Mastering The Art of Success (Les Brown, Jack Canfield, Mark V Hansen, Jodi Nicholson et al Book 7)

The finished size of this piece is 30" X 24". It has a Black Flat Front Petite frame and is finished with high qualit This black vinyl wall art decal features a Quote Saying Malcolm Forbes Success design, and is an easy and inexpensive way to decorate your favorite space. This wall decal is sure to bring more style This black vinyl wall art decal features a Quote Saying Michael Jordan Success design, and is an easy and inexpensive way to decorate your favorite space. The finished size of this piece is 24" X 30". It has a Black Flat Front Petite frame and is finished The Fine Art of Success shows why you should look to pop-stars like Madon If you want to add some inspirational success quote decor to your walls, our "God Helps Those Who Help Themselves" poster is perfect for you!

Researchers will consult the microfilm of Series I-VI, unless permission is granted for access to the actual papers prior to a research visit. For information and to secure permission, email archives-um umd. Photocopies of original materials may be provided for a fee and at the discretion of Special Collections. Please see Duplication of Materials policy for more information. Box , Mount Pocono, PA Microfilm of Series I-VI available for loan at a qualified institution.

A researcher or qualified borrowing institution may initiate a loan request by contacting the Curator of Literary Manuscripts. Katherine Anne Porter was one of the most brilliant practitioners of the art of the short story. Her literary reputation rests on the stories in her Collected Stories rather than on her best-selling novel Ship of Fools When her mother died in March , her father moved the four surviving children from his farm in the central Texas community of Indian Creek to his mother's home in Kyle, just south of Austin, the state capital.

The grandmother, Catharine Ann Porter, served as a mother to Harrison's children until her death in October Catharine Ann Porter was an important influence on her granddaughter Callie, who adopted her name in early adulthood with only a slight orthographical change. The death of the grandmother left the family emotionally and financially adrift. About , Harrison Porter relocated his family to San Antonio, where the three oldest children experienced the last of their formal education. Porter's older brother Paul matriculated at a military academy, and Callie and her older sister Gay attended the Thomas School, an excellent non-sectarian Christian private girls' school.

Equipped with the training they received there, Porter and her older sister gave lessons in "music, physical culture and dramatic reading" in a rented room in Victoria, Texas, the family's next residence. Although she later taught at colleges and universities, she never had any formal higher education. She acquired wide-ranging knowledge through a lifetime of extensive reading on varied topics; she often annotated her books and journals as she read them, evidence of which survives in her personal library. This first of her marriages, at nine years, had the longest duration.

The couple first lived in Louisiana, then moved to Houston and later Corpus Christi. In , her husband's work-related absences allowed her more time for creativity, and she began writing more of the poems and short stories she had been composing since childhood.

• Cheap Success Art, find Success Art deals on line at www.newyorkethnicfood.com?
• Cancel the Wedding: A Novel.
• Mastering The Art of Success (Les Brown, Jack Canfield, Mark V Hansen, Jodi Nicholson et al Book 7).
• All Pills Online : Acheter Du Levitra.
• Whatcom County Assessor & Treasurer - Property Search.

This activity resulted in her first published poem, "Texas by the Gulf of Mexico," printed that year in a trade journal to which her husband subscribed. By , it became apparent that the marriage was not working. Porter set out for Chicago hoping to find employment in motion pictures, though she later claimed that her plan was to work for a newspaper. She was a beautiful young woman, full of self-confidence, and, though she appeared in at least two movies for the Essanay Company, she returned to Texas within six months.

She obtained a divorce from Koontz in June and shortly thereafter discovered that she had contracted tuberculosis. Between and , Porter married and was divorced twice. In September , Porter became a journalist for the Fort Worth Critic thanks to the help of friend Kitty Crawford, whom she had met while both of them were hospitalized in a sanitorium. Soon after her arrival in Denver, Porter very nearly died in the influenza epidemic that ravaged the country at that time.

After her recovery, she resumed work on the Rocky Mountain News and, by February , was the resident theater and music critic. In October , Porter headed for Greenwich Village to pursue a writing career. Her immersion in the artistic milieu of the Village encouraged a move away from journalism toward creative writing. In the early months of , she succeeded in publishing three stories "retold" from myth and legend in Everyland , a magazine for children. She soon became the editor of the English language section of El Heraldo de Mexico. By early , she was the editor of and a contributor to the English language Magazine of Mexico , published to promote American business and development in Mexico.

As she immersed herself in Mexican art and culture, she also ghostwrote a memoir entitled My Chinese Marriage. Porter left Mexico before September but returned for three months in the spring of expressly to write Outline of Mexican Popular Arts and Crafts , the catalog for an exhibit of Mexican art that was to travel across the United States.

Her experiences in Mexico, including those of a third trip in , provided Porter with the material for three short stories published in Century magazine: These achievements, combined with her freelance editing and book reviews published mainly in the New York Herald Tribune and New Republic , drew Porter further into literary and intellectual circles. She reveled in an active social life and was a prolific letter writer to distant friends and relatives. Porter spent the spring and summer of with a group of other artists and writers in Merryall Valley, Connecticut.

Porter enjoyed the beauty of the setting, and the contacts she established there not only inspired her writing but also helped her to get her work published. Porter undertook a major project in when she signed a contract to write a biography of Cotton Mather with the publishing house of Boni and Liveright. In late and early , she lived in Salem, Massachusetts, for several months, while researching Mather's life. In spring , her friends funded a trip to Bermuda so that she could complete the biography. Porter was seriously ill at the time, partly from emotional distress, and the trip aided her recovery.

She found solitude and wrote a great deal but was not able to complete the Mather biography. In fact, the book was never completed, despite extensive research and nearly fifty years of sporadic writing efforts, including another contract in with Seymour Lawrence. Porter worked on short stories while in Bermuda. That year, a book of stories with "Flowering Judas" as the title story appeared while Porter was again in Mexico.

