Raiders March
The content are identical to the first three titles in the box-set. There are about three minutes of music from Raiders of the Lost Ark that—so far—have not been released on CD.
In addition to the missing music, "Desert Chase" is incomplete on the Concord set. It has been trimmed down to its album length, making the release the only complete representation of that cue. From Wikipedia, the free encyclopedia. The Young Indiana Jones Chronicles — episodes. The Adventure Continues Adventure World.
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This page was last edited on 2 December , at By using this site, you agree to the Terms of Use and Privacy Policy. The march begins with four bars of accompaniment that repeat a single C major chord. This stable sound continues when the familiar tune starts up, as the bass remains fixed to the C even when the chords overtop change, creating what is known as a pedal point in the bass. At least for these opening bars, it seems as if nothing can shake our hero.
Raiders March: Concert Band Conductor Score & Parts: John Williams
In short, the music seems to be questioning the hero at this point, presenting him with a potential danger that he must overcome. And overcome it, he certainly does!
Not only does the music return to the brighter colors of C major, banishing the gloomy sounds of the flats, but it does so with such panache and style that we are certain of the success of our hero: Not only that, but for the first time in the theme, the motive now takes a downward turn, descending by step, as though Indy is literally overcoming some obstacle.
And we hear this descending step four times in a row, leaving no doubt in our minds that Indy will succeed in his adventures.
John Williams Themes, Part 4 of 6: The Raiders March (Indiana Jones’ Theme)
This section is somewhat more serious in character owing largely to the way in which Williams works out this new melody. Its short motives continually rise to F, but then fall to E:. In fact, the melody moves even further downward as the melody continues, through Eb, D, and stopping on C. This is why I say that the B section takes on a more serious character: In the Raiders March, however, these downward turns are overcome at the end of the B section, where, after falling from F a few more times, the brass finally reach up a step higher than the F to G and blast it out on a long held note:.
At the same time, almost every chord used in this B section is a major chord some with an added seventh. This injects a strong positive element into the sound of the struggle here despite the more ominous flats appearing in some of the chords bVII and bVI. Again, we are in good hands here. Over the course of the entire Raiders March, the main Indy Theme the A section is stated a total of six times. But these statements are far from exact repetitions.
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In fact, Williams has scored them in such a way that they actually intensify as the march progresses, making the final statement the most climactic, which not only concludes the piece with dramatic flair, but leaves no doubt in our minds that Indy will always succeed in his adventures. Like so many Williams themes, it is an apt reflection of the character it represents. His music also portrays him as more of a human, earthbound type of hero than, say, Luke Skywalker or Superman. Instead, this is an untroubled kind of music for an untroubled kind of hero, one who always achieves a clear success.
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Even so, his adventures and his music are still a source of tremendous excitement. This is a really wonderful article! Well done, a real treasure!