Exposition (Pratique photo) (French Edition)
Et que se passerait-il si nous restions simples spectateurs? Mais parfois aussi il faut savoir crier. Il a eu une exposition au Jeu de Paume, il y a trois ou quatre ans. Et vous savez quoi? Et vous essayez toujours de toucher des publics qui normalement ne se rencontrent pas. Ce ne sont pas des artistes. Ils racontent leur rencontre avec la France. Il ne trouvait pas le bon riz! Quel est votre propre sentiment? Avaient-ils besoin de ces torches? Nous pouvons fouiller les archives, comme si nous avions besoin de preuves. Alors que faire maintenant? Comment sortir de notre petite maison de verre?
Je ne sais jamais bien ce qui fonctionne, mais je veux toujours que le travail soit parlant. Je vais donc improviser.
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- Piero Fornasetti : La Folie pratique - du 11 March au 14 June .
Je ne suis pas vraiment une portraitiste ce qui implique de donner des directives. Chacune vit dans sa chambre. Le site de Susan Meiselas. Jesse Holborn, Design Holborn. Like every year since , this is not a best books list. Instead, here is a selection of books which, I believe, deserve attention. They are some of my favorites published this year. This selection was first published on Photobookstore thanks to Martin Amis. On Abortion is the first chapter in the project.
Through a series of stark images and texts the book documents this issue to powerful effect. From description of abortion techniques used from the antiquity to nowadays to testimonies and first person stories of women living in countries where abortion is forbidden, On Abortion refuses to simplify the issues and demonstrates real intellectual rigor.
With a sophisticated and suitably sober design by Laia Abril and Ramon Pez this heartbreaking book is a must have. Mathieu Asselin — Monsanto: A Photographic Investigation Having been following Monsanto: Since the first PDF I saw, everything was there: I think the public and critical success of the book lies in simple reasons but not so easy to shape. From the beginning, Mathieu knew what story he wanted to tell and how to.
He exemplified it through the Monsanto company whose arrogance and commercial practices became a symbol of a chemical industry now largely rejected. Also Blaufuks demonstrate how much the medium is a lie when attempting to freeze time. Getting retired from the world, like a modern Thoreau, is also somehow a political act when outside everything was already photographed. Oliver Hartung — Iran a Picture book We often have stereotyped views of closed countries such as Iran. In Iran, Oliver Hartung goes against 2 conventions: Hartung uses typologies, each type being subdivided. This reveals a consistent ideology.
For example monuments exalting weapons meet others showing the dove of peace. Some statues curiously show a teapot or a gigantic audio tape. Signs of welfare maybe?
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The murals obviously largely focus on the leaders and the martyrs but also on bucolic landscapes. Many others aspects of the public space are also considered. The story has been told, then written, later it became an Hollywood movie and even a TV series. Neglecting his professional cameras, de Luigi traveled with only two iPhones considering them as the more up to date tools to tell the stories. Starting from the ancient Troy, he accosted to Tunisia, Italy and finally to Ithaca.
This work slightly melancholic is a permanent round trip between past and present and reveals the Mediterranean Sea from immemorial times has always been a crossroad of exchanges of peoples and goods. The book is printed on Bible paper only on the right pages.
- Château de Tours;
- The Reticuli Deception (Archeological Adventure in T-Space Book 2).
- Des livres et des photos.
- Piero Fornasetti : La Folie pratique.
So by transparency, and thanks to the thoughtful Studio Safar design, the previous and following images appear. Similar principle for fishes, lambs, etc. I like a lot artists dealing with serious questions with great sense of humor. Upon this book he glued black and white photographs typical from the underground. One sees young people having fun, often naked, having sex sometimes. But the most interesting is the relationship created by the author between the kitsch imagery produced by a dictatorship and the claimed freedom to use its body. This book seems to me a celebration of the circle of life, will it be human, animal or vegetal.
As the seasons pass, a young woman the artist represents herself naked in the snow or under a pale summer sun. Recently died animals or skeletons are seen on black neutral background. In other images the ice melts slowly. The editing and the design by Greger Ulf Nilson divide these elements into chapters but with always round trips underlining the consistency of the project. The feeling of meditation on life and dead is confirmed when in one of the last images Margot Wallard represents herself pregnant in a spring landscape.
Jungle is a useful word for the medias and politicians to transmit the idea of a wild area living outside any human rule. But what reveals Ville de Calais is the migrants built a real town with its shops and districts.
Musée Matisse - Nice
But there necessity knew no laws. The involvement of the photographer, the strong editing, and the outstanding design by Robin Uleman entirely devoted to enlighten the project make of Ville de Calais an unique testimony about contemporary migrations far from thousand times seen images. Manfred Heiting, Kaneko Ryuchi — The Japanese Photobook For me, very ignorant in Japanese photography, the best comprehensive history of photobooks from this country. The Catalogue Raisonne Compared to others authors writing about photobooks the authors are lucky to work on a closed corpus: This is an absolutely useful tool to anyone interested in photobooks.
Des livres et des photos. Parution le 17 mai Allez voir ailleurs! Vous aviez treize ans? Et que vous a-t-il dit? On va la trouver. Il y a totocalcio, il y a des inscriptions anciennes… WK: Et vous les avez mis dans un petit booklet. Dans Tokyo il y en aussi beaucoup. Je ne veux pas faire la preuve de quoi ce soit, je montrais Moscou… RC: From distant and mysterious Asia, to enigmatic Africa and throughout Europe, she has sought to capture emotions in the manner of a painter and colourist. On occasion, she flirts with the abstract, where her talent as a painter enables a delicate approach.
Possessing more than just a sensitive eye, her sense of empathy ensures that each of her encounters with the local population remains a true cultural and artistic exchange. But I will try to take up the challenge. Indeed, like my fellow photographers, it is always difficult to grasp the sinuous and nevertheless intelligible path that leads to this passion that has been mine for several years now.
I could compare this journey to a kind of puzzle where each piece fits together perfectly, if we pay attention to it and observe it patiently: In fact, it was quite late, in , that the Voyage took a capital letter with the discovery of Malaysia alone, which was for me the learning of observation to let myself be immersed in a universe by feeling the particular atmospheres, before "capturing" them and fixing them on film.
Going beyond the Arctic Circle on a trip to Norway to admire the Northern Lights, I was fascinated by this special light and bewitched by the purity of the vast snow-covered spaces. After having travelled through about twenty countries, it is the meeting with the Far North and two trips to Siberia in winter.
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Since then, I have been travelling the world with a camera as my faithful companion, in the hope of capturing certain emotions and immortalizing moments of life. And the bet is successful with this travel-photographer, as these two concepts are so closely linked for Celine Jentzsch. Sheis looking for imagesthat resemble her, soft, contemplative and full of sensitivity that she translates into images that are both strong and touching.
Herrelationship with others, and particularly with the local populations shemet during hertravels, is built around respect for others and empathy, which is why herimages always emanate a profoundly humanistic dimension. Her work, regularly exhibited, always achieves a deserved success. She received the Polka prize at an exhibition in Strasbourg on life around Lake Baikal and was also asked to act as a photo juryat fairs and competitions organised by the French Federation of Photography.