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Lyre ce nest pas en ce chant

The Davies' forces are very much up to this, of course. Never a falter or wrong turning, although at times in En Albion de fluns environee , [tr. The sheer brilliance of The Medieval Ensemble of London's members is nicely evident in every piece here, though never ostentatious. The composers whose works specialists and non-specialists of early French song alike will surely enjoy on this hour's worth of music constitute a representative collection of the relatively short-lived Ars Subtilior movement. And a profitable way to approach this enjoyment is an acceptance that we shall probably not know for sure just how it sounded — and almost certainly sounded differently from performance to performance.

And that it's the essence of highly charged yet restrained self-expression with a good dose of detachment that should be sought.

"On ne rachètera pas la vieille Lyre"

The performances on this CD go a long way to exposing that essence. Unselfconsciously and with great professionalism. There's a useful introductory essay and the texts in the original French and English; the acoustic is clean, clear if a little close. As a historical document — and more — Ce Diabolic Chant which title could well include a mistranscription of "chaut", so the complaint is of the heat, not the music makes a very worthwhile addition to your collection of music from this amazingly fertile, yet still poorly understood, period.

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Images of Conviviality , Cambridge, Duysinx, Un disque pour les classiques: Dyson, Rome in America , dans R. Elley, The Epic Film. Myth and History , Londres, Fleischhauer, Etrurien und Rome. Musikgeschichte in Bildern, II , 5 , Leipzig, Gili, La fascination du mal: Guidobaldi, Musica e danza: Howard, Hollywood sur Nil , Paris, Jacobelli, Gladiatori a Pompei , Rome, Johnson, Musical Evenings in the Early Empire: The Past Revealed , dans Empires restored.

Junkelmann, Hollywoods Traum von Rom , Mayence, Kinsky, Album musical , Paris, Lapena Marchena, El mito de Espartaco: La Rocca, La processione trionfale come spettacolo per il popolo romano. Trionfi antichi, spettacoli moderni , dans E. La Rocca et St.

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Rozsa , dans St. Della Casa et C. Lochman, Versteinerte Akteure und lebende Statuen: Melini, Suoni sotto la cenere: III , Paris, Peintre et sculpteur, Paris, Niblo — Raynaud s. Petronius and Film, dans J.

Eric Lebrun - Quatorze préludes d'après Denizot: Lyre ce n'est pas en ce chant, Op. 15.10

Prendergast, Film Music, a Neglected Art: Preston, The music of Toga Drama, dans D. Ben-Hur and other Toga Plays and Films. A Critical Anthology , Oxford, , p. Pucci, Trionfi di celluloide , dans E.

Hymnal Accompanist French Hymns - Ainsi Que D'une Lyre

Racinet, Le costume historique , Paris, II, Rimmel, Letting the Page Run On. Poetics, Rhetoric, and Noise in the Satyrica , dans J. Rozsa, The Music in Quo vadis? Sala, Qualcosa di arcaico e di modernissimo al tempo stesso: Sanvoisin, Kubrick et la musique , Paris, Simsolo, Conversations avec Sergio Leone , Paris, De Berti , Fellini-Satyricon: Solomon, The Seikilos inscription: Solomon, The sounds of Cinematic Antiquity , dans M.

Solomon, In the Wake of Cleopatra: Solomon, Ptolemy Harmonics , Leyde-Boston, Sorlin, The film in History: Restaging the Past , Oxford, Vendries, La trompe de Neuvy: Verdone, Alessandro Bassetti , dans Girandola romana , Rome, , p. Isidora Duncan et Martha Green, dans R. Nilotic scenes and the roman views of Egypt, Leyde-Boston, Wallace, Ben Hur , Paris, Wille, Musica romana , Amsterdam, Joshel et alii , Imperial Projections.

Winkler, Spartacus Film and History , Oxford, Wyke, Make like Nero! The appeal of a cinematic emperor , dans J. Culture, History and Representation , Londres, , p. Wyke, Projecting the Past: La musique de Miklos Rozsa pour Quo vadis? Royal philarmonic orchestra and chorus. Quo vadis Miklos Rozsa, Complete score. The city of Prague philarmonic orchestra and chorus, Prometheus, Complete Soundtrack Collection Supplemental Liner Notes qui propose toutes les versions et reproduit les commentaires de Rozsa sur les pochettes de disque successives.

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In freezing winter night - A Ceremony of Carols. Spring Carol - A Ceremony of Carols. Deo gratias - A Ceremony of Carols. Recessional - A Ceremony of Carols.

Psaumes 147:1-11

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Best version of Ceremony of Carols that I've ever heard. I loved the blend, appreciated the tone and control of the sopranos. And the altos were rich and just lovely. First time I've heard a recording of this where I not only loved the brilliance and clarity of the music, but I could understand the words. Very crisp, very lovely. Even though I own another CD of this piece, I'm ordering this version.

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