This trip to Mexico became an extended sixteen-month stay, with Porter continuing to write more essays and reviews. The journal she kept during this journey became the basis for Ship of Fools , the novel she published thirty-one years later. After four months in Berlin, Porter visited Paris and Madrid before moving with Pressly, who had received a lifetime appointment in the American foreign service, to Basel, Switzerland, for six months, where she lived from June to December When Pressly was posted to the American Embassy in Paris, they settled there for nearly four years, marrying in March The Paris years were very productive--much of Porter's most important work was either written or begun during this period.

• Cooking with Arthritis and Fibromyalgia!
• Holding On and Then Letting Go- A Book of Assorted Poems!
• www.newyorkethnicfood.com: Sitemap?
• Calculation of Overhead Variances.
• Jodi Nicholson (Editor of Girl with the Crooked Smile).

Hacienda was published in , and Flowering Judas and Other Stories came out in , adding four more stories to those of the edition. It included translations of French songs covering a six hundred year period, capitalizing on Porter's love of early music. In October , Porter and Pressly returned to the United States, with Pressly traveling to Washington to look for work and Porter settling for a time in Pennsylvania. This visit was highly productive, as she completed two of the "short novels" that appeared in Pale Horse, Pale Rider in After a three-month reunion with Porter in New York City, Pressly found a temporary position in South America; this led to their permanent separation and eventual divorce.

While staying in the Tates' home in Tennessee after the conference, she met Albert Erskine, her next husband, who was then a graduate student at Louisiana State University in Baton Rouge, Louisiana, and business manager for the Southern Review. In September , Porter moved to New Orleans. April brought both divorce from Pressly and another marriage. However, Porter and Erskine were separated within two years, and in June Porter went to live at Yaddo, the artists' colony in upstate New York.

She had gained a reputation as one of the country's best writers following the publication of Pale Horse, Pale Rider , which included the title work, "Noon Wine," and "Old Mortality. Porter enjoyed living in upstate New York so much that in late she bought South Hill, a house near Saratoga Springs. It required a great deal of money and work to make it habitable, so Porter was not able to move in until the fall of , shortly after her June divorce from Erskine. The next several years saw many relocations, including to the Georgetown neighborhood of Washington, D.

The Leaning Tower and Other Stories was published in in the midst of these moves and was followed eight years later by The Days Before , a book of critical essays. Porter's success with a summer class at Stanford University in resulted in several long teaching stints at universities: Porter supplemented her income by giving readings and lectures and by appearing on radio and television. When not in residence at an academic institution, she lived for extended periods in three places: The three years in Connecticut, funded largely with an advance from Seymour Lawrence, her new publisher, allowed her time to work on her novel.

It was completed after she received a grant from the Ford Foundation in Financial security and popular fame came in with the publication of Ship of Fools , which became a bestseller and was filmed by Hollywood in Treadwell and Elizabeth Ashley as Jenny Brown. Porter's health gradually deteriorated after the publication of her Collected Stories , but she enjoyed the celebrity status she had attained. She accepted several honorary degrees, including one from the University of Maryland in , and attended White House events during the Kennedy and Johnson administrations.

In December , Porter announced that she would donate her papers, personal library, and other personal effects to the University of Maryland, where the Katherine Anne Porter Room was dedicated in McKeldin Library on May 15, She moved to College Park in , in part to be closer to the university and her papers.

Though in declining health, Porter continued to publish during the last decade of her life. A compilation, Collected Essays and Occasional Writings , was published in Porter travelled to Florida in to write an essay on the Apollo 17 lunar landing for Playboy , although the piece was never written. In , she named Isabel Bayley, a woman she had met at a Kansas University seminar in , as her literary trustee. Early that same year, Porter suffered several debilitating strokes, from which she never recovered; her nephew Paul Porter was appointed as legal guardian in the fall.

After the strokes, Porter received nursing care around the clock until her long life ended on September 18, The Papers of Katherine Anne Porter consist of materials dated from to that Miss Porter created, received, or collected during her lifetime The materials include correspondence; manuscripts and drafts of both published and unpublished literary works, notes, and research materials; items relating to Porter's awards, her organizational interests, and her lecturing and college teaching careers; legal and financial documentation; personal materials; newspaper and magazine clippings; print material; serials; manuscripts written by other individuals; audio recordings; three-dimensional memorabilia; and photographs.

The University of Maryland Libraries acquired the Papers of Katherine Anne Porter through numerous donations and purchases beginning in Until , most of the materials came from Porter herself, but donations and purchases from other individuals continue to be incorporated. Porter was an unusually thorough collector of her own papers and saved incidental notes on scraps of paper in addition to manuscripts of major works and forty-year correspondences with individuals. Often she would come across a note many years after she wrote it and add further comments with the date and her initials.

After the s, Porter usually saved carbon copies of her outgoing correspondence; later, when she found that her original letters were being donated without her knowledge or consent to universities in collections of her friends' letters, she requested the return of her letters. As a result, both sides of the correspondence are often present in this collection. From the early s, numerous colleges and universities expressed interest in collecting parts or all of her literary manuscripts, and she donated some individual manuscripts to several of them. Porter was most interested in having her papers go to the University of Texas at Austin, but negotiations proved unsuccessful.

In February , the University of Maryland offered Porter an honorary Doctor of Letters, to be awarded at the university's June commencement. Porter, who was ill and becoming weary of receiving honorary degrees, accepted the degree but was unable to attend the ceremony. Wilson Elkins, then university president, brought the ceremony to her.

On June 28, , university officials presented her degree in her home in Washington, D. Porter was so delighted with the honor and attention that on the morning of October 11, , she called Robert A. The following week, Porter added her collections of letters, photographs, and her library furniture to the gift, and the university agreed to create and maintain the Katherine Anne Porter Room to display and make available parts of the collection to scholars.

