Architecture et écologie (Eyrolles Architecture) (French Edition)

The architect drew from his childhood memories, marked by the artificial light of neon fixtures, to design a project guided by the use of natural light alone. In the northeast, a large bay window brings in a soft light behind the children without distracting them. An eave offers protection from the sun and keeps the entrance dry when it rains. In the southwest, translucent siding indirectly lights the classroom.

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The gable ends support the eave of the reinforced concrete roof and the rest is built with cinder blocks. The playful blue coating accentuates the lines of the volume, which becomes a new haunt for the schoolchildren. A glass wall punctured by an openable window marks this house extension in Saint-Louis, France. The project brief was to improve the thermal properties of the house and extend the kitchen toward the garden. The intention of the project was to make the kitchen a part of the garden and vice versa, Picquet says, and The ground floor was reorganised to enhance the projection of the kitchen into the garden.

That the window inside the glass wall opens is an unexpected surprise, and gives the practical requirement of ventilation a witty aspect. The kitchen extension has a fish-tank-like appearance during the day, appearing disembodied and separate from the existing building. The glass wall brings the house to life in the evening, emitting a warm, bright glow into the surrounding greys and blues of the night.

Unexpected spatial juxtapositions continue inside the house and in the garden. A shed made entirely of larch wood is pierced by a gridded star motif — a conceptualisation of the night sky. To add surface to an existing kitchen, the architects created a contemporary extension opening onto the garden at the back of the house.

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I find the treatment of the opening window into the fixed glass surface quite remarkable. Seule l'habitation est contenue dans le volume en bois: Maison L is sited on the southwest slope of Rebberg Hill overlooking the medieval town centre.

There is a material division between the residential area built in wood and the service areas — the car park and garden shed — rendered in cast concrete. Concrete volumes help anchor the wooden frame into the slope. Programmatic distinctions between how the concrete and wooden areas of the house are used is perceptible. The character of the house seems to alter with the change of material.

The concrete mass has an industrial quality, which feels more Brutalist and utilitarian than the calm, leisure-inducing wooden half of the house.

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Wood and concrete meet at the entrance, which doubles as a car park. The resulting transitional space assumes both characters of the materials and integrates them seamlessly in a single space. Wood from local trees connects the house to the surrounding forest. The lower level of the back facade is completely glazed. An overhang created by the cantilevered second floor blocks sun rays from entering the house when solar angles are high during summer, but lets the sun in during winter.

A staircase made of folded, white metal looks light and airy, yet strong.

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The form casts shadows against itself and the surrounding white walls, creating a quietly sculptural object, something like Maison L. The timber frame of the existing structure is exposed inside the building, so the architect followed suit by leaving wooden ceiling beams uncovered in each of the new bedrooms.

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It also explains the qualities of surfaces and the different approaches to treating them. The second section begins with an introductory chapter explaining the principles of statics, the connections of load-bearing elements, and the various approaches to anchoring building components and supporting structures. The subsequent chapters use drawings and text to present the constructional principles and techniques associated with the various building elements. Each chapter concludes with a collection of sample projects, illustrated with photographs and technical drawings.

The team of authors is composed of current and former research associates and doctoral candidates in the Department of Landscape Architecture and Construction at the Technical University of Berlin and independent landscape architects with extensive planning and teaching experience.

The editor, Astrid Zimmermann, is an independent landscape architect and a research associate in the Department of Landscape Architecture and Construction at the Technical University of Berlin. She supervises student projects and teaches electives in the department's advanced studies section.

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