Die weiße Frau von Malte (German Edition)
EN Ein Zimmer mit architektonischen Grenzen. EN While taking a road trip across the US, the German artist Florian Meisenberg reveals how digital technology, humor, and the human body inform his paintings and installations. EN Celebrating Years of Deutsche Grammophon the yellow label presents a landmark in the history of recorded music: Ein Zimmer im Raum" www.
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EN Ein Zimmer im Raum is the seventh solo show dedicated by gallery Wentrup, Berlin, to the artist Gregor Hildebrandt, titled after the writing of the poet and novelist R. The minimalistic production of Hildebrandt always deals with concepts of cross-media transfers of music and poetry into visual art. EN Aus Anlass des EN The exhibition brings together various pictorial languages in photography. The point of departure consists in descriptions of states in which people and their physical awareness are subjected to observation through a view from inside or outside.
EN The project discusses touch ing as a paradigmatic gesture of contemporary society — in a discursive and process-oriented way. Through touch screen technology touch has become more important in communication and computer interface design. Museum trifft auf junge Kunst, Geschichte trifft auf Gegenwart.
EN In , coal production will cease in Germany, marking the end of an important industrial sector that has shaped the Ruhr Valley more than any other cultural region for more than years. Seventeen museums in thirteen cities throughout the Ruhr Valley have taken the fossil-fuel phase-out as an occasion to present a transregional art project featuring works by both emerging and established artists focusing on themes revolving around coal and mining.
In aller Freundschaft" www. EN Wentrup is pleased to present the first solo exhibition by Mariechen Danz at the gallery. With sculptures, drawings, costumes and installations, Danz examines the history of knowledge transfer, placing the body and language at the center of her process-based practice. Through his revisited Land Art, Hicham Berrada mingles with living things, but often on a molecular scale.
An artist with a yen for chemistry, he reinvents a number of natural processes to create highly original landscapes. Situated somewhere between nature and artifice…. Situated somewhere between nature and artifice. EN " theoretisch endlos" is a new collaborative group exhibition conceived by Peles Empire. The show threads the work of Peles Empire together with sculptures by London-based artist Andrew Mealor and Swiss-based artists Cristian Andersen and David Renggli, blurring the distinction between artist, curator and collaborator.
Re-Examining the Real" www. EN Moments after we got on the phone, my broadly settled notions of David Renggli shifted. Better yet, they evolved; an unsurprising circumstance, of course, if considering whatever forms of virtual written interaction still always lack an essential human component: EN Agora is a group exhibition that looks at the role of art in defining, creating, and using public space.
The exhibition takes its name from the ancient Greek word referring to the square—the public gathering area that was the core of commercial, artistic, political, and spiritual life in old city-states like Athens. In addition to Carlfriedrich Claus and Lucian Freud in previous years, it had last been won by Joannis Avramidis in In , the prize will go to Olaf Metzel. Originally cofounded by HAP Grieshaber and Rolf Szymanski, the prize stands for the "freedom of art and for nonviolence in the struggle for more humanity".
EN After hosting "documenta 14" Neue Galerie Kassel will reopen their doors for the public with the presentation of their collection up from 27 January Architect Markus Miessen will transform the existing gallery space into a new interior design, which will be the stage for Clements works. Besides her photo series "Gliedermensch", "Avatar" and "Fractures" Clement will be showing her new video series "Not lost in you" — a continuation of her latest "Avatar" photo series. Western European instruments can be seen and heard: The artist will be showing a selection of his latest video works including "Continuous Monuments" in collaboration with Kim Gordon.
The artist always reacts to the concrete architectual, social or political surrounding into which he places his works. His sculptural interventions and the surrounding space or situation enter into an intensive dialogue.
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Desires and False Truths in the Internet Age" www. In the centre, a human figure lays flat, rendering the space a laboratory and pointing to the body as both an instrument and source of deeper knowledge and truth. Engaging the visceral and the cognitive, the exhibition assembles around 25 international artists who deploy a variety of media in order to interrogate logics of truth, authenticity, opinion, and faith EN In the spring of , the major exhibition at the Staatliche Kunsthalle Baden-Baden will focus on the art of the exhibition itself. This exhibition will explore what it actually means to exhibit something, and how this can be shown.