The Katherine Anne Porter Room opened May 15, , Porter's seventy-eighth birthday, with a ceremony that included a performance of pieces from her French Song-Book by the university Madrigal Singers. Porter sent the first box of items to the university on October 25, She continued to send small numbers of items until The largest single shipment of 1, books arrived in Porter's friends also donated items for the collection, including E.

After Porter's death in , her nephew and executor Paul Porter sold the remainder of her papers to the university. Beginning in , the university continued to acquire items for the collection by purchase and donation; in most cases, these were integrated into the Porter collection, though some were established as ancillary collections. Processed by Jodi L. Alvarez, Jennifer Bourget, Patricia J. Vagts, and Rebecca Zeltinger.

Guide completed in December Although Porter was an exceptional saver of materials, she tended to store them in some disarray. Photographs of her homes at various times show letters heaped in baskets and piled on tables and desks; she was often unable to find materials she wished to locate.

By the early s, after the success of Ship of Fools , she began to hire secretaries not only to keep up with her steadily growing correspondence and business, but to arrange and file her past correspondence and manuscripts. Much of the correspondence retains marks from those individuals; there are many cross-references marked in blue ballpoint pen at the bottoms of letters. Porter also tried to identify and date letters, with varying success.

As Porter's papers arrived at the University of Maryland Libraries in numerous accessions from to , augmented with other donations and purchases, no coherent original order can be claimed for the collection. Robert Beare, the former University of Maryland Libraries' staff member who compiled the accession inventories as the materials arrived in the late s and early s, noted that he rearranged the materials somewhat.

By , an individual had divided the collection into seven series and prepared a guide. The large group of additional materials purchased from Porter's estate after her death were added to the collection after , mostly as a second alphabetical sequence in the correspondence series. Materials were filed under name of correspondent, with little or no reference to corporate entity. Greeting cards, telegrams, and postcards were kept separate in unsorted genre categories, with no name or subject access.

There were other series for manuscripts, personal, printed materials, clippings, serials, and miscellaneous items. There were also lists created for the photographs and memorabilia. The clippings and audio recordings remained largely unprocessed. Complete reprocessing began in September in preparation for creating a microfilm edition of the papers and continued through The existing seven series were subdivided and augmented into twelve new series.

Correspondence was subdivided into groups that correspond to other series: Correspondence with individuals was sorted into these categories according to the person's primary relationship with Porter; Cyrilly Abels, for instance, is placed under Agents and Publishing Activities even though she and Porter were also very close friends, because publishing formed the basis for their relationship. Likewise, correspondence with her lawyer and friend Barrett Prettyman is kept in the Financial and Legal subsection even though a great deal of it is personal, since Prettyman was first and foremost her lawyer.

Miscellaneous materials formerly sorted alphabetically were grouped chronologically. Some materials not accessible by name, like autograph requests, review requests, and letters from schoolchildren, were moved to genre folders; those folders reside at the end of the appropriate subgroup and are not included in the alphabetical sequence.

Special formats, including greeting cards, invitations, telegrams, cards that came with flowers, and postcards, were filed under the appropriate correspondent and included in the chronological sequence. Numerous materials, including newspaper clippings, printed material, receipts, other people's manuscripts, and photographs, were removed to other series, except when they had specific notes attached or written on them and moving them would have affected their contextual information.

Newspaper clippings that contain notes from the individual who sent them or that would lose context by relocation to the Clippings series are also retained. Manuscripts enclosed with correspondence were moved to Series IX, with a cross-reference retained. Most carbon copies that were exact copies of the original were discarded. Newspaper clippings and printed telegrams were copied to acid-free paper, and the originals discarded.

The processor also discarded duplicate carbon and photostat copies, except when they had additional annotations or changes, and destroyed them. The processor added personal and corporate name indexes and cross-references to other series lists. Numerous materials from Series II: Writings, including newspaper clippings, correspondence, serials, and manuscripts of other individuals, were moved into more appropriate series. Much of the work of reprocessing this series involved arranging the large volume of miscellaneous materials filed in twenty-seven folders labeled "Notes" and ten folders labeled "Mexico--notes.

Some materials were filed with related materials in existing files. New subject categories were created to bring together significant manuscript materials previously located among the miscellaneous notes and in specific subject or title categories. Important among these new subjects are "Daybook" and "Mexican daybook" that contain Porter's notes and observations, which made a sort of unsystematic record of her activities and thoughts over the years.

Fragments and drafts of fiction never completed by Porter have been brought together under the categories "Fiction" and "Mexican fiction. Her notes and drafts on writers, both individuals and general categories, were all rearranged to appear under the general heading "Writers.

Table of Contents

The former Personal series contained a mix of Porter's personal, legal, financial, business, and award materials. These materials were separated into three series: Financial and Legal; and Series V: Award certificates and honorary diplomas were moved from Series XII: Financial and legal correspondence, originally mixed in with these documents, was moved to Series I: Porter's wedding certificate was originally filed with travel materials in the series for printed matter, and her marriage and divorce papers were originally with the Albert Erskine correspondence in Series I: A number of other pieces were also moved from Series I.

Some of Porter's writings, including Apologia Pro Vita , daybooks, autobiographical and biographical notes, personal notes, and travel notes, were originally found in this group; they are now in Series II: A number of art prints and travel materials were moved to Series VII: Porter's notes on recipes and food were originally intermingled with newspaper and magazine clippings of recipes; the clippings were moved to Series VI: Clippings and the notes moved to Series V: Several calendars without annotations were discarded.

Clippings formerly existed in gross disarray. Porter's original arrangement of the clippings has been lost, and the state in which they arrived at the University of Maryland Libraries is unknown. In September , the clippings were placed in an artificial series order. The series was divided in four groups: By Porter and n.

