Entremeses (CLASICOS CASTALIA. C/C.) (Spanish Edition)

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Over the centuries the cupay derived in supay , the figure of the devil in the modern Diablada. In pre-Columbian times the dead season started in November with the crop season, the conquerors made efforts to coincide the Andean calendar with their festivities, such as the carnival. The Diablada as is danced today in was originally the accompaniment of a theatrical play. A gentleman, representing the church, faces the demon defending Virgin Mary as the most beautiful.

In the play after this dialogue a tournament started with fireworks and artillery shots followed by a squad of light cavalry of demons wearing black clothes and torches leading a chariot with snakes carrying Proserpina. This tradition continued in the city of Oruro over the centuries, in with the tale of the Chiru Chiru the festivity had another transformation with the introduction of the tale of the Seven deadly sins written by the parish priest Ladislao Montealegre, [32] and with the Bolivian War of Independence the parade was moved to Carnival.

At the beginning it was considered a working class custom but by the ends of the 19th century and beginnings of the 20th century the tradition was popularized reaching all groups of the Oruro society. In the year , the Carnival of Oruro was declared one of the Masterpieces of the Oral and Intangible Heritage of Humanity where the Diablada along with 19 other dances were registered as part of the festivity.

The Diablada in Chile form part of the Tirana festivities, or Fiesta de La Tirana , a festival of the northern region of that country.

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The town of La Tirana is located at 84 kilometres from the city of Iquique with a population of less than inhabitants but during the week of the festivities, which are held in the week of 12 to 16 July, it receives nearly , visitors. The sanctuary of the Virgin of Carmen was built in the region in the year and since then the festival is made in her honour in that locality with different dances.

The first Diablada squad in Chile was founded in the city of Iquique by Gregorio Ordenes in under the name of Primera Diablada Servidores Virgen del Carmen after the visit of the Bolivian squad Diablada Ferroviaria to the festival of that year. From Wikipedia, the free encyclopedia. It has been suggested that this article be merged with History of the Diablada.

Discuss Proposed since September It has been suggested that this article be merged with Oruro Diablada. The origins and patrimonial identity of the Diablada is a matter of dispute among authorities and historians of Bolivia and Peru. History of the Diablada.

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The Wall Street Journal. Retrieved 4 October Los Andes in Spanish. Retrieved 24 October Retrieved 30 November Retrieved 3 October The town of Oruro, situated at an altitude of 3, metres in the mountains of western Bolivia and once a pre-Columbian ceremonial site, was an important mining area in the nineteenth and twentieth centuries. Resettled by the Spanish in , it continued to be a sacred site for the Uru people, who would often travel long distances to perform their rituals, especially for the principal Ito festival.

The Spanish banned these ceremonies in the seventeenth century, but they continued under the guise of Christian liturgy: The Ito festival was transformed into a Christian ritual, celebrated on Candlemas 2 February. The traditional llama llama or diablada in worship of the Uru god Tiw became the main dance at the Carnival of Oruro. Archived from the original on 1 April Archived from the original on 4 September Retrieved 2 October Retrieved 27 September La Prensa in Spanish.

Retrieved 10 December Arena y Cal, revista literaria y cultural divulgativa. Retrieved 13 January Archived from the original on 24 December Archived from the original on 15 August Junta del Ball de Diables www.

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Retrieved 8 April Comentarios Reales [ Royal Commentaries ]. La danza de los diablos [ The dance of the devils ] DOC.

Retrieved 9 April Retrieved 9 December Archived from the original on June 9, Eckels, Charlene 17 October New York, New York. Retrieved 27 October Archived from the original on September 27, Cuentas Ormachea, Enrique March Retrieved November 24, Join Now Why Join? You are not logged in Log In Forgot Password?

Theater in Translation

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Put this Widget on your blog! Vida del Lazarillo de T Milagros de Nuestra Sen Included at the end are four indexes: This review discusses only those items in the catalog dealing with the comedia. The work is prefaced by Maria Grazia Profeti, and in the brief introduction Soave acknowledges his debt to her and her bibliography of BCom, Vol. The second part, the catalogue of printed books, is alphabetical by author. Sueltas axe but minimally identified here, to be described more completely in part three. Except for three factitious Moreto partes which are correctly treated as individual sueltas in the third part, the only full entries in part two are for partes or volumes of comedias.

Among the Modena holdings are two diferentes 29, Valencia, ; 30, Sevilla, , and one escogidas 11, Madrid, Curiously, Soave lists these last in reverse order. Description of each of the above is title page only; no indication, nor listing, of contents. Strangely, Soave describes only the first volume for the Pando y Mier autos, and for the Vera Tassis partes.

It is not clear, therefore, which of the printings of the latter are in the library.