An der Akademie lernt man eine gewisse Freiheit im Denken. EN This group exhibition showcases five international artists from different generations—Curtis Anderson, Louisa Clement, Owen Gump, Sigmar Polke and Anna Vogel—whose diverse photographic-artistic practices examine the possibilities of the image and see its contents as ephemeral traces of external reality. EN On first glance, it was hard to say what was depicted in these glossy black photographs.
They might be pictures of extremely complex devices, perhaps the kind used in scientific experiments, or they could be of fine machine parts or the dissected limbos of an insect under a microscope. EN The group exhibition "Papier. It assembles his oeuvre from the years to and offers new insight into his multivalent practice. EN In the epoch in which we live, we find ourselves confronted with new challenges. The boundaries between public and private have become blurred. Old ties are being dissolved, new alliances are forming, the value of peaceful coexistence is being put to the test. EN John McAllister has adoring collectors and sold-out shows.
EN Artdependence caught up with Karl Haendel to find out more about his work, his methods and his next projects. EN A dream comes true: American Realism from to the present is being showcased in a double trans-border exhibition. EN Something in this exhibition is not right. While everything around us is sinking into chaos, opportunities for art arise from sheer impenetrability. The images, objects and videos in this exhibition purposefully hint at dark secrets by merging real and surreal worlds.
November bis zum EN The introduction of virtual reality has led to a pictorial revolution that is radically changing not only our perception of images, but also our relationship with reality. Accessible illusionary worlds conjured up in virtual spheres provide visitors with a very concrete experience. As secluded from the outside world as possible, they become immersed and physically involved in the pictorial spaces by means of interactive elements and additional devices. EN Wissenschaft oder Kunst?
Ohne umfassende Kenntnisse der Chemie sind seine Werke einerseits nicht herstellbar. Nevin Aladag Deutschlandfunk Kultur. Ihre Installationen sind unter anderem auf der documenta, auf der Biennale von Venedig, der Frieze in London oder in der Frankfurter Schirn zu sehen.
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Seine Sprachkunst wurde schon mit Schwitters und Valentin verglichen. The contrast between the purgatorial environs of the hotels — hermetically sealed behind plate-glass windows, suffuse with the purring of the air-conditioning systems — and the graceful, sexually charged movements of their inhabitants is poignant, suggesting an effort to buck against the constraints of the grindingly ordinary.
EN In what is one of the largest open-air sculpture museums in the world, 17 contemporary artists are adding their own works to those originally commissioned by Louis XIV. These artists, dialoguing with the curators, have designed a dramaturgy leading visitors through the groves, the curious open-air salons of greenery in the gardens of Versailles. EN The abbey of Maubuisson continues its program of monographic exhibitions by inviting the artist Hicham Berrada. For his exhibition at Maubuisson, Hicham Berrada presents three unpublished works within this ancient Cistercian monastery of the 13th century.
EN Different generations of artists will be presented to the Berlin audience in a combination of formats such as exhibitions, studio visits with artist talk, meetings in galleries, expert panels, live performances and activities in the public space. We are not looking for commonalities between the work of political migrants and younger artists of the united Europe. We are rather drawing attention to individual artistic statements so as to open up spaces for personal narratives and overlapping references.
A versatile and reciprocal relationship to Berlin as a cultural location may thus function as an interpretative bracket; the city itself turns out to be a sui generis document, a living archive in which everything conglomerates: For the opening of the Pinakothek der Moderne in , Olaf Metzel created a sculpture that highlighted the stage-like appearance of the staircase. The artist was particularly interested by the lone column on the mid-landing, which he dressed in a dazzling robe of colourful acrylic glass, in the centre of which he stacked deformed plastic chairs.
This expansive work may be seen again on the occasion of the museum's 15th anniversary. Since then, his work has been shown all over the world. Grisebach - Das Journal. Gute Kunst, schreckliches Publikum art - Das Kunstmagazin. The artist will show new drawings and sculptures. Friday, 15 September , 6—9 pm. The artist will present a her new 27 photographies series "Gliedermenschen".
