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Oliver Twist (The Gospel According to the Classics Book 2)

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On the eve of Fagin's hanging, Oliver, accompanied by Mr Brownlow in an emotional scene, visits Fagin in Newgate Prison , in hope of retrieving papers from Monks. Fagin is lost in a world of his own fear of impending death. On a happier note, Rose Maylie is the long-lost sister of Agnes, and thus Oliver's aunt. She marries her sweetheart Harry Maylie, who gives up his political ambitions to become a parson, drawing all their friends to settle near them.

Oliver lives happily with Mr Brownlow, who adopts him. Noah becomes a paid, semi-professional police informer. The Bumbles lose their positions and are reduced to poverty, ending up in the workhouse themselves. Charley Bates, horrified by Sikes' murder of Nancy, becomes an honest citizen, moves to the country, and eventually becomes prosperous. In Oliver Twist , Dickens mixes grim realism with merciless satire to describe the effects of industrialism on 19th-century England and to criticise the harsh new Poor Laws. Oliver, an innocent child, is trapped in a world where his only options seem to be the workhouse, a life of crime symbolised by Fagin's gang, a prison, or an early grave.

In the midst of corruption and degradation, the essentially passive Oliver remains pure-hearted; he steers away from evil when those around him give in to it, and in proper fairy-tale fashion, he eventually receives his reward — leaving for a peaceful life in the country, surrounded by kind friends.

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On the way to this happy ending, Dickens explores the kind of life an outcast, orphan boy could expect to lead in s London. Poverty is a prominent concern in Oliver Twist. Throughout the novel, Dickens enlarged on this theme, describing slums so decrepit that whole rows of houses are on the point of ruin. In an early chapter, Oliver attends a pauper's funeral with Mr. Sowerberry and sees a whole family crowded together in one miserable room. This prevalent misery makes Oliver's encounters with charity and love more poignant.

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Oliver owes his life several times over to kindness both large and small. Nonetheless, in Oliver Twist, he delivers a somewhat mixed message about social caste and social injustice. Oliver's illegitimate workhouse origins place him at the nadir of society; as an orphan without friends, he is routinely despised. His "sturdy spirit" keeps him alive despite the torment he must endure.

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Oliver Twist - Wikipedia?

Many of the middle-class people Oliver encounters—Mrs. Bumble, and the savagely hypocritical "gentlemen" of the workhouse board, for example—are, if anything, worse. On the other hand, Oliver—who has an air of refinement remarkable for a workhouse boy—proves to be of gentle birth. Although he has been abused and neglected all his life, he recoils, aghast, at the idea of victimising anyone else. This apparently hereditary gentlemanliness makes Oliver Twist something of a changeling tale, not just an indictment of social injustice.

Director Roman Polanski 's film adaptation of the novel dispenses with the paradox of Oliver's genteel origins by eliminating his origin story completely, making him just another anonymous orphan like the rest of Fagin's gang. Dickens makes considerable use of symbolism. The many symbols Oliver faces are primarily good versus evil, with evil continually trying to corrupt and exploit good, but good winning out in the end. The town of Oliver's birth was Mudfog in the firsts serialization in Bentley's Miscellany in , but changed to an unnamed town, a mile walk to London, when published in book form.

The "merry old gentleman" Fagin, for example, has satanic characteristics: In contrast, the countryside where the Maylies take Oliver is a bucolic heaven. The novel is also shot through with a related motif , social class, which calls attention to the stark injustice of Oliver's world. When the half-starved child dares to ask for more, the men who punish him are fat. A remarkable number of the novel's characters are overweight.

Toward the end of the novel, the gaze of knowing eyes becomes a potent symbol. For years, Fagin avoids daylight, crowds, and open spaces, concealing himself most of the time in a dark lair. When his luck runs out at last, he squirms in the "living light" of too many eyes as he stands in the dock, awaiting sentence.

Similarly, after Sikes kills Nancy at dawn, he flees the bright sunlight in their room, out to the countryside, but is unable to escape the memory of her dead eyes. In addition, Charley Bates turns his back on crime when he sees the murderous cruelty of the man who has been held up to him as a model.

In the tradition of Restoration Comedy and Henry Fielding , Dickens fits his characters with appropriate names. Oliver himself, though "badged and ticketed" as a lowly orphan and named according to an alphabetical system, is, in fact, "all of a twist. Grimwig is so called because his seemingly "grim", pessimistic outlook is actually a protective cover for his kind, sentimental soul.

