Impassioned Dream (Violin 1)

It was at the old field school "exhibition" that the goddess of liberty always received a broken nose, and the poetic muse a black eye; it was at the old field school "exhibition" that Greece and Rome rose and fell, in seas of gore, about every fifteen minutes in the day, and,. It was at the old field school "exhibition" that the fiddle and the bow immortalized themselves. When the frowning old teacher advanced on the stage and nodded for silence, instantly there was silence in the vast assembly; and when the corps of country fiddlers, "one of which I was often whom," seated on the stage, hoisted the black flag, and rushed into the dreadful charge on "Old Dan Tucker," or "Arkansas Traveller," the spectacle was sublime.

Their heads swung time; their bodies rocked time; [31] [32] their feet patted time; the muscles of their faces twitched time; their eyes winked time; their teeth ground time. The whizzing bows and screaming fiddles electrified the audience who cheered at every brilliant turn in the charge of the fiddlers.

The good women laughed for joy; the men winked at each other and popped their fists; it was like the charge of the Old Guard at Waterloo, or a battle with a den of snakes. Upon the completion of the grand overture of the fiddlers the brilliant programme of the "exhibition," which usually lasted all day, opened with "Mary had a little lamb;" and it gathered fury until it reached Patrick Henry's "Give me liberty or give me death!!!

Did you never hear the juvenile orator of the old field school speak? He was not dressed like a United States Senator; but he was dressed with a view to disrobing for bed, and completing his morning toilet instantly; both of which he performed [33] [34] during the acts of ascending and descending the stairs. His uniform was very simple. It consisted of one pair of breeches rolled up to the knees, with one patch on the "western hemisphere," one little shirt with one button at the top, one "gallus," and one invalid straw hat.

His straw hat stood guard over his place on the bench, while he was delivering his great speech at the "exhibition. His father told him to keep a-stan'in' there till he told him to git off'n there, and the boy he jist kep' a stan'in' there——and fast the flames rolled on——The old man went down stairs in the ship to see about sump'n, an' he got killed down there, an' the boy he didn't know it, an' he jist kept a stan'in' there——an' fast the flames rolled on.

The old fiddler took a fresh chew of long, green tobacco, and rosined his bow. He glided off into "Hop light ladies, your cake's all dough," and then I heard the watch dog's honest bark. I heard the guinea's merry "pot-rack. I heard the din of happy voices in the "big house" and the sizz and songs of boiling kettles in the kitchen.

It was an old time quilting—the May-day of the glorious ginger cake and cider era of the American Republic; and the needle was mightier than the sword. The pen of Jefferson announced to the world, the birth of the child of the ages; the sword of Washington defended it in its cradle, but it would have perished there had it not been for the brave women of that day who plied the needle and made the quilts that warmed it, and who nursed it and rocked it through the perils of its infancy, into the strength of a giant. The quilt was attached to a quadrangular [37] frame suspended from the ceiling; and the good women sat around it and quilted the live-long day, and were courted by the swains between stitches.

At sunset the quilt was always finished; a cat was thrown into the center of it, and the happy maiden nearest to whom the escaping "kitty-puss" passed was sure to be the first to marry. Then followed the groaning supper table, surrounded by giggling girls, bashful young men and gossipy old matrons who monopolized the conversation. There was a warm and animated discussion among the old ladies as to what was the most delightful product of the garden. One old lady said, that so "fur" as she was "consarned," she preferred the "per-turnip"—another preferred the "pertater"—another the "cow-cumber," and still another voted "ingern" king.

But suddenly a wise looking old dame raised her spectacles and settled the whole question by observing: At length the feast was ended, the old folks departed and the fun and frolic began in earnest at the quilting. Old uncle "Ephraham" was an old darkey in the neighborhood, distinguished for calling the figures for all the dances, for miles and miles around. He was a tall, raw-boned, angular old darkey with a very bald head, and a great deal of white in his eyes. He had thick, heavy lips and a very flat nose. I will tell you a little story of uncle "Ephraham.

One evening old uncle "Ephraham" came home from his labors and took his 'possum dog into the woods and soon caught a fine, large, fat 'possum. He brought him home and dressed him; and then he slipped into his master's garden and stole some fine, large, fat sweet potatoes— "Master's nigger, Master's taters," and he washed the potatoes and split them and piled them in the oven around the 'possum. He set the oven on the red hot coals and put the lid on, and covered it with red hot coals, and then sat down in the corner and nodded and breathed the sweet aroma of the baking 'possum, till it was done.

Then he set it out [39] into the middle of the floor, and took the lid off, and sat down by the smoking 'possum and soliloquized: I believes I'll jis lay down heah by 'im an' take a nap while he's coolin', an' maybe I'll dream about eat'n 'im, an' den I'll git up an' eat 'im, an' I'll git de good uv dat 'possum boaf times dat-a-way. Old Cye was another old darkey in the neighborhood, prowling around. He poked his head in at "Ephraham's" door ajar, and took in the whole situation at a glance.

Cye merely remarked to himself: At length "Ephraham" awoke—"Sho' [40] nuf, sho' nuf—jist as I expected; I dreampt about eat'n dat 'possum an' it wuz de sweetest dream I evah has had yit. Old uncle "Ephraham" was present at the country dance in all his glory. He was attired in his master's old claw-hammer coat, a very buff vest, a high standing collar the corners of which stood out six inches from his face, striped pantaloons that fitted as tightly as a kid glove, and he wore number fourteen shoes.

