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SEX HUNTER

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Nov 26, Flor 1 book view quotes. Nov 18, On the surface, they were just making the Japanese equivalent of drive-in movie fare, but running throughout many of the films was a subversive current of dissent and radicalism that never would have been allowed on screen in a more direct fashion. It is this second big theme of Japanese racism that Stray Cat Rock: Sex Hunter takes on, albeit in the guise of a girl gang pulp film.

One of the studios most successful series came when they blended tawdry titillation with delinquent girls in outlandish s outfits — and I mean outlandish even for the s. Floppy wizard hats and hot pants abound in these delinquent girl films, and no matter what violent outrage is depicted on screen, it pales in comparison to the crimes committed against a simple sense of fashion. The five Stray Cat Rock films are poised to be the highest profile series of these violent girl gang gems thanks to the third film in the series or second film — critics seem to be uncertain getting a release through HVe in the United States.

Previously, various titles like the Sukeban Blues and Sukeban Boss films have been available only as fan-swapped bootlegs, and even then without subtitles. The ridiculously named Stray Cat Rock: It works pretty well as a barometer for the films in general. It is not as exploitative or bare-boob-packed as some titles, but it is a little deeper if also utterly confused in terms of story.

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Stray Cat Rock - Sex Hunter.

The plot, if you want to call this loose assembly of violent episodic adventures a plot, revolves around gang leader Mako, played by Meiko Kaji. This consists largely of donning screamingly loud outfits and walking around the neon-lit streets while a cool-as-hell jazz-funk soundtrack blares away in the background.

He does this, so he says, because his sister was raped by an American serviceman in the days after World War II — symbolic, one would guess, of Baron considering Japan itself raped by America during the post-war occupation. His assault on these mixed-race citizens is as much, perhaps more, out of his own sexual frustration than out of any sense of moral outrage over what happened to his mother.

Rather than coexist with these people, who Baron secretly sees as bigger, more attractive, and more virile than himself, Baron takes out his complex by whooping like a madman as he and his gang tear around town in old US military jeeps, always on the prowl for someone of mixed blood they can beat the crap out of. They are, in a sense, representatives of the Japanese population at large, only in bigger hats and higher platform shoes.

Stray Cat Rock: Sex Hunter

Japan is about to get taken to task in this review for being, at least traditionally, a heavily racist and xenophobic society. I already know about America and American racism. So with that in mind, allow me to bore you with the following bloated self-important analysis when, given my own intelligence, I should just stick to talking about floppy wizard hats and go-go dancing. The film is as saturated with East-meets-West imagery as it is with lurid colors and gang fights. Frequently, action takes place in a setting with some neon advertisement for an American product blazing in the background.

When Mako and the Alleycats take revenge on The Eagles for selling them out to a bunch of horny businessmen for a gang bang, they throw Molotov Cocktails made from Coca-Cola bottles. And during a club scene, the group Golden Halfs — famous for being ridiculously hot half-Japanese women — perform. At the same time, the frequent focus on American brands dominating the night skyline seems to imply that this loss of Japanese culture to Western consumer pop culture is something of a tragedy.

Ultimately, the film may be saying that maintaining and cultivating your culture is one thing, but violence and racism is flat out nasty. Baron himself seems to represent a conflicting duality that is common in Japanese culture to this day: Japan has, since probably the Meiji Restoration and certainly since the end of World War II, had a crisis of identity in which it wants to remain fiercely Japanese and superior but, at the same time, is endlessly fascinated by other cultures and quick to adopt their trends. In the past, it has frequently been American-Japanese culture, but as divisions and lingering bitterness over the war fades with each subsequent generation, and as Japanese culture continues to affect American culture nearly as much as American culture does Japanese, this is becoming less of an issue.

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Stray Cat Rock - Sex Hunter

Stray Cat Rock: Sex Hunter