The Sixties Fandango

Class analysis 3 runs up in class, 1 win, 0 placed, 2 unplaced. Ratings check Highest winning OR: Index value from 10 horses.

Summary - Data does not include this horse 53 runs, 8 wins 6 horses , 11 placed, 34 unplaced. Next time out 11 runs, 0 wins, 2 placed, 9 unplaced. Class analysis 15 runs up in class, 2 wins, 2 placed, 11 unplaced. Index value from 11 horses. Summary - Data does not include this horse 16 runs, 1 win 1 horse , 5 placed, 10 unplaced. Next time out 4 runs, 1 win, 2 placed, 1 unplaced. Class analysis 3 runs up in class, 0 wins, 2 placed, 1 unplaced.

Index value from 4 horses. Summary - Data does not include this horse 39 runs, 9 wins 4 horses , 3 placed, 27 unplaced. Next time out 9 runs, 2 wins, 1 placed, 6 unplaced.

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Class analysis 24 runs up in class, 8 wins, 1 placed, 15 unplaced. Index value from 9 horses. Full Replay Show Finish. Summary - Data does not include this horse 34 runs, 4 wins 2 horses , 5 placed, 25 unplaced. Next time out 7 runs, 1 win, 1 placed, 5 unplaced. Class analysis 16 runs up in class, 3 wins, 2 placed, 11 unplaced.

Index value from 7 horses. Summary - Data does not include this horse 62 runs, 7 wins 5 horses , 8 placed, 47 unplaced. Next time out 12 runs, 1 win, 2 placed, 9 unplaced. Class analysis 28 runs up in class, 2 wins, 3 placed, 23 unplaced. Index value from 12 horses. Date days since Race Details Wgt. Message No Future Entries. Further terms and conditions may apply. Feedback Fast Results Racecards.

First 5 US races First 5 International races Log in to At The Races. Register Now It's free. ATR Future Form Summary - Data does not include this horse 58 runs, 7 wins 6 horses , 9 placed, 42 unplaced Next time out 10 runs, 3 wins, 0 placed, 7 unplaced Class analysis 3 runs up in class, 1 win, 0 placed, 2 unplaced Ratings check Highest winning OR: ATR Future Form Summary - Data does not include this horse 53 runs, 8 wins 6 horses , 11 placed, 34 unplaced Next time out 11 runs, 0 wins, 2 placed, 9 unplaced Class analysis 15 runs up in class, 2 wins, 2 placed, 11 unplaced Ratings check Highest winning OR: Fandango in the Franco Era: The Politics of Classification.

Abstract The fandango occupied a precarious position in the pantheon of flamenco rhythms during the Franco dictatorship.

A renewed government tourism campaign searched for nationalist forms and local arts to sponsor. I will analyze how its roots as folk rhythm and flamenco palo provided a bridge between the franquista use of Andalusian imagery for tourist purposes and the orthodoxy of flamenco purists like Antonio Mairena.

I will also consider the importance of fandango specialists like Paco Toronjo in assuring its survival as part of the flamenco canon. Goldbach is originally from San Antonio, Texas where she studied ballet, Mexican folklore, flamenco, and Spanish classical dance. After graduation, she studied flamenco at the Amor de Dios studio in Madrid, Spain in Her research interests include flamenco and Spanish dance during the reign of General Francisco Franco, politics and dance, and bar culture.

The Politics of Classification". The subsequent franquista government tourism campaign searched for nationalist forms and local arts to sponsor.

I will analyze how its roots as folk rhythm and flamenco palo provided a bridge between the franquista use of Andalusian imagery for tourist purposes and the orthodoxy of flamenco purists. As a foundational act, the Franco regime in set up a rudimentary system of censorship in A law on April 22, refined this system Payne Censorship laws revolved primarily around strict control of the press and promotion of propaganda.

Satire and musical comedy particularly concerned the censors, who considered these potentially dangerous forms. Vaudeville represented not only a foreign threat to Spanish nationalism but also a moral threat to Spanish Catholicism. Reports from provincial censors no longer arrived in terse telegrams per records in 3 Instead reports from all provinces arrived once per annual quarter and were divided into three sections by genre: Theatrical Shows, Variety Shows, and Films per records in 3 The variety show format required individual listing of the names and titles dancer, singer, musician, etc.

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Over time, a few evolutions took place in the way that flamenco performers were classified. Other terms joined the list as well: From the documents, it is unclear whether or not the terms baile gitano or cante gitano referred only to Gitano performers or to anyone performing flamenco.

Also, the use of these terms is notable for three reasons: Concurrent with this incorporation of exclusively flamenco terminology, a trend towards exempting flamenco performers from the extra scrutiny of 3 It may be that certain performers would only perform jondo numbers as sometimes the cante or baile jondo appellation would be used in the same roster as bailarina or cancion andaluza.