He looked as though he were born to call the figures of the dance. The fiddler was a young man with long legs, a curving back, and a neck of the crane fashion, embellished with an Adam's apple which made him look as though he had made an unsuccessful effort to swallow his own [41] head. But he was a very important personage at the dance. With great dignity he unwound his bandana handkerchief from his old fiddle and proceeded to tune for the fray.

Did you never hear a country fiddler tune his fiddle? He tuned, and he tuned, and he tuned. He tuned for fifteen minutes, and it was like a melodious frog pond during a shower of rain. The fiddler struck an attitude, and after countless yelps from his eager strings, he glided off into that sweet old Southern air of "Old Uncle Ned," as though he were mauling rails or feeding a threshing machine.

Uncle "Ephraham" sang the chorus with the fiddle before he began to call the figures of the dance:. Then, drawing himself up to his full height, he began! About this time an angry lad who had been jilted by his sweetheart, shied a fresh egg from without; it struck "Ephraham" square between the eyes and broke and landed on his upper lip.

Free Felix Mendelssohn Sheet Music

The sugar was boiling in the kettles, and while it boiled the boys and girls played "snap," and "eleven hand," and "thimble," and "blindfold," and another old play which some of our older people will remember:. And when the sugar had boiled down into candy they emptied it into greased saucers, or as the mountain folks called them, "greased sassers," and set it out to cool; and when it had cooled each boy and girl took a saucer; and they pulled the taffy out and patted it and rolled it till it hung well together; and then they pulled it out a foot long; they pulled it out a yard long; and they doubled it back, and pulled it out; and when it began to look like gold the sweethearts paired off and consolidated their taffy and pulled against each other.

They pulled it out and doubled it back, and looped it over, and pulled it out; and [45] sometimes a peachblow cheek touched a bronzed one; and sometimes a sweet little voice spluttered out; "you Jack;" and there was a suspicious smack like a cow pulling her foot out of stiff mud. They pulled the candy and laughed and frolicked; the girls got taffy on their hair—the boys got taffy on their chins; the girls got taffy on their waists—the boys got taffy on their coat sleeves.

They pulled it till it was as bright as a moonbeam, and then they platted it and coiled it into fantastic shapes and set it out in the crisp air to cool. Then the courting in earnest began. They did not court then as the young folks court now. The young man led his sweetheart back into a dark corner and sat down by her, and held her hand for an hour, and never said a word.

But it resulted next year in more cabins on the hillsides and in the hollows; and in the years that followed the cabins were full of candy-haired children who grew up into a race of the best, the bravest, and the noblest people the sun in heaven ever shone upon. In the bright, bright hereafter, when all the joys of all the ages are gathered up and condensed into globules of transcendent ecstacy, I doubt whether there will be anything half so [46] sweet as were the candy-smeared, ruby lips of the country maidens to the jeans-jacketed swains who tasted them at the candy-pulling in the happy long ago.

Let us leave the "egg flip" of the country dance, and take a bowl of egg-nog at the banquet. It was a modern banquet for men only. Music flowed; wine sparkled; the night was far spent—it was in the wee sma' hours. The banquet was given by Col. Punk who was the promoter of a town boom, and who had persuaded the banqueters that "there were millions in it. The old squatter was a partner with the Colonel, and with his part of the boodle nicely done up in his wallet, was present with bouyant hopes and feelings high.

Countless yarns were spun; numberless jokes passed 'round the table until, in the ecstacy of their joy, the banqueters rose from the table and clinked their glasses together, and sang to chorus:. The whole banquet was drunk as banquets usually are , and the principal stockholders finally succumbed to the music of "Old Kentucky Bourbon," and sank to sleep under the table. The last toast on the programme was announced. It was a wonderful toast—"Our mineral resources: I have never made mineralogy a study, nor zoology, nor any other kind of 'ology,' but if there haint m-i-n-e-r-l in the deestrick which you gent-tul-men have jist purchased from me at sitch magnifercent figers, then the imagernation of man is a deception an' a snare.

But gent-tul-men, you caint expect to find m-i-n-e-r-l without plenty uv diggin'. I have been diggin' thar for the past forty year fur it, an' haint never struck it yit, I hope you gen-tul-men will strike it [50] some time endurin' the next forty year. But he would not down. He continued in the same eloquent strain: There is no excellence without labor gent-tul-men. If old Vanderbilt hadn't a-been persevering in his pertickler kind uv dig-gin', whar would he be to-day? He wouldn't now be a rich man, a-ridin' the billers of old ocean in his magnifercent 'yatchet.

I mout have been seated like you gent-tul-men, at this stupenduous banquet, with my pockets full of watered stock, and some other old American citizen mout have been deliverin' this eulogy on our m-i-n-e-r-l resources. Gent-tul-men, my injunction to you is never to stop diggin'. And while you're a-diggin', cultivate a love for the beautiful, the true and the good. Speakin' of the beautiful, the true, and the good, gent-tul-men, let us not forgit woman at this magnifercent [51] [52] banquet—Oh!

At the close of this great speech the curtain fell to slow music, and there was a panic in land stocks. There is music all around us, there is music everywhere. There is no music so sweet to the American ear as the music of politics. There is nothing that kindles the zeal of a modern patriot to a whiter heat than the prospect of an office; there is nothing that cools it off so quickly as the fading out of that prospect.