Materials are arranged by subject, then chronologically. There are a few undated pieces and fragments at the end of each subject group. Some materials that were dated after , and were therefore not collected by Porter, were removed to an auxiliary collection. The Ray Lewis White collection was placed as an addendum to this series, arranged by subject, then chronologically. Sixty-four of these duplicated clippings that Porter collected were discarded.

For the microfilm edition, the clippings were affixed to legal-size paper, either by photocopying or by cutting and taping. Oversized items were relocated to the end of the series. Printed Matter consists mostly of materials formerly in various series that have been arranged into fourteen subgroups. Within these subgroups, materials were arranged alphabetically by title or assigned subject. Some materials with no research value were discarded.

Since it was deemed better to separate the materials by genre, some materials in the travel section were retrieved from the original Series III: Personal, where they resided with Porter's notes and receipts from various European trips. A few other items, including reprints from serials and monographs and travel materials, were moved from the former Series V: Clippings and from the former Series III: Serials was in fairly good order before October , when materials were checked against an existing inventory, and the processor added dates to the inventory.

In March , a number of uncorrected page proofs were found in the Porter book collection and removed to this series. Several printed materials short stories, reprints from serials were moved to Series VII: A number of other materials were found in other series, particularly Series I: Correspondence, and were separated for the microfilm edition.

Letters originally sent with materials can be found in Series I under the author's name. Audio Recordings was first processed in September , when the audio discs and reel-to-reel audio tapes were sorted and compared with the original inventory list that was prepared when the recordings were accessioned in This preliminary inventory was converted into an electronic file that was divided and arranged in three parts: The items in the first and second parts were reordered alphabetically by composer, author, or recording artist.

Those in the third group were ordered chronologically. A fourth group, Manuscripts, was added. Porter grouped many of her music recordings in "personal albums," folders that contained multiple discs. Photocopies of the contents lists on the outside of the folders were retained in the Manuscripts portion of the series, but the folders were discarded and the contents were rearranged. The audio discs also contained manuscript materials such as cards, newspaper articles, and notes written by Porter or other people.

These items were removed and placed in the Manuscripts section, arranged in the same order as the albums from which they came. After the reorganization of the inventory was complete, the audio recordings themselves were rearranged to correspond with the inventory. Some of the items in Series XI: The Porter Room was closed during the McKeldin Library renovations in and again in A detailed guide was created for the Porter room and its contents in and updated when additional donations were acquired.

In summer , a textile conservator examined some of these items. Another conservator evaluated the furniture in Professional conservation was performed on the eigthteenth-century sofa in In August , the objects were placed in six categories: Framed honorary degrees and awards that were originally in this series were removed to Series III: Awards and Professional Activities. Framed photographs, which were also originally in this series, were moved to Series X: Memorabilia items not on display are housed in appropriate storage; other objects remain on display in the Katherine Anne Porter Room.

Photographs was processed and indexed in the late s. Between and , it was partially reprocessed. Rehousing of the collection into Mylar sleeves and acid-free boxes was completed in This series remains only partially reprocessed. Most of the materials in the Papers of Katherine Anne Porter are stored in new acid-free folders and boxes. Metal paper clips and staples were removed during processing.

Oversize items were flattened and moved to map case drawers or other oversize storage, as appropriate. Very fragile items were enclosed in mylar sleeves; some of these have also been evaluated and treated by a paper conservator. Markup completed by Ruth M. This series contains correspondence that Porter produced, received, or collected during her lifetime. It includes typed and handwritten letters, telegrams, postcards, greeting cards, gift enclosure cards, and clippings with notes inscribed on or attached to them.

Porter corresponded with thousands of people. The exchanges ranged from form, routine, and business letters to twelve-page epistolary masterpieces. In many cases, perhaps one-fourth to one-third of the time, Porter retained a carbon copy of her outgoing letter, so both sides of the correspondence are present. Many of these carbon copies duplicate the original letters found in other small collections at the University of Maryland Libraries i. They are retained here for completeness and convenience. Many of Porter's original outgoing letters are also here, either because she requested the return of the letters or they were donated to the University of Maryland Libraries by the recipient and integrated into the collection.

Letters written by Paul Porter on his aunt's behalf after he became her guardian in are retained as her correspondence, as are letters written on her behalf by her administrative assistants, most notably William R. Wilkins, and letters dictated to nurses and other helpers in hospitals and nursing homes. The materials are arranged in nine subseries, based on the correspondent's primary relationship with Porter. For instance, both E. Letters addressed jointly to Porter and her husbands Eugene Pressly or Albert Erskine remain in Porter's correspondence, but letters addressed only to Pressly or Erskine have been moved to the subseries Family--To Others.

Letters between other family members are also in Family--To Others. This subseries consists of all correspondence directly related to Porter's writing and publishing activities, including that with domestic and foreign book publishers, editors and other employees of popular and literary periodicals, literary agents, translators, television stations, companies that made audio recordings of Porter reading from her works, movie companies for whom she worked as a screenwriter, publishers and authors who contacted her for permission to quote from or use both her published and her unpublished works, requests for her support for new literary reviews and periodicals, and requests that she review books.

Materials are arranged alphabetically by corporate or personal name. When corporate names changed over time i. Names of employees with whom Porter corresponded are listed alphabetically under the corporate names. Several individuals appear under more than one corporate entity, most notably Seymour Lawrence. Others such as John Malcolm Brinnin, Eleanor Clark, and Donald Elder, also appear in the Subseries 4, personal correspondence, if their relationship changed from primarily professional to primarily personal.

Two groups of materials, Publishing Activities and Permissions, are chronologically arranged and appear at the end. These consist of short correspondence, review requests, contacts from small publishers, and notes that accompanied books or galleys sent to Porter. The group includes correspondence with her translators Margaret I. Norton, Franz Schonberner, and Marcelle Sibon.

