Albert Camus (German Edition)

If so, what explains their sometimes going into KII? Is there some logic or principle to the seeming inconsistency or randomness in Goyert and Brenner's choice of mood? For instance, is it aimed at some particular effect? What you need to take on board is that Camus's book is famously written in colloquial, not literary, French, and is indeed often considered the first major French literary work that was composed entirely in colloquial.

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You can see this right from the beginning of your extract where it says "il m'a dit", where literary French would say "il me dit". By contrast, Goyert and Brenner have the murderer Meursault talk like a professor, thus badly failing to reproduce the style and manner of the French original.

Editions of L'ordre libertaire: la vie philosophique d'Albert Camus by Michel Onfray

I would add that the use of the indicative in reported speech implies that the speaker agrees with the statement they report. Using KI would imply the one reporting does not know or does not want to tell either way, while KII implies doubt. KII can also be used to report about speech that used KI, but that would require additional context conditions being mentioned for example. The second translation is correct standard Standard German, the first paints the figure of Meursault as uneducated and possibly uncaring about the accuracy of the report. By clicking "Post Your Answer", you acknowledge that you have read our updated terms of service , privacy policy and cookie policy , and that your continued use of the website is subject to these policies.

Home Questions Tags Users Unanswered. Question I had to struggle to come up with a single question that can actually be answered, but I think I can put it like this in two levels of specificity. Background The French original: Catomic 2, 5 Can you give me some indication of how colloquial reported speech in K2 sounds?

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For example, colloquial in a novel, but not if someone gave it to his wife and kids over breakfast? The room shared by Lucien and Albert is a by foot chamber with French windows opening onto a filigreed balcony. A few blocks north, I can just make out Les Sablettes, the popular beach where Camus spent many a summer day. I push open the heavy metal gate and approach the late 19th-century Beaux-Arts relic, with curving, filigreed outdoor staircases. The stucco facade is peeling away. An intermittent drizzle washes over acres of Roman ruins that extend to the edges of the cliffs.

Tipasa, originally a Phoenician settlement, was captured by the Romans and developed into an important port nearly 2, years ago. In his teens and 20s he and his friends would travel here by bus from Algiers and picnic among first-century temples and villas, and a fourth-century Christian basilica.

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Constantly short of breath, he was forced to abandon a promising soccer career, and would suffer relapses throughout his life. Despite the often-debilitating illness, he graduated in from the University of Algiers with a philosophy degree. They shut down the paper and blacklisted Camus, making him unemployable as a journalist. Said and I follow a trail along the cliffs, past grazing goats and gnarled olive trees. We thread through a field of truncated columns and tread gingerly across the disintegrating mosaic floor of a ruined villa. Raoul came back armed with a small-caliber pistol, but the Arabs were arrested before he could pull the trigger.

From this encounter, Camus fashioned the novel that has come to define him.

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Later, on a beach much like Bouisseville, Meursault encounters an Arab with a knife and shoots him to death for no other apparent reason than the unnerving brightness and heat. The sun that drove Meursault to distraction, then murder, is today buried behind a heavy cloud cover, typical of the Mediterranean winter.

Trash covers the curving sweep of sand, a faint odor of urine is in the air and the beachfront is lined with dilapidated French villas, many abandoned. He directs us down the beach toward a trickle of raw sewage flowing into the sea. The Stranger was published in , to ecstatic reviews. It earned the respect of Jean-Paul Sartre, the Left Bank philosopher with whom Camus soon formed a tempestuous friendship.

In , fifteen-year-old Olivier Todd found a dog-eared copy in the cupboard of a Jewish woman who had lent Todd and his mother her apartment in occupied Paris after she had fled the Nazis. In March , unemployed in Algeria, Camus had gone into exile in France, arriving on the eve of the Nazi invasion. He found a job as a reporter for a newspaper in Lyon, a city under control of the collaborationist Vichy government. In January , he married Francine Faure, a beautiful pianist and math teacher from Oran. But the same month, facing wartime privation, censorship and the threat of losing his job, Camus returned with his wife to Oran.

Late on a January afternoon, after a six-hour drive from Algiers, I arrive in Oran, a city of one and a half million near the Moroccan border. The narrow street where Camus and Francine lived during his Algerian interlude is lined in faded-white buildings. Camus often whiled away the hours at the nearby Brasserie la Cintra on an avenue flanked by date palms.

Camus was unemployed, debilitated by tuberculosis and appalled by the surge of anti-Semitism under the Vichy regime. More than , Algerian Jews lost their French citizenship. But, says Todd, Camus also found much to love about the city. Camus lived with Francine in Oran for 18 months. In August , they traveled back to France, where Camus recuperated in the mountains from a relapse of tuberculosis. Francine returned to Algeria and Camus planned to join her. Outraged by the Nazi occupation, he became editor in chief of the resistance newspaper Combat.

It was dangerous work: Camus had one close call in , when he was stopped by the Gestapo and managed to dispose of a layout copy of the paper before being searched. During the war, Camus also began working on what many regard as his masterpiece, the allegorical novel The Plague, a meditation on exile, occupation and resistance.

Set in Oran, the fable unfolds with an outbreak of bubonic plague that kills hundreds of people a day and forces authorities to seal the gates to prevent the pestilence from spreading. One character profiteers by selling contraband cigarettes and low-quality liquor.

Both are cut off from the women they love, but place a sense of moral responsibility over happiness. Francine reunited with her husband in Paris after the German defeat. The Plague was published, to great acclaim, in , two years after the birth of the Camus twins, Jean and Catherine, in Paris.

It was only after his death that she began to understand his significance to the world.

The bronze statue of an Algerian freedom fighter stands at the base of each giant frond. This colossus commemorates the conflict that erupted here on November 1, , when National Liberation Front FLN guerrillas carried out attacks on gendarmeries. Nearby I visit the Military Museum, which traces the conflict through blood-curdling dioramas of ambushes by mujahedin and torture chambers run by the French military. As the war escalated, he looked on with horror at attacks against civilians by French ultranationalists and the army.

The visit was a humiliating failure. The two sides had passed the point of reconciliation, and even supposedly neutral Algerian leaders who escorted Camus to meetings were working secretly for the FLN. Camus continued to seek a middle path. He intervened with French authorities to save the lives of dozens of condemned mujahedin, but refused to support the armed struggle.