I stood on the stump in Tennessee as a candidate for Governor, and thus I cut my eagle loose: It stretches from the Atlantic Ocean on the east, to the Pacific Ocean on the west"—and an old fellow jumped up in my crowd and threw his hat in the air and shouted: An old Dutchman had a beautiful boy of whom he was very proud; and he decided to find out the bent of his mind. He adopted a very novel [54] method by which to test him.

He slipped into the little fellow's room one morning and placed on his table a Bible, a bottle of whiskey, and a silver dollar. In came the boy whistling. He ran up to the table and picked up the dollar and put it in his pocket; he picked up the Bible and put it under his arm; then he snatched up the bottle of whiskey and took two or three drinks, and went out smacking his lips. The old Dutchman poked his head out from behind the door and exclaimed: There is no music like the music of political discussion.

I have heard almost a thousand political discussions. I heard the great debate between Blaine and Ben Hill; I heard the angry coloquies between Roscoe Conkling and Lamar; I have heard them on down to the humblest in the land. But I prefer to give you a scrap of one which occurred in my own native mountains. It was a race for the Legislature in a mountain [55] county, between a straight Democrat and a straight Republican. The mountaineers had gathered at the county site to witness the great debate. The Republican spoke first. He was about six feet two in his socks, as slim as a bean pole, with a head about the size of an ordinary tin cup and very bald, and he lisped.

Webster in all his glory in the United States Senate never appeared half so great or half so wise. Thus he opened the debate:. I come befo' you to-day ath a Republikin candidate, fer to reprethent you in the lower branch uv the Legithlachah. And, fellow thitithens, ef I thould thay thumpthin conthernin' my own carreckter, I hope you will excuthe me.

I sprung frum one of the humbletht cabins in all thith lovely land uv thweet liberty; and many a mornin' I have jumped out uv my little trundle bed onto the puncheon floor, and pulled the splinterth and the bark off uv the wall of our 'umble cabin, for to make a fire for my weakley parenth.

Fellow thitithenth, I never had no chanthe. All that I am to-day I owe to my own egtherthionth!! When the cloud of war thwept like a bethom of destructhion over this [56] land uv thweet liberty, me and my connecthion thouldered our musketh and marched forth on the bloody battlefield to fight for your thweet liberty! Fellow thitithenth, if you can trust me in the capathity uv a tholjer, caint you trust me in the capathity uv the Legithlature? I ask my old Dimocrat competitor for to tell you whar he wath when war shook thith continent from its thenter to its circumputh! I have put thith quethtion to him on every stump, and he's ath thilent ath an oysthter.

Fellow citithenth, I am a Republikin from printhiple. I believe in every thing the Republikin Party has ever done, and every thing the Republikin Party ever expecthts to do. Fellow thitithenth, I am in favor of a high protective tarriff for the protecthion of our infant induthtreth which are only a hundred yearth old; and fellow thitithenth, I am in favor of paying of a penthun to every tholjer that fit in the Federal army, while he lives, and after hethe dead, I'm in favor of paying uv it to hith Exthecutor or hith Adminithtrator. He took his seat amid great applause on the Republican side of the house, and the old Democrat who was a much older man, came forward [57] like a roaring lion, to join issue in the great debate, and thus he "joined: And fust and fomust, hit becomes my duty fer to tell you whar I stand on the great queshtuns which is now a-agitatin' of the public mind!

Fust an' fomust, feller citerzuns, I am a Dimocrat inside an' out, up one side an' down tother, independent defatigly. My competitor axes me whar I wuz endurin' the war—Hit's none uv his bizness whar I wuz. He says he wuz a-fightin' fer yore sweet liberty. Ef he didn't have no more sense than to stand before them-thar drotted bung-shells an' cannon, that's his bizness, an' hit's my bizness whar I wuz. I think I have answered him on that pint. I am in favor uv payin' off this-here drotted tariff an' stoppin' of it; an' I'm in favor of collectin' jist enuf of rivenue fur to run the Government ekernomical administered, accordin' to Andy Jackson an' the Dimocrat flatform.

My competitor never told you that he got wounded endurin' the war. Whar did he git hit at? He got it in the back, a-leadin' of the revance guard on the retreat—that's whar he got it. This charge precipitated a personal encounter between the candidates, and the meeting broke up in a general battle, with brickbats and tan bark flying in the air. It would be difficult, for those reared amid the elegancies and refinements of life in city and town, to appreciate the enjoyments of the gatherings and merry-makings of the great masses of the people who live in the rural districts of our country.

The historian records the deeds of the great; he consigns to fame the favored few; but leaves unwritten the short and simple annals of the poor—the lives and actions of the millions. The modern millionaire, as he sweeps through our valleys and around our hills in his palace car, ought not to look with derision on the cabins of America, for from their thresholds have come more brains and courage and true greatness than ever eminated from all the palaces of this world.

The fiddle, the rifle, the axe, and the Bible, symbolizing music, prowess, labor, and free religion, the four grand forces of our civilization, were the trusty friends and faithful allies of our [59] pioneer ancestry in subduing the wilderness and erecting the great Commonwealths of the Republic. Wherever a son of freedom pushed his perilous way into the savage wilds and erected his log cabin, these were the cherished penates of his humble domicile—the rifle in the rack above the door, the axe in the corner, the Bible on the table, and the fiddle with its streamers of ribbon, hanging on the wall.

