The Only Game In Town
But harnessing their power will require political will. In order for prosperity to be shared, governments have to figure out a way to train a 21st century workforce, rebuild trust in global institutions, create legislative frameworks that spread wealth more equitability think major tax reform, for example , and so on. As El-Erian admits, policymakers have shown almost no ability to do so over the last few years.
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Market geeks will appreciate the investment tips for navigating this world that he presents at the end of his book. Success in the New New Normal will come from unexpected places. That means corporations need much, much more diversity in their workforces — in terms of gender, nationality, educational and economic background and so on. If more firms follow, then the age of volatility will have at least one upside. Contact us at editors time. Bloomberg—Bloomberg via Getty Images.
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The awkward case of 'his or her'. Identify the word pairs with a common ancestor. Test your vocabulary with our question quiz! Definition of the only game in town. Learn More about the only game in town.
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Share the only game in town. Resources for the only game in town Time Traveler! A series of misunderstandings leads to a chorus girl traveling to Paris to represent the American theater, where she falls in love with a befuddled bureaucrat. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner. A hermit living in the Washington Mountains stumbles upon a boy who has been kidnapped.
He does everything in his power to save the boy but he becomes a suspect. Meanwhile the boy's mother The venomous and amoral wife of a wealthy architect tries, any way she can, to break up the blossoming romance between her husband and his new mistress; a good-natured young widow who holds a dark past.
The Only Game in Town
A Yankee sea captain has adventures in paradise trying to become an entrepreneur in Micronesia. Peggy is 21 and bored. She has just been awarded a certificate for starting work on time for days. She decides that she needs a change so she leaves a note, which is taken to be A cheating husband is charged in the poisoning death of his invalid wife, in spite of other women and suicide also being suspected. An impetuous teenage girl, resentful of her father's new wife, tries to wreck the marriage regardless of the consequences.
An aging actress travels to Rome with her husband; after he suddenly dies during the flight, she begins a passionate affair with a young gigolo.
While waiting in vain for her married lover to get a divorce, Fran Walker, a lonely chorus girl approaching middle age, falls for Joe Grady, a frustrated musician and compulsive gambler who dreams of escaping Las Vegas for fame and fortune in New York City. So I finally have gotten to see this film again after 22 years. It is interesting in so many ways I don't know where to begin; First thing: It stars one of the most beautiful and sexiest woman ever on the big screen; no one less then la Taylor.
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But she has some serious problems with portraying the lead role of Fran Walker, she is very badly cast as a young, single, chorus girls, as so many of the previous commentators have mentioned. The audience at this period was used to see la Taylor plump and alcoholic, playing characters that were badly faded beauties in their late 40s or even 50s; Martha in Wolf and Sissy Goforth in Boom.
Here, she is supposed to be not many years older than the young girl la Taylor portrayed in the late s, contemporary to the "old" movies the character Fran Walker watches. This is indeed one of her last "babe"-parts in movies.
And her male co-star, is played by a then an up- and coming actor who is five years younger, even more highlights the miscasting. With face covering hairdos, soft focus close-shots, and clever cinematography things get somewhat plausible and under control. She must have crash-diet, and stopped half-way, she has slender legs, but not a dancer's sturdy legs, moves youngish and feminine she's eating her pizza like a shy princess , but she is still somewhat top-heavy and double-chinned, maybe because of the heavy medication she was on at the time, as described in Burton's memoirs.
Or maybe because of the strange fluffy dresses she wears that make her body look like "an apple balanced atop of two toothpicks" to quote a contemporary reviewer. In some scenes though, especially when filmed from a distance, she does still manage to look petite and delicious. And even though it is absurd to think of Taylor as a struggling working-class girl who needs to count every dollar and dime to balance the payments, she really tries hard here to convince us, and sometimes she actually succeeds.
Or is it that the film is cleverly cut? We never really know, since Taylor's larger-than-life image interferes and blurs our judgment on her true talent as an actress. Still, she surprises by transcending a low-key and insecure appearance, which I guess was the intention of the original play writer Gilroy. Her co-star is the charming Warren Beatty, who here has some very effective scenes in which he makes his character Joe Grady very much authentic and believable.
He resembles a combination of both as one commentator pointed out before Frank Sinatra's wit and style and Brad Pitt's Irish charming bad-boyishness.