Porter's correspondence with Cyrilly Abels, the largest in this group with a single individual more than 1. Although Abels was managing editor of Mademoiselle before she became an independent literary agent, her correspondence is retained as one unbroken group to document their twenty-five year relationship. Abels's office files were probably sent to Porter sometime after Abels's death in The correspondence includes not only Abels's letters to Porter, with their enclosures, and the carbons of Porter's outgoing letters to her, but the original letters sent to Abels.

There are also carbon or photostat copies of letters Abels wrote to other editors and publishers in the course of conducting Porter's business; they are retained here in the same chronological sequence for completeness. Another large correspondence group is with Harcourt, Brace and Company, Inc. All post- correspondence can be found in Subseries 4. This material provides extensive information on their relationship and on the process of publishing and promoting Ship of Fools. Additional materials related to items in this subgroup may be found in Series II: Financial and Legal; Series VI: There are many years of correspondence with Edna Edison, who was interested in writing a play adapted from "Noon Wine.

Manuscripts of many of these works are located in Series IX: Manuscripts of Other Individuals; print materials, including movie and theatre posters and programs, are located in Series VII: Printed Matter; newspaper clippings about these works, including reviews, are located in Series VI: This subgroup contains correspondence relating to Porter's legal and financial matters, including letters to and from financial institutions, mail-order catalog companies and department stores, book shops, periodicals, antique stores and jewelers, accountants, and lawyers.

Letters between lawyers and accountants in regard to her affairs are retained here, since they were sent to her as enclosures or as copies for her files. This subseries also includes requests that Porter donate money or personal possessions to a variety of charitable organizations.

The legal records also include extensive correspondence with her lawyer and friend E. There are also a few items from his wife Evelyn and their two children. The correspondence is arranged into four categories: Donation Requests, Financial, Legal, and E. Each category is arranged chronologically. Other materials related to this correspondence, including bills, legal documents, tax records, Yaddo materials, and receipts, can be found in Series IV: This subseries contains Porter's extensive personal correspondence.

It consists of typescript and manuscript letters, telegrams, postcards, prints of V-Mail, greeting cards, inscribed calling cards, gift enclosure cards, clippings, and casual notes to and from friends, acquaintances, lovers, fans, scholars, and coworkers. Materials extensively document Porter's personal life but also illuminate aspects of her professional life. Porter frequently rediscovered letters years after they were composed or received and annotated them with her thoughts and impressions.

Many pieces of correspondence document Porter's long friendships with individuals and couples, many of whom were prominent writers themselves. Likewise, many other groups of correspondence relate to friendships and associations Porter formed with prominent writers and artists of the twentieth century, including Samuel Barber, Miguel Covarrubias, Hart Crane, David Diamond, Angna Enters, F.

Materials in this subgroup also concern persons she recommended for Yaddo, the Macdowell Colony, Guggenheim fellowships, and the American Academy of Arts and Letters. There is also correspondence from her students at Stanford University and the University of Michigan, some written many years after she taught them. Many aspiring writers unknown to Porter sent her their work, fiction and nonfiction, seeking critiques.

In some cases, Miss Porter responded. Some of those manuscripts are in Series IX. There is correspondence with Arthur Schlesinger, Jr. Kennedy that relates mostly to her participation in Washington, D. There is a letter of complaint to the Washington Evening Star about its social columnist's coverage of her personal life, and numerous cards from Ned Warner and the staff at the Jefferson Hotel, where she frequently stayed. Porter's correspondence with couples is filed under both the names i.

If she also knew the members of a couple as individuals before they married or established a domestic partnership, they may have an individual file as well as a couple file. Crosby dedicated his book on the influenza outbreak of , Epidemic and Peace , to Porter. The subseries includes correspondence with several of her suitors and lovers: With the exception of Goyen, Pecile, and Retinger, with whom her correspondence was quite extensive, there are few materials from these individuals.

This subseries also includes some exchanges with individual fans. An exchange with one fan, Elizabeth Kaderli, became a dispute when Miss Porter learned that Kaderli intended to publish her letters in a book. The materials are arranged alphabetically by the last name of the correspondent, then chronologically within the folders; institutional affiliations and cross-references to other series, subseries, or subgroups are provided as appropriate.

Subject groups, consisting of correspondence related to astrology, biographical information, housing, and medical treatments are located at the end of the subgroup; these four are arranged alphabetically, then chronologically within the folders. Related materials may be found in Series V: Manuscripts of Other Individuals; Series X: Audio Recordings; Series XI: Memorabilia, and Series XII: This subseries contains materials that document the numerous activities in which Porter participated as a result of her writing and publishing career.

Many of these activities provided her financial support when her writing did not, particularly in the s through the early s. These records concern her lecturing and teaching; the interviews she granted; awards she received for her writings; and the professional organizations, including political organizations, to which she belonged or in which she had an interest. Most of the correspondence concerns lecturing and teaching engagements at numerous colleges, universities, and other organizations and the artist's agents that arranged these.

Other organizations, including clubs, library associations, and secondary schools, also engaged Porter to lecture. This subseries documents not only the hundreds of lectures and readings that Porter delivered in the s through the s, but the significant number she cancelled because of ill health. The correspondence documents both the teaching appointments she accepted, including Stanford University, the University of Virginia, and Washington and Lee University, and the numerous positions she did not accept, including Colorado State College, which required faculty to sign a loyalty oath, and the University of Texas at Austin.

A large amount of correspondence is with colleges and universities concerning lecturing, teaching, honorary degrees, literary festivals and writers' conferences, and donating her papers to the libraries. There is a great deal of material from agencies that awarded Miss Porter fellowships, including the Guggenheim Foundation, the Ford Foundation, the Conference Board of Associated Research Councils administrators for the Fulbright , and the Department of State also associated with the Fulbright.