Did he need the charm of music, to cheer his heart, to scatter sunshine, and drive away melancholy thoughts, he touched the responsive strings of his fiddle and it burst into laughter. Was he beset by skulking savages, or prowling beasts of prey, he rushed to his deadly rifle for protection and relief. Had he the forest to fell, and the fields to clear, his trusty axe was in his stalwart grasp. Did he need the consolation, the promises and precepts of religion to strengthen his faith, to brighten his hope, and to anchor his soul to God and heaven, he held sweet communion with the dear old Bible.

Long live the common people of America! Long live the fiddle and the bow, the symbols of their mirth and merriment! Music wooes, and leads the human race ever onward, and there are two columns that follow her. One is the happy column, ringing with laughter and song. Its line of march is strewn with roses; it is hedged on either side by happy homes and smiling faces. The other is the column of sorrow, moaning with suffering and distress. I saw an aged mother with her white locks and wrinkled face, swoon at the Governor's feet; I saw old men tottering on the staff, with broken hearts and tear stained faces, and heard them plead for their wayward boys.

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I saw a wife and seven children, clad in rags, and bare-footed, in mid-winter, fall upon their knees around him who held the pardoning power. I saw a little girl climb upon the Governor's knee, and put her arms around his neck; I heard her ask him if he had little girls; then I saw her sob upon his bosom as though her little heart would break, and heard her plead for mercy for her poor, miserable, wretched, convict father. For, thank God, the stream of happy humanity that rolls on like a gleaming river, and the stream of the suffering and distressed and ruined of this earth, both empty into the same great ocean of eternity and mingle like the waters, and there is a God who shall judge the merciful and the unmerciful!

The multitudinous harmonies of this world differ in pathos and pitch as the stars differ, one from another, in glory. There is a style for every taste, a melody for every ear. The [64] gabble of geese is music to the goose; the hoot of the hoot-owl is lovlier to his mate than the nightingale's lay; the concert of Signor "Tomasso Cataleny" and Mademoiselle "Pussy" awakeneth the growling old bachelor from his dreams, and he throweth his boquets of bootjacks and superannuated foot gear.

The downy-lipped boy counts the explosion of a kiss on the cheek of his darling "dul-ci-ni-a del To-bo-so" sweeter than an echo from paradise; and it is said that older folks like its music. The tintinnabulations of the wife's curtain lecture are too precious to the enraptured husband to be shared with other ears. And in the hush of the bed-time hour, when tired daddies are seeking repose in the oblivion of sleep, the unearthly bangs on the grand piano below in the parlor, and the unearthly screams and yells of the budding prima donna, as she sings to her admiring beau:.

Music is the wine of the soul. It is the exhileration of the palace; it is the joy of the humblest home; it sparkles and glows in the banquet hall; it is the inspiration of the church.

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Music inspires every gradation of humanity, from the orangoutang and the cane-sucking dude with the single eye glass, up to man. There was "a sound of revelry by night," where youth and beauty were gathered in the excitement of the raging ball. The ravishing music of the orchestra charmed from the street a red nosed old knight of the demijohn, and uninvited he staggered into the brilliant assemblage and made an effort to get a partner for the next set. Failing in this, he concluded to exhibit his powers as a dancer; and galloped around the hall till he galloped into the arms of a strong man who quickly ushered him to the head of the stairs, and gave him a kick and a push; he went revolving down to the street below and fell flat on his back in the mud; but "truth crushed to earth will rise [67] again!

You don't want me up there—that's the reason!

The Fiddle and The Bow - talkingfiddle

There was music in the magnificent parlor of a modern Chesterfield. It was thronged with elegant ladies and gentlemen. The daughter of the happy household was playing and singing Verdi's "Ah! I have sighed to rest me;" the fond mother was turning the pages; the fond father was sighing and resting up stairs, in a state of innocuous desuetude, produced by the "music" of old Kentucky Bourbon; but he could not withstand the power of the melody below.

Quickly he donned his clothing; he put his vest on over his coat; put his collar on hind side foremost; buttoned the lower buttonhole of his coat on the top button, stood before the mirror and arranged his hair, and started down to see the ladies and listen to the music. But he stumped his toe at the top of the stairs, and slid down [68] [69] head-foremost, and turned a somersault into the midst of the astonished ladies. The ladies screamed and helped him to his feet, all crying at once: Two old banqueters banqueted at a banquet.

They banqueted all night long, and kept the banquet up together all the next day after the banquet had ended. They kept up their banqueting a week after the banquet was over. But they got separated one morning and met again in the afternoon. One of them said: They locked arms and started down the street together; they staggered on till they came upon another gentleman in the same condition, [70] hanging on a lamp post. One of them approached him and said: Did you never hear the music of the old time singing school?

Who can forget the sweet little maidens with their pink sun bonnets and checkered dresses, the walks to the spring, and the drinks of pure, cold water from the gourd? Who can forget the old time courtships at the singing school? When the boy found an opportunity he wrote these tender lines to his sweetheart:. Who can forget the old time singing master? The old time singing master with very light hair, a dyed mustache, a wart on his left eyelid, and with one game leg, was the pride of our rural society; he was the envy of man and the idol of woman. His baggy trousers, several [73] inches too short, hung above his toes like the inverted funnels of a Cunard steamer.