Other character names mark their bearers as semi-monstrous caricatures. Mann, who has charge of the infant Oliver, is not the most motherly of women; Mr. Bumble, despite his impressive sense of his own dignity, continually mangles the King's English he tries to use; and the Sowerberries are, of course, "sour berries", a reference to Mrs.

Sowerberry's perpetual scowl, to Mr. Sowerberry's profession as an undertaker, and to the poor provender Oliver receives from them. Rose Maylie's name echoes her association with flowers and springtime, youth and beauty while Toby Crackit's is a reference to his chosen profession of housebreaking. Bill Sikes's dog, Bull's-eye, has "faults of temper in common with his owner" and is an emblem of his owner's character. The dog's viciousness represents Sikes's animal-like brutality while Sikes's self-destructiveness is evident in the dog's many scars. The dog, with its willingness to harm anyone on Sikes's whim, shows the mindless brutality of the master.

Sikes himself senses that the dog is a reflection of himself and that is why he tries to drown the dog. He is really trying to run away from who he is. The dog leaves bloody footprints on the floor of the room where the murder is committed. Not long after, Sikes becomes desperate to get rid of the dog, convinced that the dog's presence will give him away. Yet, just as Sikes cannot shake off his guilt, he cannot shake off Bull's-eye, who arrives at the house of Sikes's demise before Sikes himself does.

Bull's-eye's name also conjures up the image of Nancy's eyes, which haunt Sikes until the bitter end and eventually cause him to hang himself accidentally. Dickens employs polarised sets of characters to explore various dual themes throughout the novel; [ citation needed ] Mr. Brownlow and Fagin, for example, personify "good vs. Dickens also juxtaposes honest, law-abiding characters such as Oliver himself with those who, like the Artful Dodger, seem more comfortable on the wrong side of the law.

Crime and punishment is another important pair of themes, as is sin and redemption: Dickens describes criminal acts ranging from picking pockets to murder, and the characters are punished severely in the end. Most obviously, he shows Bill Sikes hounded to death by a mob for his brutal acts and sends Fagin to cower in the condemned cell, sentenced to death by due process. Neither character achieves redemption; Sikes dies trying to run away from his guilt, and on his last night alive, the terrified Fagin refuses to see a rabbi or to pray, instead asking Oliver to help him escape. Nancy, by contrast, redeems herself at the cost of her own life and dies in a prayerful pose.

She is one of the few characters in Oliver Twist to display much ambivalence. Her storyline in the novel strongly reflects themes of domestic violence and psychological abuse at the hands of Bill, who ultimately murders her. Mr Leeford had fallen in love with Oliver's mother, Agnes, after Monks' parents had separated. Mr Leeford had to help a dying friend in Rome, and then died there himself, leaving Agnes, "his guilty love", in England. Mr Brownlow has a picture of Agnes and had begun making inquiries when he noticed a marked resemblance between her and Oliver. Monks had hunted his brother to destroy him, to gain all in their father's will.

Meeting with Monks and the Bumbles in Oliver's native town, Brownlow asks Oliver to give half his inheritance to Monks to give him a second chance; Oliver is more than happy to comply. Monks moves to "the new world", where he squanders his money, reverts to crime, and dies in prison. Fagin is arrested, tried and condemned to the gallows. On the eve of Fagin's hanging, Oliver, accompanied by Mr Brownlow in an emotional scene, visits Fagin in Newgate Prison , in hope of retrieving papers from Monks. Fagin is lost in a world of his own fear of impending death. On a happier note, Rose Maylie is the long-lost sister of Agnes, and thus Oliver's aunt.

She marries her sweetheart Harry Maylie, who gives up his political ambitions to become a parson, drawing all their friends to settle near them. Oliver lives happily with Mr Brownlow, who adopts him. Noah becomes a paid, semi-professional police informer. The Bumbles lose their positions and are reduced to poverty, ending up in the workhouse themselves. Charley Bates, horrified by Sikes' murder of Nancy, becomes an honest citizen, moves to the country, and eventually becomes prosperous.

