Encore

Test your vocabulary with our question quiz! Other Words from encore encore verb. Examples of encore in a Sentence He sang a folk song as an encore. Her first novel was a best seller—but what is she going to do for an encore?

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Recent Examples on the Web Again, a lack of an encore has left scientists frustrated, but intrigued. Croatia," 7 July An encore is an audience demand made on performers through applause. First Known Use of encore , in the meaning defined at sense 1. History and Etymology for encore French, still, again.

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Learn More about encore. Resources for encore Time Traveler! Explore the year a word first appeared. Dictionary Entries near encore encompass en coquille encorbelment encore encounter encounterer encounter group. Time Traveler for encore The first known use of encore was in See more words from the same year. English Language Learners Definition of encore. The graphic presets of enCore differ by default screen resolution and texture quality, lighting and shadows, terrain, water, particles, etc.

You may set the screen resolution for all presets, and anti-aliasing for Medium and Ultra presets.

Manually set parameters will be marked by a cog icon. No, these are enCore-only. We give players the broadest possible range of settings in the current client and will continue to do so after we switch to the Core engine. It means that either our enCore app or your graphics card driver has crashed. Please contact our support team https: First, you should run enCore, trying every preset. It is more of an approximation. They reflect your PC performance adequately, and let you compare it to other scores. The miniseries, based on the Pulitzer Prize-winning novel is directed by Lisa Cholodenko.

Starring Frances McDormand, Richard Jenkins and Bill Murray tells the sweet, funny and tragic story of a seemingly placid New England town wrought with illicit affairs, crime and tragedy, told through the lens of Olive McDormand , whose wicked wit and harsh demeanor mask a warm but troubled heart and staunch moral center. The four-part project premiered on HBO Nov. Once the filming wrapped, all scanned files were sent to Encore Hollywood for conform, color and VFX. Autodesk Smoke was employed for the 2K conform and then Encore senior colorist Pankaj Bajpai took the content through a DI finishing pipeline on a Baselight 4 grading system.

To deliver uncompromising access to all of the media at any given time, Encore executed custom coding per the specific needs of the project.

Throughout the color grading process, Bajpai collaborated closely with DP Fred Elmes to ensure the final aesthetic matched the directorial creative vision. Additionally, Encore Hollywood handled more than VFX shots, a large portion of which was created for a five-minute sequence depicting an approaching storm, which was an important narrative element.

The team, led by VFX supervisor Jane Sharvina, helped design the various cloud configurations and integrated small details in establishing shots, like flapping flags in the wind, for added authenticity. Encore also handled invisible VFX work, such as background replacements and ensuring design continuity from shot to shot.

For Allen this is the ability to move at superhuman speeds, an effect achieved in the show largely with the help of Encore Hollywood. We find out from visual effects supervisor Armen Kevorkian how they helped bring the Flash to life. Transition shots, for example of Allen launching into action which then transitions into a CG double.

Completely CG double shots. It meant that we could be really up close to the CG double and if we do our job well with lighting and integration in the scene, no one will be able to know. The digital Flash makes appearances for several kinds of shots; when stunts would be too dangerous, for example, and for when the shots need to depict time slowing down around him.

It was the first shot we added a CG Flash to where we animated him the whole way but then would expose or slow him down for the moments you want to see him connecting with the bike rider. Since the dome plays such a big role in the show, developing its look was a crucial part of the VFX work. But when we got close to it we had to know what it looked like, what it felt like when people touched it.

Fleet put up pieces of plastic for the actors to interact with on set but avoided any complicated props that would require a lot of time in post to remove. That the dome could slice through things was evident from the start, when one of its edges came down on a farm, cleaving a cow in two. The first proposal called for a stuffed cow prop, sweetened with VFX blood and gore. A truck and plane crash from outside into the dome were also CG. The truck crash was initially planned as a practical effect. Monarch butterflies were a recurring motif. A flock of them first appeared inside the dome wall, fanned out in all their glory.

Later in the episode, a nuclear missile failed to breach the dome the complete destruction on the other side was full CG environment replacement by Encore. Then, a single monarch reappeared and landed on the dome. The butterfly also played a key role in the season finale. An individual butterfly model is fairly easy to execute, but we needed to use particle simulations to multiply them. It took a lot of math and horsepower to make them realistic.

The mini dome turned white before it exploded and dissolved to dirt — all VFX shots. Then he and his artists suggested having them shoot up the sides of the dome in otherworldly straight lines — a hauntingly-cool image that everyone loved. The stars were a mix of particles composited with treetops and other natural elements captured by Fleet with his Canon 5D camera and used as plates.

Encore handled post for the series as well. Pankaj Bajpai discusses the 4K workflow, as well as its future and inevitable adoption. In the February issue of HDVideoPro, we examined the current 4K post environment for filmmakers producing 4K content, from capture to post. We took a look at a number of categories, including cameras, computer hardware, NLEs, on-set workflow and color-grading systems.

To sum up, with the exception of ARRI, 4K is the dominant capture format, but it's still not quite ready for post and is a long way from widespread distribution. Some inhibiting factors include computer hardware speed and storage capacity, but the main inhibitor has been the living room. For the majority of us, there are no 4K platforms for either broadcast or the Internet to view content.

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2. Encore | Definition of Encore by Merriam-Webster.
3. The Analysis of Irregular Shaped Structures Diaphragms and Shear Walls (Mechanical Engineering).

And without more 4K distribution platforms, content providers will be hesitant to jump into 4K, especially for television broadcast. As you already know, the current HD content you're viewing while watching broadcast TV is either p or i, so for most television viewing, 4K is strictly being shot for archival. There are new Blu-ray players on the market that can upscale HD to a UHD x resolution set, but there are still no 4K Blu-ray discs on the horizon.

Encore Hollywood

Even though a minority of us will have these UHD TVs in the future, it's safe to say that streaming will be the first platform to bring 4K content to the living room. Both the production and post industries are pushing full steam ahead to deliver 4K or UHD resolution to the movie theater and the living room. One of the pioneers in working with and delivering 4K content is Encore, which is part of the Deluxe Entertainment ecosystem.

Starting in , Encore always has been at the forefront of technology in the fast-changing postproduction world. They provide color management, editing and VFX needs for a number of television productions, as well as provide on-set services to help productions streamline digital workflows.

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Click here to continue reading. With each project, we design a workflow tailored to meet production demands, optimized for top quality results. Designed to match pace with the demands of episodic production, our file-based color grading and editing services facilitate flexible creative control and can be optimized for 4K post production. We are home to some of the best talent in the industry as evidenced by our lengthy credit list spanning primetime juggernauts to critically acclaimed niche projects, each with its own distinct aesthetic.

Our dedicated producers impart personalized attention to each project every step along the way, working closely with our talented artists and supervisors, who have been recognized with Emmy and Visual Effects Society Awards for their VFX work. Further bolstering creative efforts, our in-house technology experts ensure that our state-of-the-art infrastructure and secure global pipeline remain at the forefront of technical advancement. With the physical footprint of a small desk and access to an expansive network of trained Digital Imaging Technicians, mobilabs offers production the highest quality near-set color and dailies services wherever needed.