There is extensive correspondence with the American Academy of Arts and Letters. Much of this correspondence is rather routine, but it also includes the nomination forms for the Academy that Porter received. Many of these are heavily annotated with her opinions of the individuals being nominated. The American Academy of Arts and Letters was also involved in many contemporary issues affecting artists, most notably anti-Communist activities of the mid-twentieth century.

There are extensive materials related to the New York artistic colony Yaddo that document not only the time Porter spent there, but her involvement with the Corporation of Yaddo and her long friendship with its director, Elizabeth Ames. There is a questionnaire sent to former residents of Yaddo, asking them to comment on their experience there; Porter's very substantial answer is lodged in the undated Yaddo correspondence. Porter's duties for the Department of State, including her Fulbright appointment in Belgium and her Mexico trip, are documented in that correspondence. Kennedy for President document Porter's place in the Washington, D.

One undated letter to the National Association for the Advancement of Colored People includes her extensive comments on slavery and "Uncle Tomism. There is material on awards Porter received, including the A. She received the American Academy of Arts and Sciences' gold medal in , but returned it in in protest of their actions toward Ezra Pound.

Materials are arranged alphabetically by agency name, with personal names listed below; many individuals have correspondence for several different organizations. Autograph requests, form letters, interview requests, lecture requests, and political correspondence are filed alphabetically at the end of the first alphabetical sequence. These include pieces of correspondence too small or various to be grouped by agency or personal name. The items in these subject categories are filed chronologically. Related materials may be found in Series II: Professional Activities; Series IV: Financial and Legal; Series V: Printed Matter; Series X: This subseries contains correspondence between Porter and family members, including blood relatives, her husbands and their families, and close friends of the family who wrote primarily about family matters.

The materials are a rich source of not only biographical information on Porter and her family, but are a valuable window on Texas history from the late nineteenth to the mid-twentieth century. The letters include those exchanged between Porter and her third cousin, Lily Cahill, including some long genealogical notes; Gertrude Beitel, Lily's sister; Virginia Cahill, mother of Lily and Gertrude; Albert Erskine, her husband from to ; A.

There is a single folder, titled Porter Family, containing letters that Porter addressed to her entire family. The group also contains letters not written by family members that are retained here because they concern family members and contain important information about them. These correspondents include Alice Ford, who did a great deal of genealogical research on the Porter family in the s; Cora Posey, a close friend of Porter's mother; Charles Kavanaugh, an old friend of Porter's brother Paul who wrote Porter with memories of him; and Sallie Crawford Willson, the daughter of Loula Andrews Crawford, who was a close childhood friend of Porter's mother.

This subgroup originally contained numerous letters not addressed to Porter, some of which were included in other letters as enclosures; those materials were moved to the Family--To Others subseries. This subseries contains correspondence exchanged between Porter's family and friends. Most of it was originally mixed in with Porter's correspondence; some clearly came as attachments to letters she received, but others appear to have been collected by her in other ways. They are gathered here for easier access. Letters addressed jointly i.

The letters were addressed to ten family members and to her friend Monroe Wheeler. Some of the significant correspondents of these eleven individuals include members of Porter's husbands' families, other Porter family members, and Porter's literary and artistic friends. Materials are arranged alphabetically by last name of the eleven primary correspondents, under each of these, his or her correspondents are arranged alphabetically, then chronologically within the folder. Article by, on women alumni trustees, Summer , p. Article by, on Professor Goldsby's and Hunter's research students, Fall , p.

Book review by, Fall , p. Article by, on Patricia Sloane '80, Winter , p. Article by, on Jeffrey Wright's visit to the College, Winter , p. Article by, on Charles Longsworth's years as trustee, Summer , p. Article by, on Yanira Castro '94E, Fall , p. Article by, on Amherst alumni magazine survey, Fall , p. Article by, on Stanley Rabinowitz and his samovars, Winter , p. Article by, on Andrew Logan '99, Spring , p. Article by, on Alan Webber '70, Spring , p.

College History | Amherst Magazine Index | Amherst College

Article by, on Maggie Bangser '81, Spring , p. Article by, on Pamela Rotner Sakamoto '84, Winter , p. Article by, on Senator Eagleton, Summer , p. Article by, on The Cosmos Club, Summer , p. Article by, on Robert Howard '76, Summer , p. Article by, on Soweto, Fall , p. Article by, on William W. Falsgraf '55, Fall , p. Article by, on Shays' Rebellion, Winter , p. Article by, on David Kirsch, Spring , p. Article by, on David Eisenhower, Summer , p. Article by, on three generations of Eisenhower men who have written accounts of the Second World War, Summer , p.

Article by, on John W. Dower '59, Fall , p. Article by, on John Charles Scherrer '54, Fall , p. Article by, on Dower interview, Fall , p. Article by, on Guichard Parris '27, Winter , p. Article by, on the Homeless, Spring , p. Article by, on the "climate of poverty," Spring , p. Article by, on the Boston Marathon, Summer , p. Article by, on video documentary on "Women at Amherst," Fall , p. Article by, on Piotr Sommer, Winter , p.

Article by, on Ralph Lee '57, Spring , p. Article by, on Howard Junker '61, Summer , p. Article by, on Janine Craane '83, Fall , p. Article by, on New York Cares, Winter , p. Article by, on Alan Ladd '82, Winter , p. Article by, on Marcus Olson '79, Spring , p. Alan Blum '69, Spring , p. Article by, on Kellie Jones '81, Summer , p. Article by, on Yoruba exhibition, Winter , p. Article by, on Chuck Lacy '80E, Winter , p.

Ewald, Spring , p. Article by, on Wendy Woodson and company, Summer , p. Article by, on Andrew Hacker '51, Fall , p. Article by, on Amherst women in science, Spring , p. Article by, on David Kessler '73, Winter , p. Article by, on Lewis Spratlan's new work, Fall , p. Article by, on Tabitha Estabrook '87, Summer , p. Article by, on Prince Albert, Winter , p. Article by, on Daniel Goleman '68, Winter , p. Hunter's workshop at the Children's Museum of Holyoke, Spring , p. Greenstein's astrophysics seminar, Summer , p. Article by, on Martin Hoke '73, Summer , p.