His butternut coat had the abbreviated appearance of having been cut in deep water, and its collar encircled the back of his head like the belts of Jupiter and the rings of Saturn. His vest resembled the aurora borealis, and his voice was a cross between a cane mill and the bray of an ass. Yet beautiful and bright he stood before the ruddy-faced swains and rose-cheeked lassies of the country, conscious of his charms, and proud of his great ability. He had prepared, after a long and tedious research of Webster's unabridged dictionary, a speech which he always delivered to his class.

Harmony is the sociability of two or more musical strains. Melody denotes the pleasing combustion of musical and measured sounds, as they succeed each other in transit. The elements of vocal music consist of seven original tones which constitute the diatonic scale, together with its steps and half steps, the whole being compromised [74] [75] in ascending notes and half notes, thus:.

Now, the diapason is the ad interium, or interval betwixt and between the extremes of an octave, according to the diatonic scale. The turns of music consist of the appoggiatura which is the principal note, or that on which the turn is made, together with the note above and the semi-tone below, the note above being sounded first, the principal note next and the semi-tone below, last, the three being performed sticatoly, or very quickly.

Now, if you will keep these simple propersitions clear in your physical mind, there is no power under the broad canister of heaven which can prevent you from becoming succinctly contaminated with the primary and elementary rudiments of music. With these few sanguinary remarks we will now proceed to diagnosticate the exercises of the mornin' hour. Please turn to page thirty-four of the Southern harmony.

Now, take the sound—sol mi do—All in unison—one, two, three, sing:. He was playing the role of a broken-hearted lover in the opera of the "Bohemian Girl. The spirit of music, like an archangel, presides over mankind and the visible creation. Her afflatus, divinely sweet, divinely powerful, is breathed on every human heart, and inspires every soul to some nobler sentiment, some higher thought, some greater action.

O music, sweetest, sublimest ideal of Omniscience, first-born of God, fairest and loftiest Seraph of the celestial hierarchy, Muse of the beautiful, daughter of the Universe! In the morning of eternity, when the stars were young, her first grand oratorio burst upon raptured Deity, and thrilled the wondering angels; all heaven shouted; ten thousand times ten thousand jeweled harps, ten thousand times ten thousand angel tongues caught up the song; and ever since, through all the golden cycles, its breathing melodies, old as eternity, yet ever [81] new as the flitting hours, have floated on the air of heaven.

The Seraph stood, with outstretched wings, on the horizon of heaven—clothed in light, ablaze with gems; and with voice attuned, swept her burning harp strings, and lo! The trembling stars heard it, and flashed their joy from every flaming center. The wheeling orbs that course their paths of light were vibrant with the strain, and pealed it back into the glad ear of God. The far off milky way, bright gulf-stream of astral glories, spanning the ethereal deep, resounded with its harmonies, and the star-dust isles floating in that river of opal, re-echoed the happy chorus from every sparkling strand.

Have you ever thought of the wealth that perished when paradise was lost? Have you ever thought of the glory of Eden, the first estate of man? I think it was the very dream of God, glowing with ineffable beauty. I think it was rimmed with blue mountains, from whose moss-covered cliffs leaped a thousand glassy streams that spread out in mid-air, like bridal veils, kissing a thousand rainbows from the sun. I think it was an archipelago of gorgeous colors, flecked with green isles, where the grapevine staggered from tree to tree, as if drunk with the wine of its own purple clusters, where peach, and plum, and blood-red cherries, and every kind of berry, bent bough and bush, and shone like showered drops of ruby and of pearl.

I think it was a wilderness of flowers, redolent of eternal spring and pulsing with bird-song, where dappled fawns played on banks of violets, where leopards, peaceful and tame, lounged in copses of magnolias, where harmless [84] tigers lay on snowy beds of lilies, and lions, lazy and gentle, panted in jungles of roses. I think its billowy landscapes were festooned with tangling creepers, bright with perennial bloom, and curtained with sweet-scented groves, where the orange and the pomegranate hung like golden globes and ruddy moons. I think its air was softened with the dreamy haze of perpetual summer; and through its midst there flowed a translucent river, alternately gleaming in its sunshine and darkening in its shadows.

And there, in some sweet, dusky bower, fresh from the hand of his Creator, slept Adam, the first of the human race; God-like in form and feature; God-like in all the attributes of mind and soul. No monarch ever slept on softer, sweeter couch, with richer curtains drawn about him. And as he slept, a face and form, half hidden, half revealed, red-lipped, rose-cheeked, white bosomed and with tresses of gold, smiled like an angel from the mirror of his dream; for a moment smiled, and so sweetly, that his heart almost forgot to beat.

And while yet this bright vision still haunted his slumber, with tenderest touch an unseen hand lay open the unconscious flesh in his side, and forth from the painless wound a [85] faultless being sprang; a being pure and blithesome as the air; a sinless woman, God's first thought for the happiness of man.

I think he wooed her at the waking of the morning. I think he wooed her at noon-tide, down by the riverside, or by the spring in the dell. I think he wooed her at twilight, when the moon silvered the palm tree's feathery plumes, and the stars looked down, and the nightingale sang.

And wherever he wooed her, I think the grazing herds left sloping hill and peaceful vale, to listen to the wooing, and thence themselves, departed in pairs. The covies heard it and mated in the fields; the quail wooed his love in the wheat; the robin whistled to his love in the glen;. Love songs bubbled from the mellow throats of mocking-birds and bobolinks; dove cooed love to dove; and I think the maiden monkey, fair "Juliet" of the House of Orang-outang, waited on her cocoanut balcony for the coming of her "Romeo," and thus plaintively sang:.

