Arme Thea! (German Edition)

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Roman 1 copy Eliza, roman 1 copy Das paradies im schnee 1 copy. Events on LibraryThing Local. You must log in to edit Common Knowledge data. Information from the German Common Knowledge. Edit to localize it to your language. Stratz, Rudolph Heinrich Karl. Bernau am Chiemsee, Deutschland. Stratz, Carl Heinrich Bruder. Improve this author There are links stranded on: Includes Rudolph Stratz is composed of 3 names. Combine with… No authors suggested. Rudolf Stratz , Rudolf Stratz Members. For more help see the Common Knowledge help page.

Search Search for the author. He will be on stage together with his regular dance partner Ana Laguna. Mats Ek is joined by Alexander Ekman and Johan Inger, two effervescent personalities within the realm of international choreography. Through his films, Ingmar Bergman proved himself a master of the art of analyzing family dynamics and human behavior. Thoughts on Bergman; Choreography: Alexander Ekman Solo performed by: Mats Ek Performed by: The opera will be sung in Swedish with English subtitles. In addition to the two concerts, the public is invited to an open rehearsal and master classes in directing and composition.

David Lundbla d 28 August and 1 September Stage: Burgtheater Austria ; Hotel Strindbergby Simon Stone Cinematic hotel cavalcade about the life and work of August Strindberg In Hotel Strindberg the audience enters Strindberg's mind, into the neural pathways to his life and works. Above all it's about love and conflict between man and woman, or 'love-hate' as Strindberg himself called it.

The story line draws on Strindberg's biography as well as several of his books: Parallel events and dramatic occurrences are played out in front of the audience. Taken together, they evoke a society, an era. Hotel Strindberg is a kind of magical device creating an intense, bracing and breakneck group effort involving actors, technicians and dressers. The cast includes Martin Wuttke, one of Germany's most prominent actors, who has achieved international renown through his film work, including the role of Hitler in Quentin Tarantino's magnum opus Inglourious Basterds The director, Simon Stone, was born in Switzerland and grew up in Australia.

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Throughout his career he has actively promoted original and visually striking productions where radical reworking brings the classics to life in a contemporary context. In his stagings Stone wants to reach the same people who fervently love the most popular present-day films and TV series. Alice Babidge Light design: Michael Hofer August. Introduction before performance 30 August and discussion after performance 31 August. Maxim Gorki Theatre Germany: At a time when Europe is at risk of drifting into neo-fascism, a group of actors is calling for a Roma army for the purpose of self-defense.

A rapid intervention force to fight structural discrimination, racism and antiziganism, but also as emancipation from an internalized role of victims. Yael Ronen 26 August. Introduction before performance and discussion after. This is one of the most powerfully stated truths in Saigon, a play of epic proportions. Acclaimed at festivals and performed by both Vietnamese and French actors, Caroline Guiela Nguyen's new play Saigon oscillates across time and space, offering an analysis of the consequences of French colonialism in Vietnam and what has often gone unsaid.

Imagening Saigon you might think of tropical images of war of even things from American pop culture, partially concealing the collective memory of colonialism and the French debacle. It is this repress episode, the consequences of which continue to make themselves felt in the course of the lives it violently altered that Caroline Guiela Nguyen explores in Saigon, a generous melodrama that received standing ovations at its premiere during the Avignon festival.

As the daughter of a Vietnamese immigrant, Caroline Guiela Nguyen, has written a play that could be qualified as second generation, meaning that it is not so much an indictment of colonization, than an examination of what has been left unsaid. Caroline Guiela Nguyen Artistic Collaboration: Benjamin Moreau Light Design: The doors and windows had thousand kinds of fences, locks, barriers, with thick glasses and guards and the arrests at the entrance. After the entrance door, a female world begun in which the entree of any man was prohibited.

Mahin, my girlfriend and actress of my latest plays — and probably the actress playing the role for the warden — who has lived in one the same University dormitories for a year, says: This would be the starting point of the performance. Amir Reza Koohestanis Cast: Negar Nemati Sound design: Ankido Darash Light design: Saba Kasmaei August Stage: Introduction before performance 27 August and discussion after performance 28 August.

After great number of interviews with people who had seen it when it first came out, it turned out that the movie Stalker was a significant experience for many people who grew up in the eighties and nineties. A lot of people saw the movie in the transition between the late teens and the early twenties, at a time in life when identity is formed and takes on its regular form. The movie can therefore also be perceived as a sort of rite of passage between the world of youth and the world of adulthood. The movie describes a journey, an expedition led by a Stalker who brings his two clients to a place where supposedly there is a room that has the potential to grant a persons innermost wishes.