In Oliver Twist , Dickens mixes grim realism with merciless satire to describe the effects of industrialism on 19th-century England and to criticise the harsh new Poor Laws. Oliver, an innocent child, is trapped in a world where his only options seem to be the workhouse, a life of crime symbolised by Fagin's gang, a prison, or an early grave. In the midst of corruption and degradation, the essentially passive Oliver remains pure-hearted; he steers away from evil when those around him give in to it, and in proper fairy-tale fashion, he eventually receives his reward — leaving for a peaceful life in the country, surrounded by kind friends.

Sowerberry and sees a whole family crowded together in one miserable room. This prevalent misery makes Oliver's encounters with charity and love more poignant. Oliver owes his life several times over to kindness both large and small. Nonetheless, in Oliver Twist, he delivers a somewhat mixed message about social caste and social injustice. Oliver's illegitimate workhouse origins place him at the nadir of society; as an orphan without friends, he is routinely despised. His "sturdy spirit" keeps him alive despite the torment he must endure.

Most of his associates, however, deserve their place among society's dregs and seem very much at home in the depths. Noah Claypole, a charity boy like Oliver, is idle, stupid, and cowardly; Sikes is a thug; Fagin lives by corrupting children, and the Artful Dodger seems born for a life of crime. Many of the middle-class people Oliver encounters—Mrs. Bumble, and the savagely hypocritical "gentlemen" of the workhouse board, for example—are, if anything, worse. On the other hand, Oliver—who has an air of refinement remarkable for a workhouse boy—proves to be of gentle birth.

Although he has been abused and neglected all his life, he recoils, aghast, at the idea of victimising anyone else.

Oliver Twist - Wikipedia

This apparently hereditary gentlemanliness makes Oliver Twist something of a changeling tale, not just an indictment of social injustice. Director Roman Polanski 's film adaptation of the novel dispenses with the paradox of Oliver's genteel origins by eliminating his origin story completely, making him just another anonymous orphan like the rest of Fagin's gang. Dickens makes considerable use of symbolism.

The many symbols Oliver faces are primarily good versus evil, with evil continually trying to corrupt and exploit good, but good winning out in the end.

The town of Oliver's birth was Mudfog in the firsts serialization in Bentley's Miscellany in , but changed to an unnamed town, a mile walk to London, when published in book form. The "merry old gentleman" Fagin, for example, has satanic characteristics: In contrast, the countryside where the Maylies take Oliver is a bucolic heaven. The novel is also shot through with a related motif , social class, which calls attention to the stark injustice of Oliver's world. When the half-starved child dares to ask for more, the men who punish him are fat.

A remarkable number of the novel's characters are overweight. Toward the end of the novel, the gaze of knowing eyes becomes a potent symbol. For years, Fagin avoids daylight, crowds, and open spaces, concealing himself most of the time in a dark lair. When his luck runs out at last, he squirms in the "living light" of too many eyes as he stands in the dock, awaiting sentence. Similarly, after Sikes kills Nancy at dawn, he flees the bright sunlight in their room, out to the countryside, but is unable to escape the memory of her dead eyes.

In addition, Charley Bates turns his back on crime when he sees the murderous cruelty of the man who has been held up to him as a model. In the tradition of Restoration Comedy and Henry Fielding , Dickens fits his characters with appropriate names. Oliver himself, though "badged and ticketed" as a lowly orphan and named according to an alphabetical system, is, in fact, "all of a twist. Grimwig is so called because his seemingly "grim", pessimistic outlook is actually a protective cover for his kind, sentimental soul. Other character names mark their bearers as semi-monstrous caricatures.

Mann, who has charge of the infant Oliver, is not the most motherly of women; Mr. Bumble, despite his impressive sense of his own dignity, continually mangles the King's English he tries to use; and the Sowerberries are, of course, "sour berries", a reference to Mrs. Sowerberry's perpetual scowl, to Mr.

Sowerberry's profession as an undertaker, and to the poor provender Oliver receives from them. Rose Maylie's name echoes her association with flowers and springtime, youth and beauty while Toby Crackit's is a reference to his chosen profession of housebreaking. Bill Sikes's dog, Bull's-eye, has "faults of temper in common with his owner" and is an emblem of his owner's character.