Die Herstellung und der Besitz des Nervengases Sarin sind weltweit verboten. Erhitzt man das Gas im Beisein von Glas, dann entstehen die schwarzen Brocken, die jetzt auf der Messe gezeigt werden […]. Originally conceived in response to the refugee crisis triggered by the war in the former Yugoslavia, this latest iteration of the piece makes a striking sculptural statement. It pays homage to the The exhibition is an exploratory dialogue between the work of two artists dedicated to the particularities of making drawings. Actions, Traces, and Journeys " is a 50 year survey exhibition that considers the themes of action and exploration outside of the studio and how artists engage this theme in various ways, including walking, cartography, land use, endurance, and the consideration of public space.
This exhibition highlights a variety of art practices, dating from the late s and continuing through present day. Salons, Galerien, Messen, Musen und Museen: Das Duo reist mit einer transportablen Galerie. Portikus is turning thirty. They are presenting a bar made of Jesmonite, a special material that the two artists have discovered for their work and reconceived as a form of expression. In this manner, the bar talks return to the roots of the first Peles Empire salons in Frankfurt as well as pointing out the collaboration between Peles Empire with other artists. The gallery is closed from 07 — 28 August for it's annual summer break.
We will be back in the office up from 29 August. Opening reception on Friday, 15 September , 6—9 pm. Gregor Hildebrandt Madame Magazin. International artists are invited to present their work with one image that is selected, adapted and, ultimately, printed for the space, as a format of a solo show. New perspectives on digital technologies, the Internet and social networks are shown, probing both virtual and physical manifestations of an artistic practice that is fundamentally influenced by the digital realm. Rising Stars Canvas Magazine. In Erinnerung an Luise-Straus-Ernst.
Die Rekonstruktion ihrer Kriegsausstellung im Wallraf. With Texts by Jason E. Die Photokopie der Photokopie der Photokopie der Photokopie" from Shared Spaces deals with our everyday interactions in digital spaces and their impact on our analogue relationships to the world. But sharing is not a loss-free transfer.
The exhibition offers space for everything that is left over after this process.
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For residuals, overpluses, misunderstandings, likes, voids, errors and remaining answers. Ein Atelierbesuch in Berlin. Made in Germany Drei www. Geplante und ungeplante Einflussnahmen, Ordnung und Chaos spielen eine entscheidende Rolle. Having compared the artist lists of the three major art events, artnet News has noticed eight figures who appeared in two out of the Big Three this year. How do their ideas fit into the Now? And how well do you know their work? Bringing together artists working in various media, from multiple regions, and of different generations, this exhibition focuses on the lyric—the poetic first-person account of lived experience—to explore the complexities of being in the world.
The global political situation today makes this critical enquiry seem more relevant than ever. A small gesture and a great inspiration for art. Hardly a ritual Our culture draws us so permanently under its spell. It is precisely the ambiguities and ambivalences of the kiss that have received a broad response in the art - also beyond romantic notions of love and passion.
The exhibition begins with the art of the late 19th century and pursues the motif to the present. In addition to painting, graphics, sculpture and applied art, there are also examples of photography, film, video art, installation, performance, medication history and advertising.
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The opening reception is during the Art Basel week. Im April begann die Ausstellung bereits in Athen. Metzel zwingt, durch die Deformierung seiner Gebilde, von ausgetrampelten Pfaden abzuweichen und neue Wege der Betrachtung und Einordnung zu gehen. Peles Empire are participating in the third edition of Made in Germany, which is collectively curated on a five-year-cycle by the three institutions, focuses on the conditions of producing art in Germany.
The exhibition focuses on artistic positions that address production processes and examines the sites at which it is produced and presented. Besides processual approaches, by way of examples it investigates forms of production that direct the spotlight on network concepts. This becomes palpable based on collective approaches and time-based presentations in which the body and the social attain altered visibilities.
Viel ist von dem Kunstwerk noch nicht zu sehen. International contemporary art meets the spiritual figure of Luther — the exhibition will not focus on Martin Luther as a historic figure but as a visionary and avant-gardist of his era. The historic prison in Wittenberg will serve as a central exhibition venue and is being renovated and opened to the public on the occasion of the exhibition. The work is always closely related to the architecture of the exhibition rooms.
