortitude is the typical characteristic of the strong man who does not hesitate in front of enemies or obstacles, and is therefore often associated to the military world. In the military context, fortitudo have to deal, at the same time, with the fear of death and with bravery and for this reason, both boldness and military skills derive from fortitude.

The professor asserts that war is composed of three elements: It symbolised the virtue of the soldier who is able to attack but also to wait and to endure deprivations and suffering, without falling prey to the instinct but applying an essentially human rationality. For the entire narration of the fact see: Again, Braccio makes this idea explicit when he affirmed: This interpretation of the body is well integrated in an arc of development which increasingly understands the body as a machine, starting with the anatomy treatises of the XVI and XVII century. The gloss of fortitude says: Drawn positioned under the feet of the magister, fortitude is the first and basic virtue a fencer must learn during its education.

This iconography of the elephant as representative of fortitude had a wide diffusion. On the downside of these medals, dated and , the personification of fortitudo sustained by two elephants is represented, which were both the heraldic animals of the Malatesta family and both the animal representation of fortitude. In this article I refer to the Getty manuscript.

For example, in the Arte Gladiatoria dimicandi by Filippo Vadi although written on the basis of the Floss the virtues of the fencer are embodied by other animals, namely the bear, the ram, the snake and the greyhound. On the interpretation of the animals see: See also the marble medallion representing fortitudo with the same characteristics inside the Malatestian Temple in Rimini, probably made by Antonio di Duccio, in: The concept of fortitudo was dear to the cultural framework of Sigismondo, as he wrote in one of his sonnets: For example, Braccio says about the opponent soldiers: H ALE, , pp.

I, book I, pp.

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In particular the deprivations of the body were a badge of honour for soldiers and their condottieri, since the good training of the soldier corresponded to his ability to endure pain and strain. For now, it can be noticed how the same themes are proposed in many descriptions and eulogies. The conduct of Sigismondo Malatesta, for example, during the siege of Piombino, is described by Roberto Valturio in these terms: He was happy to break the mouldy and black bread with his soldiers that otherwise would have been thrown to the dogs […] He was not nauseate to drink the muddy and sulphate waters; on the contrary he savoured them so playfully that, by seeing him, the soldiers did not mind the deprivations of wines and clean waters.

Braccio, as reported by Giovanni Campano, describes the soldiers as: Therefore the love, that the army had for him, was born, and the goodwill of the soldiers. The subject of the difference between glory and spoils, between the motivation of the condottiero and of the soldiers, although of a great interest, is too extended to be analyzed in this article.

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This characteristic of the Italian armies is well illustrated by Braccio in the aforementioned dispute with Alfonso, while explaining the peculiarity, or the supposed superiority, of the Italian soldiers. The Italian warfare is more technical, more professional and involves a smaller number of soldiers more expert in the profession of arms, well trained at the military life.

Document written out in full in: And there are no more dishonoured wounds than those in the back and, on the contrary, none is more honoured than those in the chest and in the face. One may therefore think that to be injured during the battle was a source of pride among the soldiers.

Italian art historians

Vedi le condizioni d'uso per i dettagli. Petrignano Assisi - Palermo Maggiore, generale e comandante della brigata "Umbria". Giuseppe Trabacchi , Roma - Fu capitano e successivamente maggiore dell' esercito pontificio durante la prima guerra di indipendenza.

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Alfredo Luzi , Bologna - Roma Marchese di orientamento liberale, difese Vicenza nel e la Repubblica Romana. Riccardo Grifoni 7 giugno Torino , 27 marzo — Crimea , 7 giugno Generale piemontese promosse la formazione del corpo dei bersaglieri. Pietro Benedettini , Roma - Ancona Raffaele Cotogni , Bologna , 21 marzo — Roma , 9 gennaio Michele Capri , - Bologna , - Roma , 3 giugno Comandante della cavalleria garibaldina, fu ucciso nell'assalto a Villa Corsini durante la difesa della Repubblica Romana.

Enrico Simonetti , Roma , - Erzurum Turchia , Comandante dell'artiglieria nella difesa della Repubblica Romana. Antonio Ilarioli , Milano , 23 marzo — Roma , 30 giugno Caduto per la difesa della Repubblica Romana.

Busti dei patrioti sul Gianicolo - Wikipedia

Attilio Temperoni , Genova , 5 settembre — Roma , 7 luglio Caduto durante la difesa della Repubblica Romana. Biagio Salvatore , Genova , 2 ottobre — Sumatra , 16 dicembre Modena - Roma Roma — Vicenza Persico Dosimo , Cr - Roma Roma - Albano Laziale , Rm Cerveteri , Rm - Turate , Co Milano - Roma Chieri , To - Roma Calcinate del Pesce Varese - Roma Bastia Umbra , Pg - Roma Napoli , 22 agosto — Sanza , 2 luglio Milano - Firenze Venezia - Torino Cento , 12 agosto — Bologna , 8 agosto Cantiano , Pu - Nizza , F Replica in bronzo del marmo L'audace Righetto di Giovanni Strazza [].

Mostardas , 16 settembre — Roma , 22 agosto Montevideo , 24 febbraio - Riofreddo , 17 luglio Trieste , - Roma Modifications made by Luigi Chiesa. Busto presunto di Bartolome Colleoni. The following 2 pages uses this file: The following other wikis use this file: Retrieved from " https: Self-published work PD-self Retouched pictures.