Méchant (Littérature Française) (French Edition)
Mussafia, dans Romania , 18, , p. Noomen, dans Neophilologus , 52, , p.
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Jean de Meun | Arlima - Archives de littérature du Moyen Âge
Jonathan Morton, dans French Studies , Baika, Gabriella Ildiko, Lingua Indisciplinata: Rothwell, dans French Studies , 36, , p. Guido Hendrix, dans Scriptorium , Tjamke Snijders, dans The Medieval Review , Susan Boynton, dans The Romanic Review , Peraino, dans Plainsong and Medieval Music , Catalogue d'une exposition de manuscrits avec enluminures.
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Description et reproduction du ms. Modern Language Review , 89, , p. Guynn, dans The Medieval Review , Paul Meyer, dans Romania , 3, , p. Only 2 left in stock - order soon.
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Jean de Meun
Get to Know Us. English Choose a language for shopping. Amazon Music Stream millions of songs. Amazon Advertising Find, attract, and engage customers. Amazon Drive Cloud storage from Amazon. All treated the subject of youthful criminality as difficult and requiring careful censorship. Commercially however, losing a popular, respected French author was considered to be more dangerous than the potential criticism of his subject matter. Fifi is a liar from the beginning to the end of these two books. The story featured a young girl who is neglected by her parents and resorts to making up fantastical stories to compensate for her loneliness.
One of the Hachette readers picked up on this problem: Is this a good example for children who just want to give free reign to their imaginations? There was a similar suspicion of fantasy in the law committee guidelines: They were particularly alert to how the individual child behaved with respect to the family and institutions of the state. Inspired by the progressive education movement, many modern authors took a liberationist as opposed to a protectionist stance on childhood. The child lives on her own, for her mother is dead and her father is lost at sea—probably king of the cannibals now, Pippi surmises.
She evades all attempts to make her conform to the usual path of childhood, including sending her to an orphanage, attending school, or even going to bed at night. The first translation of the trilogy reduced to two books published in —53 did not differ greatly from the source text. However, when reprinted with a much larger print run from 10, per volume to 50, in —63 under Mirman, it was drastically cut—as the quotation above made clear, the character did not conform to the norms of the series. Another episode, in which a visit to school goes awry, was modified to add in an apology underscoring the importance of the family in socialising the child: In other words, Pippi was a joyous rejection of all the values that France craved to return to in the wake of the Second World War, and ran counter to the discourse on the responsibilities of literature.
In striking contrast, Pippi was welcomed into the American and British literary systems. The first British edition from embraced, even amplified, her anarchism.
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The front cover illustration by Richard Kennedy depicted Pippi on horseback brandishing a pistol, riding away from school leading a group of children to escape school as the teacher looks on, horrified. However, the extent to which the French and British understandings of what was appropriate reading matter for children could differ is best understood by looking not at the innovators, but at the case of Enid Blyton, the most conservative of British authors and who wrote for the mass market.
Given that she was also a passionate spokesperson for the British campaign against horror comics Lent However, she fell foul of the dictum that parental authority must be upheld. She relegated her adult characters to the background, and her young protagonists often ridiculed adults for seeking to interfere in their activities Rudd Five get into a fix features a six-year-old girl, Aily, who runs wild, and whose parents do little to prevent her from playing truant.
The European stereotype of the unruly American child was a longstanding one. American children, it was suggested, living in the vast wilds of their country, were put to work earlier and granted much more autonomy by their parents, who were not interested in civilising them. As a result, they were more likely to be disobedient and discourteous to adults Fass and Grossberg