Violin Sonata No. 3, Movement 1 - Piano Score

Right from the opening of the first sonata, there is a vigour and urgency to the music nonexistent in the many violin sonatas of Mozart and his contemporaries. Furthermore, there are numerous unconventional key relationships and excursions into remote tonalities. Notice that the violin, not the piano, first presents the lyrical theme that immediately follows the opening gesture. As for the new-found energy and urgency of the music, one can point to but a single pause for breath in the entire first movement at the repeat of the exposition.

The slow central movement is an orthodox theme and variations set, while the finale is a rondo, written in a lively, playful style, and which incorporates several examples of the rough humour for which Beethoven later became renowned. The slow movement is based on a lyrical, melancholic theme in A minor. Each of its two parts is announced by the piano, then repeated by the violin.

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The concluding movement is a high-spirited rondo with frequent humourous touches. In addition, the piano writing is often of near-heroic proportions, by far the most substantial in the first three sonatas, and scarcely equalled in any of the subsequent sonatas.

The violin is far from idle, but much of the piano work might just as well have been channeled into a sonata for solo piano. The second movement constitutes the emotional centre of gravity in this sonata.

This is the first adagio we encounter in the traversal of these sonatas, and one of the finest slow movements in early Beethoven. Frequent contrasts of dynamics and register are a constant feature of the movement. It is by far the longest, is the most difficult, contains the richest textures, and to a greater extent than any other, puts both musicians on an absolutely equal footing throughout. Of the ten sonatas, only the Kreutzer has a slow introduction, a feature usually reserved for grand, imposing works Throughout the opening movement the violinist is called upon to execute numerous chords in triple and quadruple stops playing across three and four strings simultaneously.

In the finale, the rapid, nearly continuous rhythmic pattern of long-short-long-short belongs to the tarantella, a dance that originated in Italy and, according to legend, served to counteract the poisonous bite of the tarantula spider. But the two works share a common characteristic in the compositional process at work in their opening subjects.

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In the sonata, piano and violin share the material, with each hand of the piano part a separate element in itself. This means there are actually three strands of melodic material at work, intertwining and coming together to form a coherent whole. Similarly, in the Eroica, cellos, violins and winds all contribute individual melodic strands to the complex first subject.

The ravishingly beautiful slow movement is in ternary form, with the outer sections distinguished by the persistent dotted rhythm long-slow-long-slow , the inner portion by gently rippling triplets in the accompaniment. The final movement is a theme and variations set in which violin and piano take turns in presenting the melodic strands of the theme.

It is a work of drama, passion, power and almost symphonic scope.

The key of C minor immediately alerts us to music of serious import. It is also one of just three Nos. The first movement opens with a darkly mysterious, almost menacing subject divided into several epigrammatic components, a subject eminently suitable for development later on. The strongly contrasting second subject in E-flat major, march like yet playful, is introduced by the violin.

The slow movement is one of heavenly beauty. The finale returns to C minor and, unusually for a large-scale work that opens in the minor tonality, finishes in the minor as well. Relentless dramatic tension and emotional strife mark this uncompromising movement. Like many other works in G major, it breathes the air of unspoiled nature, untroubled emotions, lively spirits and gaiety.

Adagio D major III. Be the first to write down a comment.

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Free sheet music : Brahms, Johannes - Op - Violin Sonata No.3 (Violin and Piano)

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