Sacrilège: 3 (GRANDS DETECTIV) (French Edition)

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She attempts to persuade Frazier to drop his investigation, but he refuses, playing a recording of an incriminating conversation that she had with him. White confronts Case who admits that the box contained diamonds and a ring that he had taken from a Jewish friend whom he had betrayed to the Nazis.

Russell repeats his opening monologue, but with the revelation that he is in fact hiding behind a fake wall the robbers had constructed inside the bank's supply room. He emerges a week after the robbery with the contents of Case's safe deposit box, including incriminating documents and several bags of diamonds. On his way out, he bumps into Frazier, who does not recognize him. When Frazier opens the safe deposit box, he finds the ring and a note from Russell.

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At home, Frazier finds a loose diamond, slipped into his pocket by Russell. Appearing as some of the more notable hostages are Ken Leung as Wing, who was distracted in the bank before the heist by the bosomy woman played by Samantha Ivers standing behind him and talking loudly on her phone; Gerry Vichi as Howard Kurtz, an elderly hostage suffering chest pains who is quickly released by the robbers; Waris Ahluwalia as Vikram Walia, a Sikh bank clerk whose turban is removed by the cops, which is a religious sacrilege for a Sikh male; Peter Frechette as Peter Hammond, a bank employee whose attempt to hide his cell phone from Russell results in his getting beat; Amir Ali Said as Brian Robinson, an 8-year-old boy who speaks with both Russell and Frazier and who plays a killing video game; Ed Onipede Blunt as Ray Robinson, Brian's father; and Marcia Jean Kurtz , who plays an older woman who initially refuses to strip and is forced to do so by Stevie.

Kurtz's character is named Miriam Douglas; Kurtz played a hostage named Miriam in Dog Day Afternoon , a bank robbery film, which unlike Inside Man , contained significant violence. Inside Man was Russell Gewirtz's debut film as a screenwriter. A former lawyer, Gewirtz conceived the idea while vacationing in several countries. Inexperienced at screenwriting, Gewirtz studied a number of screenplays before working on his own, which he titled "The Inside Man". Rosenberg, assisted in developing the script. Rosenberg shopped the script to a number of Los Angeles agencies, [4]: Imagine co-founder Ron Howard was attached to direct the film, but turned it down after being asked by Russell Crowe to helm Cinderella Man After Howard stepped down, Menno Meyjes contributed to Gewirtz's screenplay, and Terry George incorporated the Nazi Germany and diamond ring elements to the script.

After being cast, Denzel Washington and Chiwetel Ejiofor worked together on studying their lines and understanding their characters. Lee helped prepare his actors by screening a number of heist films including Dog Day Afternoon and Serpico Principal photography for Inside Man took place on location in New York City; filming began in June and concluded in August after 43 days.

Location scouting revealed a former Wall Street bank that had been closed down and repurposed as a cigar bar. We shot in the heart of Wall Street in a bank that had been closed down.

It was like having a back lot in the middle of Wall Street. You don't have to push the power, because it's all around you. Wynn Thomas supervised the production design , continuing a year collaboration with Lee. With a former Wall Street bank doubling as the fictional Manhattan Trust branch, Thomas and his team restored the former bank to its s architectural structure. The first floor underwent renovations and was used as the first place where the hostages are held captive by the robbers.

Inside Man was director of photography Matthew Libatique 's second film with Lee. Because the filmmakers intended to finish with a digital intermediate the post-production digital manipulation of color and lighting , Libatique chose to shoot Inside Man in the Super 35 format for a 2. Several scenes in Inside Man required multiple-camera setups , which meant that Libatique had to instruct and work with multiple camera operators.

Lee wanted to create a visual distinction between the characters Russell Owen and Frazier Washington , while incorporating visual metaphors. Russell's scenes, in which he masterminds the bank heist, were shot with a Steadicam to suggest that the character is in control. Frazier's scenes, in which he is tasked with handling the hostage situation, were filmed with multiple hand-held cameras to display the character's confusion. In a handheld shot, a long lens has a little bit of movement and a wider lens is inherently smoother.

I would actually talk to the operator and tell him not to be so steady. It was the first time I'd worked with so many operators where I wasn't one myself.

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A Technocrane was used for a crane shot that would cover the following moment, in which the hostages are placed in buses. The film features a number of scenes which involve Detectives Frazier and Mitchell Chiwitel Ejiofor interrogating several hostages during the aftermath of the heist.

Libatique described these scenes as a " flash-forward " to events, explaining that Lee "wanted a look that would jump out and tell you you're somewhere else. Technicolor then cross-processed the filmed footage before it was put through a bleach bypass , which neutralized color temperature and created more contrast. Libatique explained, "Basically, it unifies all the color When you try to apply correction , the film moves in very strange ways.

The scene is intercut with a second animated sequence of the fictional game, in which a character performs a drive-by shooting , before killing an intended target with a hand grenade.

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Cinematographer Matthew Libatique enlisted his cousin, Eric Alba, and a team of graphic artists known as House of Pain to design the second animated sequence. He also gave the artists mockups of two scenarios that ended in homicide—one being a robbery at an ATM , and the other a drive-by shooting. House of Pain spent 10 days working on "Gangstas iz Genocide". Portions of the sequence were pre-visualized in 3D Studio Max , while stills were imported as texture maps and added to animated cut scenes created in 3D modeling package Maya.

The artists also improvised the use of a hand grenade. The entire sequence was rendered out to play onscreen in full frame. Lee cut it to 30 seconds, feeling that a shorter length would make more of an impact. Jazz musician and trumpeter Terence Blanchard composed the film score , marking his eleventh collaboration with Lee. Rahman , which originally appeared in the Hindi film Dil Se..

The song is featured during the opening credits of the film. Inside Man had dropped Inside Man was released overseas on March 23, The site's critical consensus reads, "Spike Lee's energetic and clever bank-heist thriller is a smart genre film that is not only rewarding on its own terms, but manages to subvert its pulpy trappings with wit and skill — and Denzel Washington is terrific as a brilliant hostage negotiator.

Still, he's delivered a pacy, vigorous and frequently masterful take on a well-worn genre. Thanks to some slick lens work and a cast on cracking form, Lee proves perhaps above all to himself? But here it is, a Spike Lee joint that's downright fun. Or else it's a cross between a Spike Lee joint and a s-style movie indictment of urban unease. Roger Ebert of the Chicago Sun-Times gave it 2.

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We can't accept the motive and method of the bank robbery, we can't believe in one character and can't understand another. Otherwise, it's no different from nine out of 10 other preposterous, contrived, confusingly written, unevenly directed, pointless and forgettable junk films we've been getting these days. In November , it was announced that a sequel to Inside Man was in development, with Russell Gewirtz reprising screenwriting duties.

Under the working title Inside Man 2 , the film would have Brian Grazer again serve as producer. Spike Lee was in negotiations to reprise his directing duties [49] while serving as an executive producer alongside returning member Daniel M. He also expressed interest in filming Inside Man 2 during the fall of In , it was announced that plans to make Inside Man 2 had been cancelled.

The film's not getting made. We tried many times. It's not going to happen. From Wikipedia, the free encyclopedia. For other uses, see Inside Man disambiguation. A script has to make me feel curious, and at no point can I feel complacent. In this story, it was the red herring aspect that I liked—not knowing why things were happening and later having everything revealed in such a satisfying and surprising way.

These twists and turns really took the model of a heist film in a new and interesting direction. He's not a single-camera-setup director who gets nine shots per scene and spends all day doing it. He prefers to get the actors blocked and find out where he can place all the cameras so he can get the scene and the performance.