FREDERIC LEON
Her whole body ached, and the tears rushed from her eyes like a flash shower, unexpected in its occurrence and its force, but necessary. She had been raped, she had figured. Her memory began rushing back to her, like her tears, and she pieced enough of the beginning of the night to realize that she had tried GHB, a new drug her friends offered her that they said would make her feel more alive. Instead, she felt like she had died and landed here, somewhere between consciousness and wanting to die, begging to die. The cab ride to her apartment was a blur.
Meshing cars, swallowed screams, blurred teary-eyed vision. Her shower and all the soap in the world could not clean her the way she needed, and she cried herself to sleep. Sonia vowed that she would clean herself up for good. This was not the woman she wanted to be. When she woke the next day, she called off work and went directly to an out-patient drug counselor.
Frederic Leon drink #9
Reliving the experience from the night before took Sonia to memories of. What else had happened to me? During those nights of parties, drugs, and lost inhibitions. How far had I let myself float away?
Drugs, sex, and rock and roll was more than a saying for Sonia, it was her mantra. She grew up thinking this was the life. Hanging out with friends, club hopping, drugs and sex.
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The doctor listened as Sonia spoke of wanting a change, and needing something more from her life. He listened intently and then suggested a few alternatives for her sobriety. Sonia felt calm and knew this was the only way for her to get the help she needed. The next few weeks were very hard for her, and she promised to stay clear of Frederic and her other friends who used. She knew it would hurt, but nothing like the reality that she may have been raped, or worst, gave away herself like a child carelessly giving away their innocence. She went to Narcotics Anonymous meetings and heard stories that trumped hers, making her even more fearful of what doing drugs again could lead to for her future.
Maybe, she should count her blessings she thought, as people spoke. All she could think about was her friends, the old ones who she would hopefully never have to hear going through stories like she was hearing at these meetings. Looking at the faces of people who looked twice her age, but were younger, aging due to the excess of drug use and alcohol abuse.
Every night she would count her blessings and pray for brighter days and to regain her consciousness and her life.
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She imagined meeting Frederic the morning she last saw him as an opportunity to help him, somehow share some of her newfound wisdom and maybe even get him to come to a meeting. For Sonia, that was the day Frederic had died. Each drag from her cigarette her salvation as she meandered through her brain, what on earth to say to this poor woman. Was Fred gonna be okay? Until moments like this when someone has to call the parents and let them know what happened to their child.
Sonia hung the phone, more tears streaming down her cheeks, but this time she felt a little bit better.
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Definitely proud of herself for being sober and having the strength to be the responsible person out of the group. She imagined what she would have said if she had a child and had been receiving this phone call at this hour in the morning. She had met his mother only once before but remembered the woman being the life of the party. Such a beautiful woman she had thought that first time they met, and now she imagined her booking a flight from Chicago to California, getting dressed, calling a taxi to take her to the airport.
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Questa canvas, like many other subsequent, aware of social inequality in Belgian society. This work is an interesting social and historical document. The inspiration for the triptych is given to the artist by the popular uprising in Brussels on Frederic depicts a crowd eager to escape from a painful era, in front of a young girl dressed in red. Alludes to the color of red flags carried by the demonstrators in the motions of The central panel also points out that the secularization, in the city, takes alarming proportions.
You can see in the background the cathedral of Saints-Michel-et-Gudule in the Marolles, but the artist represents the city's point of view of the people. In the same panel, you can see, perspective truncated, City Hall and the Hospital Saint-Pierre; in the left panel glimpse instead prison of Saint-Gilles.
The same places, courthouse, hospital and prison cynically defined by Octave Maus "the great places of resort workers". The left panel also evokes the erection of the cross, while the right recalls the Virgin and Child. Frederic distinguishes itself from other artists Realists, and Symbolists for the veneration of the human body which he considered the image and reflection of the soul. Equally interested in the life of the small rural village of Nafraiture inspiring compositions which Ages peasant and Return del Procession exhibited at the Royal Museum of Fine Arts in Brussels.
In receives from the city of Brussels for a fresco commissioned for the town hall: They will have two children: Many of the works of those years will be devoted to the children and the family. George followed his father's footsteps, becoming in turn a talented painter. Between and the the atrocities of war profoundly affect the artist who paints The resurrection of the dead and ends in the triptych Everything is dead.
The Queen was well acquainted with the work of Frederic following the visit of his studio in In the same year, period of financial difficulty for the artist, had purchased six landscape paintings. The artist receives a medal with his effigy that will be affixed to the front of his studio in the street Haachtsesteenweg Schaerbeek.