Piano Trio in E-flat Minor, HobXV/31 (Piano Score)

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Unusual for Haydn's piano trios, the violin is here the important instrument rather than the piano. The trio is often nicknamed "Jacob's Dream" due to the inscription, later removed, Haydn made on the manuscript [1] of the second movement, which read: Haydn, in reference to the biblical story of Jacob's Ladder which ascended to heaven, as the movement features difficult passages in the upper register of the violin, which Haydn had written as a practical joke directed at a German violinist who had particular difficulties playing high notes.

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Haydn sent the movement to the pianist Therese Jansen who played it with the violinist, to c It is the second of a set of three trios dedicated to Mrs. Therese Jansen-Bartolozzi, and is noted for its especially wide expressive range as well as its virtuosity. Allegro moderato Allegretto Finale: Allegro The trio opens with an ascending theme presented, untypically, by the violin and cello in pizzicato; the effect is reminiscent of a harp.

The piano answers with an ornamented legato version of the same theme, before all three instruments burst into a lively bridge section leading toward the dominant.

Haydn: Piano Trio No. 41 in E flat minor, www.newyorkethnicfood.com (page 1 of 1) | Presto Sheet Music

The opening theme is reproduced in the development section in a rich, full-bodied version in A-flat major. Its creeping bass line is first introduced by all three instruments in unison, before the piano introduces a winding, ornamental melody over the top of it; later, the melody and bass are used in invertible Audiences will feel that a good performance of the E flat minor trio sounds more overheard than heard. Seemingly unnoticed and fortunate, those who come in contact with this piece will experience a rewarding brush with a serious side of Haydn. AllMusic relies heavily on JavaScript.

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Piano Trio No. 41 (Haydn)

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Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. After the liberation of the first movement, the violin never looks back. But the reason is partly to be found in the origin of the second movement, which Haydn wrote first.