This place is called the zone. In Verks version we utilize people's memories of the movie and allow them to tell little stories and anecdotes from a period in their lives when their identity is still fragile. It turns out that no one completely remembers what happened in the movie, and no one quite manages to describe what the zone is. They remember it being of great significance but what it actually was is not clear to them today.

In this way the performance becomes an account containing a number of viewings, omissions and misinterpretations.

Fredrik Hannestad Set Design: Signe Becker Sound design: Per Platou Light design: Anders Paulin Performance dramaturge: Jon Refsdal Moe Producer: Funded by the Norwegian Art Council. Introduction before performance 29 August and discussion after performance 30 August. Safe , by Falk Richter The European continent is slowly disintegrating.

Values are in flux. The perception of safety and security is changing. Where do I feel safe?

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The European continent is slowly disintegrating. In , if you were to write a novel with Europe as the protagonist, what would the story be about? In this work commissioned by The Royal Dramatic Theatre Dramaten , Falk Richter investigates the complex dilemmas of contemporary human beings. As one of Germany's most prominent directors and dramatists, he pushes the limits of what theatre can be in productions that integrate video, text, dance and music in a massive tide.

Christopher Kondek Scenic design: Carsten Sander Makeup and wigs: Melanie World premiere 23 August Stage: Marina Tsvetaeva, a renowned Russian poet, is consumed by the desire to gain access to the theatre. Armed with her new play, Phoenix , about a girl and an aged Casanova, she hunts down the city's busiest male theatre genius. Simultaneously the Russian revolution is taking place, throwing her bourgeois existence into turmoil.

She has to fight for the survival of her children, and her soul. Tsvetaeva was on a collision course against her own time. Suzanne Osten is one of Swedens leading and most influential directors. At Dramaten she has previously directed Falling Out of Time. Anna Heymowska Lighting design: Now she's back at Dramaten, examining contemporary Europe with X-ray vision.

Topographies of Paradise , or 'Idyllic Landscapes', is a unique collaboration among five European theatres: We encounter five theatres with five short plays, woven together into one performance slated for its world premiere during the Ingmar Bergman International Theatre Festival.

The theatres contribute actors and directors.

Madame Nielsen writes the plays, drawing on travels in the five countries and interviews with actors as well as political organisations in the various cities. Directors from each of the five theatres put on a play using local actors, and Madame Nielsen stages the concluding performance integrating the five plays. What is a nation? What is a home district? What is a native language? Madame Nielsen is an internationally lauded performance artist and writer, appearing over the years in various guises, including Claus Beck-Nielsen and the nameless human guinea pig in Das Beckwerk 'The Beck-work'.

She defies fixed identities and categorisations, continuously asking the question: What is a human being? In autumn she accompanied on foot the stream of migrants along the Balkan route up through Europe from Greece to Denmark, a contemporary educational journey that she subsequently described in the novel The Invasion. Her novel The Endless Summer has been a major international success, translated into many languages, including Swedish and English Scriptwriter and coordinating director: Madame Nielsen Director from Dramaten: Tobias Theorell Cast Dramaten: That is why Tarkovsky is the greatest of them all.

He moves with such naturalness in the room of dreams.

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What should he explain, anyhow? All my life I have hammered on the doors of the rooms in which he moves so naturally", writes Ingmar Bergman in The Magic Lantern. This is the actor Erland Josephson's story of working with film titan Tarkovsky. In a tender, humorous manner he describes the encounter between the Russian director and Swedish actors.

While cast and crew wait in the summer night with increasing impatience, their view of play, life, language and art is challenged. Erland Josephson worked with the great directors Ingmar Bergman, Andrei Tarkovsky and Peter Brook and won international acclaim with his many roles in film and theatre. As a writer he was especially praised for his portraits of Swedish and international actors and directors and his account of his years as Head of Dramaten. Erlend Birkeland Lighting design: Ellen Ruge Makeup and wigs: EvaMaria Holm Premiere 25 August.

Introduction before performance 25 August. The Sacrifice after performance 26 August.

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Discussion after performance 26 August. The Rite, by Ingmar Bergman An aggressive theatrical work about the possibility of freedom in art and for human beings. An obscene variety show number performed by three established actors has been censored. Now they are called to an interrogation by a judge who seems to want to uncover all their weaknesses. The trio of actors live in an intense but destructive symbiosis. The leader of the troupe, Hans, is married to Thea, who has a relationship with Sebastian — who in turn is in financial debt to Hans.

After years of international success, their time together seems to be at an end. But will they really be able to manage on their own?