Weltliche Lieder 7

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Showing of 1 reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later. Audio CD Verified Purchase. Ach, im Maien war's, im Maien Alle gingen, Herz, zur Ruh Dereinst, Gedanke mein Tief im Herzen trag' ich Pein Komm, o Tod, von Nacht umgeben Ob auch finstere Blicke glitten Bedeckt mich mit Blumen Sie blasen zum Abmarsch Da nur Leid und Leidenschaft Wehe der, die mir verstrickte Geh, Geliebter, geh jetzt!

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Heyse after Juan Ruiz, Archpriest of Hita 2. Geibel after Lope Felix de Vega Carpio 5.

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Heyse after Anonymous 6. Heyse after Lopez de Ubeda 7. Geibel after Anonymous 9. Heyse after Anonymous Geibel after Alvaro Fernandez de Almeida Geibel after Anonymous THeyse after Anonymous This method of searching for a score's organic harmonic unity is really useful only in studying Austrian and German composers from Bach through Brahms, who consciously built their works upon certain tonal patterns.

Neither characterization is entirely true. Turning again to that Bayreuth Beethoven "Ninth," the slow movement is drawn out to nearly 20 minutes in a deeply meditative reading that remains unfortunately earthbound, while the last movement's finale shoots out of the orchestra as fast as the excellent musicians can play.

His approach was simultaneously improvisatory and spiritual, impulsive and searching. The tensions between a work's structure and its emotional content propelled his finest readings. His most intriguing -- and, to his detractors, most off-putting -- performances date from the war years. The wartime performances, most of which are readily available on CD, throb with heightened drama, urgency, and tragic intensity. From that concert, only the finale of Brahms's "Symphony No.

Toscanini and his successors who promoted themselves as faithful servants of the composers would ask, through their performances, "What does this score mean, in its very essence? Routine is very human, very understandable, it is the line of least resistance and there is no denying that in daily life it has its advantages.

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But all the more must we insist that it plays the most deadly role in music, especially in the performance of old and familiar works. In fact routine with its loveless mediocrity and its treacherous perfection lies like hoar-frost on the performance of the most beautiful and best-known works. Most people realize that bringing out the true nature of the score is not just a matter of playing the notes with perfect accuracy, but we have pragmatically learned to settle for precision in lieu of insight.

He is not for people who listen to music for relaxation. Gedichte von Eduard Morike: Was soll der Zorn, mein Schatz.

Mein Liebster hat zu Tische. Bedeckt mich mit Blumen. Herr, was tragt der Boden hier. Weltliche Lieder Text By M. Get to Know Us.