Quixotic Ambitions

Words that rhyme with quixotic. Translation of quixotic for Spanish Speakers. What made you want to look up quixotic?

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Can you spell these 10 commonly misspelled words? Choose the Right Synonym for quixotic imaginary , fanciful , visionary , fantastic , chimerical , quixotic mean unreal or unbelievable.

Quixotic - definition of quixotic by The Free Dictionary

Quixotic Has Roots in Literature If you guessed that quixotic has something to do with Don Quixote, you're absolutely right. Examples of quixotic in a Sentence In … an earnest book-length essay of neo-Victorian public-mindedness that deplores the "nasty, knowing abuse" that the author would have us fear contaminates too much American humor lately, David Denby, a movie critic for The New Yorker , sets for himself what has to be one of the most quixotic projects that a moral reformer can undertake. He sunk his entire fortune into two dry holes.

It seemed a quixotic adventure, given the small size of Celebration and Mumey's lack of name recognition outside the town. Recent Examples on the Web Pearse is not known to shy away from adventures or quixotic endeavors. At the Venice Biennale, imagining a binational region called MEXUS," 23 May These example sentences are selected automatically from various online news sources to reflect current usage of the word 'quixotic.

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First Known Use of quixotic , in the meaning defined at sense 1. History and Etymology for quixotic Don Quixote. Learn More about quixotic. Resources for quixotic Time Traveler!

Quixotic Ambitions Quotes

Explore the year a word first appeared. There live the poor and immigrant populations of Paris. Every night, they return to its desolation when the city is no longer open to them. The rest of the country followed suit. French social housing has quixotic ambition. In its successes and failures, it augurs the direction of social housing projects around the world. This is why Paris was a good case study: The volatile nature of the social fabric in this great metropolis was troubling and worth investigating.

I visited Clichy-sous-bois, where the riots had begun, and Drancy, the site of a Nazi camp for Jewish prisoners taken to Auschwitz during the Second World War.

The housing projects there are now homes for immigrants mostly from former French colonies in North Africa. My thesis argued that architecture can mediate the urban and social fabric of the Paris banlieue.

As an example, in , the great Modernist architect Le Corbusier predicted that mass-produced architecture would stave off revolution: Architects have repeatedly introduced formulaic interventions in existing projects but have failed to curtail rising social dissent. My first three chapters identified a challenge and set up a model for what is demanded of low-cost housing architecture.

My final chapter analyzed a range of projects to identify specific ways in which architecture had achieved these goals. In other words, I argued that architects should learn from the successes and failures of the past. At the beginning of the thesis process, I was paranoid. It had to be perfect—the best thing I had ever written. That was a paralyzing thought. To overcome this paralysis, I tried to focus instead on what made me study architecture in the first place: It gives these ideas a tangible expression when they can find no other confirmation in reality and, by so doing, it can mediate society.

My thesis adviser was Professor Esther da Costa Meyer. Though she is in the art and archaeology department, I knew I wanted to ask her to advise me as far back as my sophomore year, when I took her class on modernism in architecture. Her lectures were spellbinding.

Her enthusiasm for architecture was remarkable and contagious. The energy her lectures exuded inspired me to study architecture and to travel to places like the Dessau Bauhaus and the Athenian Acropolis. Later, I took her seminar on 19th-century Paris, which gave me a strong background for my thesis project. Her thorough critiques and insights helped me to find a specific direction and enabled me to have faith in my own abilities.

Professors in the architecture department inspired me as well. Christine Boyer, who graciously accepted my request to serve as my second reader, taught a class on cities of the 21st century. The class gave me an appreciation of the challenges that we as architects have a responsibility to address in our work. This allowed me to situate my work within the context of the field of architecture.

I began writing early.

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By the winter of senior year, I had 20 pages of coherent text, and pages and pages of related ideas. Those 20 pages were probably the best-written part of my thesis. They also allowed me to step back, reflect, and return to it regularly. But the winter was a time of stasis.