In Kassel Kunstverein, the partly deconstructed moment in the "Sternhochhaus" is picked up and characteristics of the rooms are highlighted. Based on the spatial structure, almost functional spatial elements such as shifted columns, space separators and objects arise which raise the question of which elements were already present and which were added.
But, in its central ambition, as a celebration of artists, there is a wealth of work to celebrate, ponder, and discuss. Here are a few of the projects and presentations the art world will remember long after this epic show closes. Wishbone captures themoment Minnesota Vikings running back Adrian Peterson begins slipping past Cleveland Browns defensive tackle ShaunRogers in a season opener. This meticulously hand-rendered, photorealisticgraphic drawing inspired by a photograph freezes a fraction of a sports second into a Philbrook Downtown unveils 'Game On! Are you ready for some football?
If so, Philbrook Downtown is opening Friday a new exhibit built around its most recent acquisition: What happens to identity, architecture and materiality when our physical reality meets the virtual spaces created by new technology? It was the performances that made the venue come alive: ARS17 is a major exhibition of international contemporary art on the theme of digital revolution. The exhibition will showcase artists of the new millennium and offer a fresh approach to contemporary art by also expanding the viewing experience into the online realm.
A brief historical overview looks at early examples of government surveillance of both people and places such as the introduction of public street lighting and the use of police photographs as a precursor to modern biometric identification methods. The main body of the exhibition features contemporary works including photographs, videos, paintings, posters and installations that employ a wide range of tactics to attack, reflect upon or at any rate expose modern-day surveillance practices. With these changes come an abundance of artists on the rise.
In his artistic practice, Gregor Hildebrandt makes extensive use of pre-recorded cassette tapes, employing these as material for pictures and other pieces. The tapes are applied directly to canvases and photographic prints and used on buildings or in room-sized installations. Louisa Clement will be shown at new talents — biennale cologne.
A future platform of young graduates from the areas of art, film, composition, choreography and design. The ancient war game of chess neatly makes the point that there are always rules demarcating a field of endless possibilities, rules that provide the necessary basis for all subsequent progress and development. The exhibition includes several inter-connected works that address the loaded nature of portraiture: Berlin continues to top the charts as a global cultural capital.
During the 60s, the limitations of drawings were radically expanded. Minimal and conceptual artists like Sol LeWitt or Fred Sandback transferred the line from the two-dimensional surface into space. The drawing entered the third dimension. Time, space, body, language and memory, observation and action become the decisive factors in works by Franz Erhard Walther. Will be on permanent loan to the Kunsthalle Bielefeld, Germany. The publication is published on the occasion of the same titled exhibition at the Rudolf-Scharpf-Galerie Wilhelm-Hack-Museum , in Ludwigshafen, Germany.
Heute schauen sie betreten", sagt Bingham. Ali habe schon immer in einer anderen Welt gelebt. Heute schauen sie betroffen und murmeln: Drei Jahrzehnte lang musste Ali Hiebe einstecken. Trotz seiner 61 Jahre ist Alis Haut immer noch glatt wie die einer Aubergine. Ali sieht ein Foto aus dem Jahr Clay hatte Angst vorm Fliegen. Nach dem Sieg nahm er seine Medaille nicht mehr ab. Rannte im olympischen Dorf herum und redete. Wieder zu Hause, wurde er mit einer Kolonne von 25 Autos abgeholt.
Johnson hatte am 4. Statt nach dem Sieg in der Versenkung zu verschwinden, setzte Johnson mit seinem Lebensstil ein Ausrufezeichen hinter seinen Triumph.
Wenn es schon unvermeidlich war, dass einer von den Baumwollfeldern triumphierte, dann bitte wie Joe Louis: Johnson war vergessen - bis Clay kam: Ich wollte rau, tough und arrogant sein. Ali war nicht der erste Boxer, der Worte wie Waffen benutzte, aber er war schneller und lustiger als alle zuvor. Ali kann diese sprachlichen Pirouetten noch denken, aber sie finden nicht mehr aus seinem Mund. Auch an diesem Morgen in Los Angeles ist es mit Alis Sprache wie mit einem alten Feuerzeug, das nach vielen Versuchen noch manchmal eine Flamme hergibt, aber eine kurze.
