Bar 8

In music with a regular meter , bars function to indicate a periodic accent in the music, regardless of its duration. In music employing mixed meters , bar lines are instead used to indicate the beginning of rhythmic note groups, but this is subject to wide variation: The bar line is much, much more than a mere accent, and I don't believe that it can be simulated by an accent, at least not in my music.

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Bars and bar lines also indicate grouping: The earliest barlines, used in keyboard and vihuela music in the 15th and 16th centuries, didn't reflect a regular meter at all but were only section divisions, or in some cases marked off every beat. Barlines began to be introduced into ensemble music in the late 16th century but continued to be used irregularly for a time. Not until the midth century were barlines used in the modern style with every measure being the same length, and they began to be associated with time signatures.

Modern editions of early music that was originally notated without barlines sometimes use a mensurstrich as a compromise. A hypermeasure , large-scale or high-level measure, or measure-group is a metric unit in which, generally, each regular measure is one beat actually hyperbeat of a larger meter.

Hypermeasures must be larger than a notated bar, perceived as a unit, consist of a pattern of strong and weak beats, and along with adjacent hypermeasures, which must be of the same length, create a sense of hypermeter. The term was coined by Edward T. Norton, , [7] and is similar to the less formal notion of a phrase.

From Wikipedia, the free encyclopedia. Archived from the original on 9 July Retrieved 11 September A Manual of Modern Practice , 2nd ed.

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Taplinger Publishing Company, p. Archived from the original on Learning to Read Music , p. Englewood Cliffs, New Jersey: Essays in Music Analysis , p.

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