Article by, on trace fossils, Fall , p. Article by, on Jeffrey S. Kittay '65, Fall , p. Article by, on Stephen Collins '69, Fall , p. Article by, on The Story, Winter , p. Article by, on Michael H. Associate Secretary for Public Affairs photo of , Spring , p. Article by, on Interterm program, Spring , p.

Article by, on David Reck, "Earth's music man", Spring , p. Article by, "Living in freedom: Soviet emigre students at Amherst," Summer , p. Article by, "An Amherst love story is told in new book," Summer , p. Article by, "new displays to brighten museum," Fall , p. Article by, "How elastic is the concept of human rights? Webster '45, Winter , p. Article by, on Richard Poirier ' Article by, on Werner Gundersheimer '59, Spring , p.

Article by, on Robert Brustein '47, Summer , p. Susan Niditch's book in progress, Fall , p. Article by, on Tyler Resch '55, Fall , p. Article by, on Marilynne Robinson, Winter , p. Allen, Walton Clay '20, letter from, Spring ' Careers in Education and Teaching. Obituary, Spring , p. Alumni Association of Northern California. Commemorates ninetieth birthday anniversary of Robert Frost. Alumni Association of the Connecticut Valley.

Sponsors first Sabrina Special, charter flight to London and Paris. Admission Committee Preliminary Report. Fiftieth Anniversary of Founding. Fifty Years of Service. George Parke Rouse appointed assistant to Secretary. Alumni College 6th program. John Phillips '69 appointed assistant to Alumni Secretary. Address to the Fifty-Year Class.

Address by John William Ward. Meeting and address by John William Ward. Class Agents Fund Record Setters for Comparative record by classes. Final report for Fund for sets all-time record. Vietnam and the Fund. Summer '77, inside cover. Gift of Frank M. Alumni, Society of the, Officers of the, Summer '77, p. Washington DC Alumni Declaration.

Letter re Washington Alumni Declaration. Amabile, George '57, book received, Fall , p. Amend, William '84, book is received, Summer , p. Awarded honorary degree, Summer , p. Paul Woodring and John Scanlon, editors. Captain John Smith and the Founding of Virginia. American Participation in the Great Exhibition of American Railroad Network, , The.

George Rogers Taylor and Irene D. The Civil War and Reconstruction. Amherst Alumni News, article on anniversary of, Spring , p. History of the Endowment of Amherst College. Amherst Capital Program, The. The Robert Frost Library. The Ways and Means of Amherst Volunteers. Nearing completion of major campaign. Publishes special issue commemorating fiftieth anniversary of William Butler Yeats' visit to Amherst.

Main Navigation

Amherst Review, best literary magazine, Spring '78, p. Wins magazine prize, Summer , p. Amherst Series in Law, Jurisprudence, and Social Thought, makes its debut in bookstores around the country, Spring , p. Problems of Higher Education. What Amherst Is Not? Amherst Today, a new series of on-campus educational programs for alumni, parents and friends, article on, Winter , p. Amherst, An Introduction to. Opening remarks by President Plimpton and Dean Porter to freshmen. Amherst, Earl, Jeffery John Archer. Visits Amherst to view family portraits.

The New Town of Amherst. Reply to certain aspects of photographic essay, "The New Town of Amherst". Concert Tour in Europe. Pusey' s Wit Stills Wet Query. An Anthropology [sic] of Amherst Undergraduate Writing. Andover, Symbol of New England. Symbol of New England. The People Called Shakers. Andrews, Joseph Lyon Jr. Letter from, Spring , p. Book received, Winter , p. Anne and the Sand Dobbies. Summer , back section. Apology Both Ways, An. Appearance of Justice, The. Approaches to American Economic History. Coeditor, George Rogers Taylor.

Arbab, Farzam '64, article on, Spring , p.

Mastering The Art of Success (Les Brown, Jack Canfield, Mark V Hansen, Jodi Nicholson et al Book 7)

Keezer, with a Foreword by Ordway Tead. Named the Edward N. Ney Professor in American Institutions, Fall , p. Book is reviewed, Winter , p. News of, Fall , p. Houston Forum, June '80, p. Book is reviewed, Spring '82, p. Bureaucracy, the Marshall Plan, and the National Interest. How to Improve Its Productivity. Essays, Letters and Reviews. Collected and Edited by Fraser Neiman. Recommended Reading in Science. Science 1 - 2. A Course, and a Man, in a Book. Winner of Guggenheim Fellowship. Letter by, Winter '79, p. Reunion Weekend, Summer '81, p. Committee of alumni planning exhibition of museum-quality art collected by Amherst graduates, Spring , p.

Obituary, Fall , p. As Up They Grew. Association of American Medical Colleges.

Whatcom County Assessor & Treasurer

Amherst ranks fourth in proportion of applicants accepted. Reprint of article on Leonard P. World Telegram and Sun. Koch named coordinator of three-year international observation program. Athens of Our Time, The. A Higher Level of Dullness? Athletics, cost-saving measures in, Summer , p. Renovations and improvements of buildings, Winter , p. Faculty speak out on not allowing athletic ability to influence admissions policy and decision, Spring , p.

Letter for a Fall Afternoon. Les Idee de Balzac. French Writers of Atlantic Crossings Before Columbus. Colonial American Civilization Atwood, Albert William ' Article by, on women's ultimate frisbee team, Winter , p. Article by, on Amherst student fashion, Winter , p. Article by, on the Internet and Web, Spring , p. Article by, on the student weekend scene at the college, Fall , p.