All paradise was imbued with the spirit of love. Oh, that it could have remained [87] so forever! There was not a painted cheek in Eden, nor a bald head, nor a false tooth, nor a bachelor. There was not a flounce, nor a frill, nor a silken gown, nor a flashy waist with aurora borealis sleeves.

There was not a curl paper, nor even a threat of crinoline. Raiment was an after thought, the mask of a tainted soul, born of original sin. Beauty was unmarred by gaudy rags; Eve was dressed in sunshine, Adam was clad in climate. Every rich blessing within the gift of the Almighty Father was poured out from the cornucopia of heaven, into the lap of paradise. But it was a paradise of fools, because they stained it with disobedience and polluted it with sin. It was the paradise of fools because, in the exercise of their own God-given free agency, they tasted the forbidden fruit and fell from their glorious estate.

Oh, what a fall was there! It was the fall of innocence and purity; it was the fall of happiness into the abyss of woe; it was the fall of life into the arms of death. It was like the fall of the wounded albatross, from the regions of light, into the sea; it was like the fall of a star from heaven to hell. When the jasper gate forever closed behind the guilty pair, and the [88] flaming sword of the Lord mounted guard over the barred portal, the whole life-current of the human race was shifted into another channel; shifted from the roses to the thorns; shifted from joy to sorrow, and it bore upon its dark and turbulent bosom, the wrecked hopes of all the ages.

I believe they lost intellectual powers which fallen man has never regained. Operating by the consent of natural laws, sinless man would have wrought endless miracles. The mind, winged like a seraph, and armed like a thunderbolt, would have breached the very citadel of knowledge and robbed it of its treasures. I think they lost a plane of being only a little lower than the angels. I believe they lost youth, beauty, and physical immortality. I believe they lost the virtues of heart and soul, and many of the magnificent powers of mind, which made them the images of God, and which would have even brushed aside the now impenetrable veil which hides from mortal eyes the face of Infinite Love; that Love which gave the ever-blessed light, and filled the earth with music of bird, and breeze, and sea; that Love whose melodies we sometimes faintly catch, like spirit voices, [89] from the souls of orators and poets; that Love which inlaid the arching firmament of heaven with jewels sparkling with eternal fires.

But thank God, their fall was not like the remediless fall of Lucifer and his angels, into eternal darkness. Thank God, in this "night of death" hope does see a star!

It is the star of Bethlehem. Thank God, "listening Love" does "hear the rustle of a wing! The memories and images of paradise lost have been impressed on every human heart, and every individual of the race has his own ideal of that paradise, from the cradle to the grave. But that ideal in so far as its realization in this world is concerned, is like the rainbow, an elusive phantom, ever in sight, never in reach, resting ever on the horizon of hope. I saw a blue-eyed child, with sunny curls, toddling on the lawn before the door of a happy home. He toddled under the trees, prattling to the birds and playing with the ripening apples that fell upon the ground.

He toddled among the roses and plucked their leaves as he would have plucked an angel's wing, strewing their glory upon the green grass at his feet. He chased the butterflies from flower to flower, and shouted with glee as they eluded his grasp and sailed away on the summer air. Here I thought his childish fancy had built a paradise and peopled it with dainty seraphim and made himself its Adam.

He saw the sunshine of Eden glint on every leaf and beam in every petal. The flitting honey-bee, the wheeling June-bug, the fluttering breeze, the silvery pulse-beat of the dashing brook sounded in his ear notes of its swelling music. The iris-winged humming-bird, darting like a sunbeam, to kiss the pouting lips [91] [92] of the upturned flowers was, to him, the impersonation of its beauty.

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Truly, this is the nearest approach in this world, to the paradise of long ago. Then I saw him skulking like a cupid, in the shrubbery, his skirts bedraggled and soiled, his face downcast with guilt. He had stirred up the Mediterranean Sea in the slop bucket, and waded the Atlantic Ocean in a mud puddle. He had capsized the goslings, and shipwrecked the young ducks, and drowned the kitten which he imagined a whale, and I said: There is the original Adam coming to the surface. Jist look at dat chile! Look at dat face, an' dem hands an' close, all kivvered wid mud an' mulberry juice!

You bettah not let yo' mammy see you while you's in dat fix. You's gwine to ketch it sho'. You's jist zackly like yo' fader—allers git'n into some scrape or nuddah, allers breakin' into some kind uv devilment—gwine to break into congrus some uv dese days sho'. Come along wid me dis instinct to de baff tub. I's a-gwine to dispurgate [93] dem close an' 'lucidate some uv dat dirt off'n dat face uv yone, you triflin' rascal you! There is some more of the original Adam.

Then I saw him come forth again, washed and combed, and dressed in spotless white, like a young butterfly fresh from its chrysalis. And when he got a chance, I saw him slip on his tip-toes, into the pantry;. There two little dimpled hands made trip after trip to a rose-colored mouth, bearing burdens of mingling sweets that dripped from cheek, and chin, and waist, and skirt, and shoes, subduing the snowy white with the amber of the peach, and the purple of the raspberry, as he ate the forbidden fruit.

