No More, No More: Slavery And Cultural Resistance In Havana And New Orleans
It employs the use of African genre to protract a powerful message that sustained the Africans movement. The author narrates about the celebrations in Havana where Africans developed new activities and beliefs that identified them to the world. They did that in concerted efforts to stand tall against the brutal treatment.
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The author employs a wide range of approaches to reveal the history of slavery in the 19th century, a time when only basic traditional sources of passing on information existed. The book expresses the various forms of cultural resistance.
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The innumerable forms of slave cultural expression are a tale of an African context. An example of the power of cultural expression in the fight against prejudice is a narration of how the African-Americans used festivities to counter the oppressive nature of public space usage by the authorities.
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The slaves in Havana and New Orleans also adapted to using language of African cultural expression to denounce the oppression leveled against them. The mighty of cultural manifestation also helped to forge harmony among the slaves. The distinctive meaning attached to festivals in an African set up acted as a propulsion of the spirit of denouncing slavery. Visual language during celebrations was also an indispensable aspect of cultural expression that kept their determination.
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There are other scenes in the book which reveal the diverse power of African-American music and expressive culture. The author draws comparisons of the El Daa De Reyes celebrations to weekly slave festivities that took place in New Orleans at the Congo square. This illustrates on how cultural expression was central for use as a tool for struggle. It was a day that free people adjoined in thoroughfares with the oppressed in Havana.
The celebration was in the form of a fashionable style. However, in New Orleans, at the Congo square, which was functioning as a leisure park for the enslaved, the slave society diluted the significance of the free people celebrations by holding African rituals, songs and dance parallel to the event. The oppressed resorted to resistance through strong cultural expression, leading open protests to downgrade public celebrations that took the stage in such spaces.
No More, No More: Slavery And Cultural Resistance In Havana And New Orleans by Daniel E. Walker
The enslaved gathered in this park in an incredible show of spirit to resist oppression. Links to Africa and the Americas 2. Social Control and Public Space 3.
The Fight for the Family 4. The Threat of Unity. University of Minnesota Press Coming soon. Home Current Catalogs Blog. Search Site only in current section. An illuminating look at the festival performances of slaves in Havana and New Orleans. Goodreads helps you keep track of books you want to read.
Want to Read saving…. Want to Read Currently Reading Read. Refresh and try again. Open Preview See a Problem? Thanks for telling us about the problem. Return to Book Page. No More, No More: No More, No More elucidates the economic, social, cultural, and demographic operations at work in two cities and the efforts at cultural resistance embodied in public performan This book looks at how people of African descent in two societiesOCoHavana and New Orleans in the nineteenth centuryOCocreated their own forms of cultural resistance to the slave regimeOCOs assault.
No More, No More elucidates the economic, social, cultural, and demographic operations at work in two cities and the efforts at cultural resistance embodied in public performances. Paperback , pages. To see what your friends thought of this book, please sign up. To ask other readers questions about No More, No More , please sign up. Lists with This Book.