Article by, on computer networks, Winter , p. Article by, on room draw, Spring , p. Ault, Addison '55, book he co-authored is reviewed, Summer , p. Book received, Winter '83, p. Cited for Cancer Research. Authors, Publishers and Politicians: Awarded grant from National Science Foundation, Summer , p. College receives grants from the National Science Foundation to support project directed by, Fall , p. George Scatchard and Paul Bartlett. Prix de Rome to Richard Wilbur.

Axis of Eros, The. Mellon Professor of Humanities, Fall , p. Was at the Univ. Professor of Anthropology, Summer '80, p. Book review by, Summer '83, p. Gracchus, The Defense of. John Anthony Scott, translator. Translated by Robert Fagles. Back Where You Came From: One Life in the Death of the Empire. Backgrounds of American Literary Thought. Horton and Herbert H. Bagg, Robert '57, poem by, Fall '78, p. The Scrawny Sonnets and Other Narratives. American Library Association's highest award for , trustee citation of merit. Editor, Baird's Manual of American Colleges.

The Story in Amherst's Scenery. Interterm, Winter '78, p. Baird, Theodore, article on, Fall , p. The Story of David Grayson. Sixty years as president of Class of Named president of Robert College. Balmuth, Jerome '50, letter from, Summer , p. Elected to the Board of Trustees, Fall , p. Matthiessen's The Achievement of T. Protests trustee rulings on fraternity membership. Barghoorn, Frederick Charles '34, obituary, Spring , p. The Soviet Image of the United States. Barnes, Edward Larrabee, architect to design math-computer bldg.

Awarded honorary degree, Fall Free Trade in Books: Barnes, Lakenan '28, letter from, Fall , p. Co-author Orientation and Conflict in Career. The Economics of Natural Resource Availability. Article is published, Winter , p. Attended the Museum Management Institute, Fall , p. Barth, Richard '64, book is reviewed, Summer '78, p. Book is reviewed, Spring '81, p. Book is reviewed, Winter '83, p. Barton Dormitory at Deerfield Academy dedicated.

Book is reviewed, Winter '82, p. Speaker at Annual Meeting Society of the Alunmi. Basu, Amrita, received grant for summer study, Fall , p. Book is published, Fall , p. Report of an Economic Survey Mission. Batal, James '25, obituary, Winter , p. The Liberation Association in Egypt. On leave first semester, Summer '83, p. Resigns from faculty deanship, Spring , p. Received Guggenheim fellowship, Fall , p. Book is reviewed, Spring , p. Battema, Doug '91, article by, on Amy Hooks '91, Winter , p. Wrote sports section McKechnie's career , Summer , p.

Wrote sports section fall season , Fall , p. Article by, on baseball team spring training in Florida, Summer , p. Article by, on sports spring season and coaching changes, Summer , p. JHG's inaugural address, December '79, p. Honorary degree citation, Summer '80, p. Bayne, Stephen Fielding, Jr.

In the Sight of the Lord. To serve as acting president during Pouncey's leave, Fall , p. Clarence Francis Professor, June '80, p. Becker, Gordon Lyon '37, obituary, Fall , p. Dean of Admission, photograph of , Summer '82, p. Co-authored textbook, Fall , p. Obituary, December '79, p. Comments about, June '80, p. George Rogers Taylor XV: Coordinating tutoring program in Springfield. Co-author Patient Care in Cardiac Surgery. Awarded honorary degree, Fall , p. Elected Chairman of Trustees, Summer '80, p. Campaign for Amherst dinner, photograph of , Fall '80, p. Photograph of with honorary degree recipients, Summer '81, p.

Trustees meeting in L. National Alumni Weekend, Fall '82, p. Inauguration of Peter R. Pouncey, Winter , p. Current Problems in Religion. George Bellows, Painter of America. Professorship, Spring '78, p. Began work on a research project, Fall , p. Ship model built by, Summer , p. Awarded grant from the Keck Geology Consortium,Summer , p. The Nationalist Movement, Article on, by Terry Y. Allen, Fall , p. Six Canoeists in Search of Queens. The Life of a Navy Frogman. Coordinator of Our Land, Our People. Obituary, Winter , p. Services as vexillographer useful at UCLA. Benzodiazepines in Clinical Practice.

Greenblatt and Richard I. Weed for Eastman Foundation. Faculty apartments by Charles E. Smith Life Insurance Policy. Lindbergh portraits a gift. Gift of National Geographic. Portrait of Jimmy Hamilton. Bergey's Manual of Determinative Bacteriology. The Prophets and the Law. Commencement speaker, Summer '80, p. Class Day talks, Summer '77, p. The Signet Book of Wine. Between Dawn and Dark. Between Wind and Water. Tested Techniques for Communicating with Financial Publics. Selected Writings of David Atwood Wasson. Beyond the Either-Or Church.

Interview with, on funding for public higher education in Massachusetts, Spring , p. Included in article on Aids Seminar, Winter , p. State Association of European Historians. Bibliography of the Don Juan Theme: Version and Criticism, A. Bicentennial, Town of Amherst. Big Red Schoolhouse, The. The Liberal Arts and Teacher Education: Letters of Edward Dickinson and His Family. Emily Dickinson material presented to Amherst.

Presents Maine island to National Audubon Society. Biographical record, new volume in progress, Fall , p. Biology, molecular, inaugural remarks on by JHG, December '79, p. Amherst College Alumni Symposium on, Summer , p. Birnbaum, Norman, Fall '77, p. Letter by, December '79, p. Letter by, Winter '80, p. Ten-Year View of the Class of Bishop, James, Dean of Students, Summer '78, p.

Student demonstration, June '79, p. Leaving the college, Spring '83, p. Bishop, Maitland Lathrop '01, obituary, Summer , p. Amherst's oldest living alumnus, photograph of , Fall '80, p. Bixby, Harold '13, article on, Spring , p. Bixler, Herbert Edwards '32, obituary, Fall , p.

Reunion Weekend, Summer '82, p. Book is received, Winter '83, p.