Then I watched him glide into the drawing room. There was a crash and a thud in there, which quickly brought his frightened mother to the scene, only to find the young rascal standing there catching his breath, while streams of cold ink trickled down his drenched bosom. And as he wiped his inky face, which [94] [95] grew blacker with every wipe, the remainder of the ink was pouring from the bottle down on the carpet, and making a map of darkest Africa. Then the rear of a small skirt went up over a curly head and the avenging slipper, in lightning strokes, kept time to the music in the air.

There is " Paradise Lost. Bless its little heart, da treats it like a dog. The day will come when the South will build a monument to the good old black mammy of the past for the lullabies she has sung. I sometimes wish that childhood might last forever. That sweet fairy land on the frontier of life, whose skies are first lighted with the sunrise of the soul, and in whose bright-tinted jungles the lions, and leopards, and tigers of passion still peacefully sleep. I would rather be a barefooted boy with cheeks of tan and heart of joy than to be a millionaire and president of a National bank. The financial panic that falls like a thunderbolt, wrecks the bank, crushes the banker, and swamps thousands in an hour.

But the bank which holds the treasures of the barefooted boy never breaks. With his satchel and his books he hies away to school in the morning, but his truant feet carry him the other way, to the mill pond "a-fishin'. There he sits, and fishes, [99] [] and fishes, and fishes, and like Micawber, waits for something to "turn-up. Then "sump'n" does turn up.

He obeys the call of the Sunday school bell, and goes with solemn face, but e'er the "sweet bye and bye" has died away on the summer air, he is in the wood shed playing Sullivan and Corbett with some plucky comrade, with the inevitable casualties of one closed eye, one crippled nose, one pair of torn breeches and one bloody toe. He takes a back seat at church, and in the midst of the sermon steals away and hides in the barn to smoke cigarettes and read the story of "One-eyed Pete, the Hero of the wild and woolly West.

He shoots the cook with a blow-gun; he cuts the strings of the hammock and lets his dozing grandmother fall to the ground; he loads his grandfather's pipe with powder; he instigates a fight between the cat and dog during family prayers, and explodes with laughter when pussy seeks refuge on the old man's back. He hides in the alley and turns [] the hose on uncle Ephraim's standing collar as he passes on his way to church, he cracks chestnut burrs with his naked heel; he robs birds' nests, and murders bullfrogs, and plays "knucks" and "base-ball. He overwhelms the family circle with his magnificent literary attainments when he reads from the Bible in what he calls the "pasalms of David"—"praise ye the Lord with the pizeltry and the harp.

His father took him to town one day and said to him: Don't open your mouth sir, while I am gone; I'm afraid people will think you're a fool. John still looked at him and grinned. The merchant turned on his heel and said: When the old man returned John shouted: His life is an endless chain of pranks and pleasures. Look how the brawling brook pours down the steep declivities of the mountain gorge!

Here it breaks into pearls and silvery foam, there it dashes in rapids, among brown bowlders, and yonder it tumbles from the gray crest of a precipice. Thus, forever laughing, singing, rollicking, romping, till it is checked in its mad rush and spreads into a still, smooth mirror, reflecting the inverted images of rock, and fern, and flower, and tree, and sky.

It is the symbol of the life of a barefooted boy. His quips, and cranks, his whims, and jollities, and jocund mischief, are but the effervescences of exuberant young life, the wild music of the mountain stream. If I were a sculptor, I would chisel from the marble my ideal of the monumental fool. I would make it the figure of a man, with knitted brow and clinched teeth, beating and bruising his barefooted boy, in the cruel endeavor to drive him from the paradise of his childish fun and folly.

If your boy will be a boy, let him be a boy still. And remember that he is following the paths which your feet have trodden, and will soon [] [] look back upon its precious memories, as you now do, with the aching heart of a care-worn man. If childhood is the sunrise of life, youth is the heyday of life's ruddy June. It is the sweet solstice in life's early summer, which puts forth the fragrant bud and blossom of sin e'er its bitter fruits ripen and turn to ashes on the lips of age. It is the happy transition period, when long legs, and loose joints, and verdant awkwardness, first stumble on the vestibule of manhood.

Did you never observe him shaving [] and scraping his pimpled face till it resembled a featherless goose, reaping nothing but lather, and dirt, and a little intangible fuzz? That is the first symptom of love. Did you never observe him wrestling with a pair of boots two numbers too small, as Jacob wrestled with the angel? That is another symptom of love. His callous heel slowly and painfully yields to the pressure of his perspiring paroxysms until his feet are folded like fans and driven home in the pinching leather; and as he sits at church with them hid under the bench, his uneasy squirms are symptoms of the tortures of the infernal regions, and the worm that dieth not; but that is only the penalty of loving.

When he begins to wander through the fragrant meadows and talk to himself among the buttercups and clover blossoms, it is a sure sign that the golden shaft of the winged god has sped from its bended bow. Love's archer has shot a poisoned arrow which wounds but never kills. The sweet venom has done its work. The fever of the amorous wound drives the red current bounding through his veins, and his brain now reels with the delirium of the tender passion.

His soul is wrapped in visions of dreamy black eyes peeping [] out from under raven curls, and cheeks like gardens of roses. To him the world is transformed into a blooming Eden, and she is its only Eve. He hears her voice in the sound of the laughing waters, the fluttering of her heart in the summer evening's last sigh that shuts the rose; and he sits on the bank of the river all day long and writes poetry to her. Thus he lives and loves, and writes poetry by day, and tosses on his bed at night, like the restless sea, and dreams, and dreams, and dreams, until, in the ecstacy of his dream, he grabs a pillow.