Was fand er, der so viele Leute zum Lachen brachte, lustig als Kind? Schwer hebt sich Alis Brust unter seinem schwarzen Hemd. Du musst Furcht haben. Furcht ist eine gute Sache - manchmal. Gibt es einen Gegner, dem Sie Angst eingejagt haben? Sonny Liston sollte so einer sein. In den Kampf am Februar ging er wie eine Art Auftragskiller. In den ersten beiden Runden tanzte Ali um Liston herum, ohne schlimm getroffen zu werden. Dann schlug Clay zu. Liston blutete unter dem linken Auge und aus der Nase. Clays Augen begannen zu brennen, er geriet in Panik, schrie: Der Gong rettete ihn.
Liston blieb stehen, dann taumelte er langsam zu seinem Hocker. Dann spuckte er den Mundschutz aus. Alle trinken Wasser aus kleinen Plastikflaschen. Schaut auf dieses Foto. Das Foto von Liston auf seinem roten Hocker. Die alte Ordnung, sie stand noch, aber mit dem Knockout ihres Auftragkillers Liston hatte sie die ersten Risse bekommen. Diese Sekte war ein Haufen von paranoiden, machtbesessenen Spinnern, die es auf Clays Geld abgesehen hatten und auf seinen Ruhm.
Heute ist er ein friedlicher Muslim. Allah hat mich oft getestet in meinem Leben. Parkinson ist der letzte Test. Man bittet um Vergebung. Glauben Sie immer noch, dass Allah schwarz ist? Gott isst nicht, und er geht nicht aufs Klo. Gott hat die Erde gemacht und die Sonne, alle Planeten. Ich bin nicht sicher, ob ich dich mag.
Ernie Terrell, ein braver, schwarzer Christ, hatte den Fehler begangen, Ali nicht mit seinem neuen Namen anzusprechen, sondern mit seinem alten. Zwei Jahre vorher, , war er ausgemustert worden, wegen mangelnder Intelligenz.
LEGENDEN: Alis letzter Sieg
Nun sollte er nach Vietnam. Gleich danach rief einer von der Zeitung an. Und Ali sagte diesen Satz, der zum wichtigsten Ausspruch seines Lebens wurde. Das amerikanische Establishment schrie auf. Er war noch der Netteste. Sie boten Ali einen Kompromiss an. Aber sie waren an den Falschen geraten. Ali war nicht Elvis, den man mit einem Bananenmus-Sandwich und einer Blondine befrieden konnte. Ali wusste nicht genau, wo Vietnam lag, aber er war sich sicher, dass er dort nichts verloren hatte.
Er mag Angst und Zweifel um seine Zukunft gehabt haben, aber er zeigte sie nicht. Gegen eine Kaution von Dollar blieb Ali frei, aber es war eine bescheidene Freiheit. Er lebte in einem kleinen Haus der South Side von Chicago. Er sagte, er sei bereit, ein Priester Allahs zu werden.
Nach dreieinhalb Jahren war es so weit. Oktober stieg Ali in Atlanta wieder durch die Seile. Ali war wieder da, und er besiegte nicht nur Jerry Quarry an diesem Abend, sondern all die, die ihn wegsperren wollten. Ohne einen einzigen Bodyguard. Allah passt auf mich auf. Ein Mann, der Angst hat, lebt nicht.
Obwohl er im Ring nie mehr so tanzte wie vorher. Das Alter hatte ihm die Schnelligkeit geraubt.
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Er hatte, wie man in der Ringsprache sagt, "seine Beine verloren". Er war eine motorisierte Version von Sonny Liston. Schauplatz des Kampfes war Kinshasa, Zaire, Afrika. Er blickte Foreman in die Augen und sagte: Du hast mich verfolgt, seit du ein Junge warst. Jetzt musst du mir begegnen, deinem Meister. Sie sind erstaunlich klein.
Nur dass er in diesem Augenblick nicht Ali in Kinshasa ist, sondern Foreman. Und dann, in der achten Runde, erwischte ihn Ali mit einem linken Haken und einem rechten Cross.