The dog's viciousness represents Sikes's animal-like brutality while Sikes's self-destructiveness is evident in the dog's many scars. The dog, with its willingness to harm anyone on Sikes's whim, shows the mindless brutality of the master. Sikes himself senses that the dog is a reflection of himself and that is why he tries to drown the dog. He is really trying to run away from who he is. The dog leaves bloody footprints on the floor of the room where the murder is committed.

Not long after, Sikes becomes desperate to get rid of the dog, convinced that the dog's presence will give him away. Yet, just as Sikes cannot shake off his guilt, he cannot shake off Bull's-eye, who arrives at the house of Sikes's demise before Sikes himself does. Bull's-eye's name also conjures up the image of Nancy's eyes, which haunt Sikes until the bitter end and eventually cause him to hang himself accidentally. Dickens employs polarised sets of characters to explore various dual themes throughout the novel; [ citation needed ] Mr. Brownlow and Fagin, for example, personify "good vs. Dickens also juxtaposes honest, law-abiding characters such as Oliver himself with those who, like the Artful Dodger, seem more comfortable on the wrong side of the law.

Crime and punishment is another important pair of themes, as is sin and redemption: Dickens describes criminal acts ranging from picking pockets to murder, and the characters are punished severely in the end. Most obviously, he shows Bill Sikes hounded to death by a mob for his brutal acts and sends Fagin to cower in the condemned cell, sentenced to death by due process. It is worth reading for sure and another tome in the classics of Charles Dickens. This version contains some illustrations as well which were very well done and appropriate. One person found this helpful.

I've always loved the story of Oliver Twist-now I finally have an illustrated copy I'm even happier. This book is an unabridged copy and is searchable-a great feature. The cover has a picture of Oliver, all ragged with his little bundle. The table of contents takes you to Charles Dickens' preface, which is well worth reading, and to any chapter in the book. Alas, it does not take you to any of the illustrations, but they are beautifully rendered and very clear.

I have the most basic Kindle and I have no trouble seeing all of the detail in the illustrations. The chapter headings list not only the number of the chapter, but the brief description Dickens wrote for each chapter, so that if you want to find a particular spot-say, when Oliver runs away to London, you can see that Chapter VIII has the summary "Oliver walks to London. He encounters on the road a strange sort of young gentleman. The story is one of a poor orphan boy, sold to an undertaker and abused until he runs away to London.

He falls in with thieves and through a strange twist of fate is rescued by the man who was his father's best friend. It's a long story, filled with reversals of fortune and amazing coincidences, and although it has a happy ending, there is some genuine tragedy. It's a very sad scene when Oliver returns to the orphanage to get his best friend, Dick, who saw him off on his journey to London, only to find that Dick has died of untreated sickness.

The prostitute, Nancy, has all the attributes of a character in a Greek tragedy-you desperately want her to leave the streets and her brutal boyfriend, Bill Sikes, and when she refuses to go, you have a sinking feeling that she isn't going to last much longer. When he beats her to death in their little room, it's a gruesome scene, but not a surprising one.

The only relief from Fagin's gang comes from Charley, who reforms and leaves London to become a grazier. A word about Fagin-some might find the constant description of him as "the Jew" offensive. It is not meant as a pejorative, but rather as a handy label to define the arch-criminal. While it is true that Fagin is constantly described as a Jew and is one of the most repulsive Jewish characters in literature, it was not Dickens' intent to cast slurs upon Jewish people.

He wrote in good faith and was troubled later, after becoming friends with Eliza Davis, the wife of the Jewish banker he sold his London house to, by the way he had portrayed Fagin.

What the Dickens? Oliver Twist

Eliza wrote to him in that she considered the way Dickens had portrayed Fagin a great wrong to the Jewish people. Dickens started to revise Oliver Twist, removing over instances of the word "Jew" from the first edition text. He also ommitted sterotypical caricature from his public readings of Oliver Twist and a contemporary report noted, "There is no nasal intonation; a bent back but no shoulder-shrug: I have always done better on audio book, versus reading the book manually.

I comprehend the book a lot better, what ever the book is' in this case Oliver Twist. I had to read it for an advanced English class and I had the entire book done before the class could even read the first chapter; I really like to work ahead. At the end of the class, I had to give a report on the book, questions to characters and useful material. Audio books are extremely beneficial for people who really need a different understanding of reading material.

This purchase was absolutely, well worth it! See all 1, reviews. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more about Amazon Giveaway. Oliver Twist Puffin Classics. Set up a giveaway.

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