One bright summer day, a rural youth took his sweetheart to a Baptist baptizing; and, in addition to his verdancy and his awkwardness, he stuttered most distressingly. The singing [] began on the bank of the stream; and he left his sweetheart in the buggy, in the shade of a tree near by, and wandered alone in the crowd. Standing unconsciously among those who were to be baptized, the old parson mistook him for one of the converts, and seized him by the arm and marched him into the water.

He began to protest: And he led him to the middle of the stream. The poor fellow made one final desperate effort to explain—"p-p-p-p-parson, l-l-l-l-let me explain! After he was thoroughly baptized the old parson led him to the bank, the muddy water trickling down his face. He was "diked" in his new seersucker suit, and when the sun struck it, it began to draw up. The legs of his pants drew up to his knees; his sleeves drew up to his elbows; his little sack coat yanked up under his arms.

And as he stood there trembling and shivering, a good old sister approached him, and taking him by the hand said: If I were called upon to drink a toast to life's happiest period, I would hold up the sparkling wine, and say: But wait till the shadows have a little longer grown. Wait till the young lawyer comes home from college, spouting Blackstone, and Kent, and Ram on facts. Wait till the young doctor returns from the university, with his whiskers and his diploma, to tread the paths of glory, "that lead but to the grave.

Wait till the graduate staggers from the giddy hall, in full evening dress, singing as he staggers:. How rich would be the feast of happiness in this beautiful world of ours, could folly end with youth. But youth is only the first act in the "Comedy of Errors. Whether it be the child at its mother's knee or the man of mature years, whether it be the banker or the beggar, the prince in his palace or the peasant in his hut, there is in every heart the dream of a happier lot in life.

I heard the sound of revelry at the gilded club, where a hundred hearts beat happily. There were flushed cheeks and thick tongues and jests and anecdotes around the banquet spread. There were songs and poems and speeches. I saw an orator rise to respond to a toast to "Home, sweet home," and thus he responded:. But as for me, gentlemen, give me the pleasures an' the palaces—give me liberty, or give me death. No less beautifully expressed are the tender sentiments expressed in the tender verse of Lord Byron:. But as for me, gentlemen, I would rather hear the barkin' of a gatlin' gun than to hear the watch dog's honest bark this minute.

I would rather look into the mouth of a cannon than to look into the eyes that are now waitin' to mark my comin' at this delightful hour of three o'clock in the morning. Then he launched out on the ocean of thought like a magnificent ship going to sea. And when the night was far spent, and the orgies were over, and the lights were blown out at the club, I saw him enter his own sweet home in his glory—entered it, like a thief, with his boots in [] his hands,—entered it singing softly to himself:.

He was unconscious of the presence of the white figure that stood at the head of the stairs holding up a lamp, like liberty enlightening the world, and as a tremulous voice called him to the judgment bar, the door closed behind him on the paradise of a fool, and he sneaked up the steps, muttering to himself, "What shadows we are— hic —what shadows we pursue. If I were a woman with a husband like "that," I would fill him so full of Keely's chloride of gold that he would jingle as he walks and tinkle as he talks and have a fit at every mention of the silver bill.

The biggest fool that walks on God's footstool is the man who destroys the joy and peace [] of his own sweet home; for, if paradise is ever regained in this world, it must be in the home. If its dead flowers ever bloom again, they must bloom in the happy hearts of home.

If its sunshine ever breaks through the clouds, it must break forth in the smiling faces of home. If [] heaven ever descends to earth and angels tread its soil, it must be in the sacred precincts of home. That which heaven most approves is the pure and virtuous home. For around it linger all the sweetest memories and dearest associations of mankind; upon it hang the hopes and happiness of the nations of the earth, and above it shines the ever blessed star that lights the way back to the paradise that was lost. I saw a poor old bachelor live all the days of his life in sight of paradise, too cowardly to put his arm around it and press it to his bosom.

He shaved and primped and resolved to marry every day in the year for forty years. But when the hour for love's duel arrived, when he stood trembling in the presence of rosy cheeks and glancing eyes, and beauty shook her curls and gave the challenge, his courage always oozed out, and he fled ingloriously from the field of honor. Far happier than the bachelor is old Uncle Rastus in his cabin, when he holds Aunt Dina's hand in his and asks: A thousand times happier is the frisky old widower with his pink bald head, his wrinkles and his rheumatism, who.

He "toils not, neither does he spin," yet Solomon, in all his glory was not more popular with the ladies. He is as light-hearted as "Mary's little lamb. But his jealousy is as cruel as the grave. Woe unto the bachelor who dares to cross his path. An old bachelor in my native mountains once rose in church to give his experience, in the presence of his old rival who was a widower, and with whom he was at daggers' points in the race to win the affections of one of the sisters in Zion. Scherzo - 12 bars before P to end.

Arranged by Carl Strommen. For Alto Saxophone, Alto Clari By Felix Bartholdy Mendelssohn Edited by Douglass Seaton. Published by Carl Fischer Arranged by John Brimhall. Arranged by Lauren Keiser Thomas Helmore. Score and audio CD. Arranged by David Len Allen. Published by Jackman Music Corporation" Published by Music Sales Edited by Eric Chaiken, Thomas R. Published by Carl Fischer" Published by Music Sales"