Work (Notes) … (a Celtic Design)

Another figure who must be noted here is the cultural activist and historian of Indian art Ananda Coomaraswamy. He was a friend of both Geddes and Nivedita, and had a strong interest in Celtic culture throughout his career. That publication was beautifully illustrated by Abanindranath Tagore and his students.

That book also contains a detailed description of the Riders of the Sidhe, not as a painting but as part of a pageant. In his book Modern Scottish Painting published in , Fergusson claimed Celtic art as a foundation of his own painting, and his friendship with John Duncan supports that assertion. There he makes use of the old Celtic Ogham alphabet. Bain published his visual thinking in booklets from onwards and these have set the scene for the numerous Celtic design books of the present. His publications are works of art in their own right.

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In the s Bain also contributed to the MacLellan-published journal, Scottish Art and Letters, which unites Celtic Revival and modernist work in its content. J D Fergusson was art editor and designed the covers. Thus as a publisher William MacLellan continued the complementarity of Celticism and Modernism that has its roots in the publications of Patrick Geddes and Colleagues in the s.

Interdisciplinary Highland Space

It is to that period that I return for my conclusion. Her title page for the same work is also of note. I wonder if J. Fergusson had a copy?

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He certainly had a copy of Ossian in the Tauchnitz edition, which he acquired in Nice in Unfortunately it was badly damaged by vandalism some years ago but it has now been partially restored. That damage must serve a reminder of just how important it is not to neglect such Celtic Revival crosses, which exist in graveyards throughout the world.

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We must recognise the significance of those grave markers. They include the brilliant terracotta work of Mary Watts at Compton in Surrey. And with that message of Celtic visual culture dating back well over a millennium, being reintegrated with the wider Highland Gaelic linguistic culture of late nineteenth and early twentieth century, I conclude. Menu Skip to content. A Note on Interdisciplinarity Art and Science: Robert Burns and art: This site uses cookies.

Clear quartz with cetyic knot; Amethyst with pentagram; Onix with crescent moon. So my sister and I have been tinkering with woodburning! This is my first attempt, complete with instagram filter. JavaScript is required to view this site. Log in Sign up. Most recent Most popular Most recent. Filter by post type All posts. Not a lot of time for drawing tonight so just adding the final touch on this one.

The cletic knot work was my second on and will eventually go around my wrist.

I got it for my heritage and because of Brandon Lee. The red one is an old was seal with the flour de lies in the center with a blood drop coming from the bottom. And also because of the TV show the Originals. The hallway is dim and empty, and she has to squint to make out the detailing of the abstract art lining the walls. Absently, she thinks the business owners are probably going for a relaxing ambiance, but it only succeeds at making her feel like she snuck in after hours. Cold worked dichroic Triquetra beaded necklace.

The necklace is reversible with a dichroic triquetra on one side and a iridescent power of three Triquetra on the other. The beads are glass and fresh water pearls. So today at work I am wearing my everyday Celtic knot work pentacle.