Sixteenth Century Polyphony - A Basic For The Study Of Counterpoint

Studies in medieval music theory and the early sequence Crocker, Richard L.

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The theory of hexachords, solmization, and the modal system; a practical application Allaire, Gaston Music Theory — History — ML Musical form in the age of Beethoven: Tonality and atonality in sixteenth-century music. Analytical strategies and musical interpretation; essays on nineteenth- and twentieth- century music Ayrey, Craig Musical analysis Music theory — History — 19th century Music theory — History — 20th century Music — Interpretation Phrasing, dynamics, etc.

The evolution of the six-four chord; a chapter in the history of dissonance treatment. Elkus Haydon, Glen c. Modal trends in modern music, by Horace Alden Miller. The style of Palestrina and the dissonance, with an introd. The dynamics of harmony: Graduate review of tonal theory: Evan Harmony MT The medieval modes, their melody and harmony for the use of the modern composer Richardson, A.

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A treatise on harmony: The craft of musical composition Hindemith, Paul v. ML H istory of Theory, Notation. ML Tunings and Temperament. ML Psychology of Music.

Introduction to the theory of Heinrich Schenker: Gregorian chant; a history of the controversy concerning its rhythm Rayburn, John Gregorian chants — History and criticism Musical meter and rhythm ML Musical meter and rhythm ML Rhythm and transforms Sethares, William A. Rhythm in seventeenth-century Italian monody, with an anthology of songs and dances Aldrich, Putnam Songs, Italian — Early works to — History and criticism Songs—History and criticism — 16thth centuries Dance music — Italy — History and criticism Musical meter and rhythm Music — 17th century Music — Performance ML Rhythmic alteration in seventeenth- and eighteenth- century music: Silence and slow time: Counterpoint in the styles of J.

Eighteenth-century counterpoint and tonal structure Parks, Richard S. A practical approach to eighteenth-century counterpoint Gauldin, Robert , Counterpoint — 18th century MT A practical approach to sixteenth-century counterpoint Gauldin, Robert , Counterpoint — 16th century MT The craft of modal counterpoint: Sixteenth-century polyphony, a basis for the study of counterpoint Merritt, Arthur Tillman Counterpoint Music theory — History — 16th century MT The art of fugue: Teil Bach, Johann Sebastian, Teil Full Text Online.

Theories of fugue from the age of Josquin to the age of Bach Walker, Paul c.

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Cantus firmus in mass and motet, Sparks, Edgar H. Contrapuntal and harmonic tendencies in fourteenth-century France [microform] Marquis, G.

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Counterpoint and compositional process in the time of Dufay: Herbert Kennedy Byrd, William, to Search this Guide Search. C White, John David. P35 Schueller, Herbert M. S38 Vinci, Albert C.

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V66 Berger, Anna Maria Busse. B5 Houle, Georg. H7 Bay, Adela. A method and techniques for understanding music notation. R M6 Mender, Mona.

M56 Music notation in the twentieth century: Musical Periods Musical Periods: K36 New paths: G The music treatise of Anonymous IV: V53 Byzantine music and hymnography Tillyard, H. T5 The critical nexus: M63 Music of the Middles Ages: W6 Music theory: W47 Studies in medieval music theory and the early sequence Crocker, Richard L. C Style and symbol: H84 The theory of hexachords, solmization, and the modal system; a practical application Allaire, Gaston Music Theory — History — ML M Musical form in the age of Beethoven: B47 Tonality and atonality in sixteenth-century music.

Sixteenth-Century Counterpoint Guide -Robert Kelley, Ph.D.

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Sixteenth Century Polyphony - A Basic For The Study Of Counterpoint

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