Marissa: The Forest Spirit
Bundle of Energy Micaiah: Priestess of Dawn Morgan: Lass from Afar Ninian: Admirer of Beauty Olwen: Blue Mage Knight Ophelia: Bishop of Flame Shigure: Dark Sky Singer Tailtiu: Oracle of Destiny Nowi: Rose of the War Anna: Lady of Ballads Barst: Sacred Twin Lord Frederick: General of Ostia Hector: Just Here to Fight Hector: Marquess of Ostia Helbindi: Princess of Gra Surtr: Ruler of Flame Tiki: Lady of the Forest Elise: Voice of Dreams Henry: Blush of Youth Merric: Apostle in White Sharena: Sniper in the Dark Cordelia: Blue Sky Warrior Innes: Prince of Verdane Jeorge: True of Heart Lyn: Rich in textures and raw emotions, Marissa Nadler's For My Crimes is a lush and rewarding record from an assured, mature songwriter.
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The artwork tells you everything you need to know. Imprints of black trees and a grey sea compound a sense of dread and regret with just a hint of white implying a sense of liberation just over the corner.
It’s worth it to check out the archaeological museum in Polonnaruwa before exploring the ruins.
For My Crimes , songwriter Marissa Nadler 's latest for Sacred Bones, offers her own oil painting as an evocative album cover, a prelude to her 11 songs of painful realizations about love, loss, and the pain time and distance can inflict on relationships. Her eighth album since her debut Ballads of Living and Dying , For My Crimes reflects the wonders of Nadler's world-weary songwriting and scratched angelic voice.
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If the song doesn't break your heart with its mournful lyrics, it will with its rich arranging and production value. Nadler's songs emanate a sadness tinged by a Southern gothic air.
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Her crooning coupled with moaning cellos and dirty guitars on tracks like "Blue Vapor" present a sense of misery and desolation. Despite being based in the Northeast, her music can best be described as "Nashville Noir", a meeting of Southern singer-songwriter traditions distilled through dream pop and rich studio arranging. It goes beyond the ethereal aesthetics of dream pop, recalling the spotlight treatment of famous past crooners.
Processing her voice to make it sound like a distant cry isolated within a towering space emphasizes the loneliness on the album.
The complex guitar work of "Interlocking" balances the texture and propels the track forward alongside Nadler's long, flowing vocal lines. Going beyond the voice-and-harmony-instrument obligations of a singer-songwriter, For My Crimes becomes a much richer, rewarding record because of its attention to detail and nuance. Undeniably so, sorrow and turmoil play the primary themes on For My Crimes.
It's a beautiful record from start to stop, yet some listeners may resist being pummeled track by track with tales of existential heartbreak. Lafayette in America translated by Alan R. Spirits of Amoskeag by Lois Hermann.
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