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DELACROIX (Illustrated)

La Mort de Sardanapale Eugene Delacroix. Frau aus Algier mit Windhund Eugene Delacroix. The Agony in the Garden Eugene Delacroix. The Justice of Trajan Eugene Delacroix. Portrat Paganinis Eugene Delacroix. Eine Ecke des Ateliers Eugene Delacroix.

Eugene Delacroix - // Art Collection

Hinrichtung des Dogen Eugene Delacroix. Ermordung des Bischofs von Luttich Eugene Delacroix. Delacroix felt his composition more vividly as a whole, thought of his figures and crowds as types, and dominated them by the symbolic figure of Republican Liberty which is one of his finest plastic inventions Probably Delacroix's best-known painting, Liberty Leading the People is an unforgettable image of Parisians, having taken up arms, marching forward under the banner of the tricolour representing liberty, equality, and fraternity.


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Although Delacroix was inspired by contemporary events to invoke this romantic image of the spirit of liberty, he seems to be trying to convey the will and character of the people, [16] rather than glorifying the actual event, the revolution against Charles X , which did little other than bring a different king, Louis-Philippe , to power. The warriors lying dead in the foreground offer poignant counterpoint to the symbolic female figure, who is illuminated triumphantly, as if in a spotlight. Although the French government bought the painting, officials deemed its glorification of liberty too inflammatory and removed it from public view.

Nonetheless, Delacroix still received many government commissions for murals and ceiling paintings. In , Delacroix traveled to Spain and North Africa in company with the diplomat Charles-Edgar de Mornay , as part of a diplomatic mission to Morocco shortly after the French conquered Algeria. He went not primarily to study art, but to escape from the civilization of Paris, in hopes of seeing a more primitive culture. He believed that the North Africans, in their attire and their attitudes, provided a visual equivalent to the people of Classical Rome and Greece:.

The Greeks and Romans are here at my door, in the Arabs who wrap themselves in a white blanket and look like Cato or Brutus He managed to sketch some women secretly in Algiers , as in the painting Women of Algiers in their Apartment , but generally he encountered difficulty in finding Muslim women to pose for him because of Muslim rules requiring that women be covered.


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  • While in Tangier , Delacroix made many sketches of the people and the city, subjects to which he would return until the end of his life. Delacroix drew inspiration from many sources over his career, such as the literary works of William Shakespeare and Lord Byron, or the artistry of Michelangelo.

    Eugène Delacroix Paintings!

    But from beginning to end of his life, he was in part characterized by a constant need for music, saying in , "nothing can be compared with the emotion caused by music; that it expresses incomparable shades of feeling. It was often in music, in the most melancholy renditions of Chopin, or the "pastoral" works of Beethoven that Delacroix was often able to draw the most emotion and inspiration. At one point during his life, Delacroix befriended and made portraits of the composer Chopin; in his journal, Delacroix praised him frequently.

    His first large-scale treatment of a scene from Greek mythology, the painting depicts Medea clutching her children, dagger drawn to slay them in vengeance for her abandonment by Jason. The three nude figures form an animated pyramid, bathed in a raking light which penetrates the grotto in which Medea has hidden. From Delacroix received numerous commissions to decorate public buildings in Paris. For the next ten years he painted in both the Library at the Palais Bourbon and the Library at the Palais du Luxembourg.

    In he decorated the Church of St. From to he worked on frescoes for the Chapelle des Anges at the Church of St. The work was fatiguing, and during these years he suffered from an increasingly fragile constitution. In addition to his home in Paris, from he also lived at a small cottage in Champrosay , where he found respite in the countryside. From until his death, he was faithfully cared for by his housekeeper, Jeanne-Marie le Guillou, who zealously guarded his privacy, and whose devotion prolonged his life and his ability to continue working in his later years.

    In addition to Delacroix, the committee was composed of the painters Carrier-Belleuse and Puvis de Chavannes. The winter of —63 was extremely rough for Delacroix; he was suffering from a bad throat infection which seemed to get worse over the course of the season. On a trip to Champrosay, he met a friend on the train and became exhausted after having a conversation.

    On June 1 he returned to Paris to see his doctor. Two weeks later, on June 16, he was getting better and returned to his house in the country. But by July 15 he was sick enough to see his doctor who said he could do nothing more for him.

    Apr 26, 1798 - Aug 13, 1863

    By then, the only food he could eat was fruit. Delacroix realized the seriousness of his condition and wrote his will, leaving a gift for each of his friends. For his trusted housekeeper, Jenny Le Guillou, he left enough money for her to live on while ordering everything in his studio to be sold. He also inserted a clause forbidding any representation of his features, "whether by a death-mask or by drawing or by photography. I forbid it, expressly. His house, formerly situated along the canal of the Marne , is now near the exit of the motorway leading from Paris to central Germany.

    Mademoiselle Rose , —24, Louvre. Orphan Girl at the Cemetery , , Louvre.

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    The Duke of Morny 's Apartment , —33, Louvre. Fantasia Arabe , The Women of Algiers , , Louvre. The Battle of Taillebourg draft , , Louvre. Pourquoi tout ce vacarme?


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      Eugène Delacroix facts for kids

      You then will enter by the one gate into the temple of certitude. The first plate for this lithograph having been lost or broken, the publishers had a copy made for the subsequent editions of Faust. Jettez vous sur lui … son affaire ne sera pas longue. The fellow is outside the law! There, we have tamed that lout! Could I but escape these thoughts that come at me from every side, do what I will! Hear the trumpet sound! I know those are the eyes of someone dead, eyes that no loving hand has closed.

      That is the breast which Gretchen let me press, that the sweet body which gave me joy. Unseul pas et tu es libre …Meph.: One step, just one!