The Well-tempered Clavier (Book II): Prelude and Fugue No. 18

Naxos Javascript not enabled. Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

Creative Commons Attribution Non-commercial 3. Creative Commons Attribution Share Alike 3. Praeludia und Fugen durch alle Tone und Semitonia Alt ernative. Retrieved from " http: This page is only for complete editions and multiple selections from Das wohltemperierte Klavier II.

Preludes ; Fugues ; For keyboard ; Scores featuring keyboard soloists ; For 1 player ; For piano 4 hands arr ; Scores featuring the piano ; Scores featuring the piano 4 hands ; For 2 players ; For 2 violins, viola, cello arr ; For 4 players ; Scores featuring the violin ; Scores featuring the viola ; Scores featuring the cello ; For organ arr ; Scores featuring the organ ; For violin, viola arr. Contents 1 Performances 1. Performer Pages Peter Bradley-Fulgoni piano. Dates and locations of recordings.

• If I Had You (Bedford, Deborah).
• Freeman!
• .

Javascript is required for this feature. These file s are part of the Werner Icking Music Collection. Staatsbibliothek zu Berlin D-B: Copyist Johann Christoph Altnikol — Any performance of this pair would have required both of these enharmonic keys to sound identically tuned, thus implying equal temperament in the one pair, as the entire work implies as a whole.

However, research has continued into various unequal systems contemporary with Bach's career.

Customers Also Listened To These Songs

Accounts of Bach's own tuning practice are few and inexact. The three most cited sources are Forkel , Bach's first biographer ; Friedrich Wilhelm Marpurg , who received information from Bach's sons and pupils; and Johann Kirnberger , one of those pupils. Forkel reports that Bach tuned his own harpsichords and clavichords and found other people's tunings unsatisfactory; his own allowed him to play in all keys and to modulate into distant keys almost without the listeners noticing it.

Marpurg and Kirnberger, in the course of a heated debate, appear to agree that Bach required all the major thirds to be sharper than pure—which is in any case virtually a prerequisite for any temperament to be good in all keys. Johann Georg Neidhardt, writing in and , described a range of unequal and near-equal temperaments as well as equal temperament itself , which can be successfully used to perform some of Bach's music, and were later praised by some of Bach's pupils and associates.

Bach's son Carl Philipp Emanuel Bach himself published a rather vague tuning method which was close to but still not equal temperament: Since there have been many other proposals and many performances of the work in different and unequal tunings, some derived from historical sources, some by modern authors.

Whatever their provenances, these schemes all promote the existence of subtly different musical characters in different keys, due to the sizes of their intervals. However, they disagree as to which key receives which character:. More recently there has been a series of proposals of temperaments derived from the handwritten pattern of loops on Bach's title page. These loops though truncated by a later clipping of the page can be seen at the top of the title page image at the beginning of the article.

Nevertheless, some musicologists say it is insufficiently proven that Bach's looped drawing signifies anything reliable about a tuning method. Bach may have tuned differently per occasion, or per composition, throughout his career. Each Prelude is followed by a Fugue in the same key. In each book the first Prelude and Fugue is in C major , followed by a Prelude and Fugue in its parallel minor key C minor. Then all keys, each major key followed by its parallel minor key, are followed through, each time moving up a half tone: The first book of the Well-Tempered Clavier was composed in the early s, with Bach's autograph dated Apart from the early versions of several preludes included in W.

Zum Nutzen und Gebrauch der Lehrbegierigen Musicalischen Jugend, als auch derer in diesem studio schon habil seyenden besonderem Zeitvertreib auffgesetzet und verfertiget von Johann Sebastian Bach.

You May Also Like

The well-tempered Clavier, or Preludes and Fugues through all the tones and semitones, both as regards the tertiam majorem or Ut Re Mi [i. For the profit and use of the studious musical young, and also for the special diversion of those who are already skilful in this study, composed and made by Johann Sebastian Bach, for the time being Capellmeister and Director of the Chamber-music of the Prince of Anhalt-Cothen. In the year The two major primary sources for this collection of Preludes and Fugues are the "London Original" LO manuscript, dated between and , with scribes including Bach, his wife Anna Magdalena and his oldest son Wilhelm Friedeman, which is the basis for Version A of WTC II , [29] and for Version B, that is the version published by the 19th-century Bach-Gesellschaft , a copy primarily written by Johann Christoph Altnickol Bach's son-in-law , with some corrections by Bach, and later also by Altnickol and others.

Prelude as a theme with variations. Fugue in three voices.

Musically, the structural regularities of the Well-Tempered Clavier encompass an extraordinarily wide range of styles, more so than most pieces in the literature. The preludes are also notable for their odd or irregular numbers of measures, in terms of both the phrases and the total number of measures in a given prelude. Each fugue is marked with the number of voices, from two to five. Most are three- and four-voiced fugues, and there are only two five-voiced fugues BWV and , and one two-voiced fugue BWV The fugues employ a full range of contrapuntal devices fugal exposition, thematic inversion, stretto , etc.

Several attempts have been made to analyse the motivic connections between each prelude and fugue, [31] — most notably Wilhelm Werker [32] and Johann Nepomuk David [33] The most direct motivic reference appears in the B major set from Book 1, in which the fugue subject uses the first four notes of the prelude, in the same metric position but at half speed. Both books of the Well-Tempered Clavier were widely circulated in manuscript, but printed copies were not made until , by three publishers almost simultaneously in Bonn, Leipzig and Zurich.

But, with the maturing of the Classical style in the s, the Well-Tempered Clavier began to influence the course of musical history, with Haydn and Mozart studying the work closely. Retrieved from " http: This page is only for complete editions and multiple selections from Das wohltemperierte Klavier I.

1. .
2. .
3. .
4. The Hydra!

Preludes ; Fugues ; For keyboard ; Scores featuring keyboard soloists ; For 1 player ; For piano 4 hands arr ; Scores featuring the piano ; Scores featuring the piano 4 hands ; For 2 players ; For violin, viola arr ; Scores featuring the violin ; Scores featuring the viola ; For organ arr ; Scores featuring the organ. Contents 1 Performances 1. Performer Pages Martha Goldstein harpsichord. Source and alternative formats: From an album featuring a Flemish harpsichord on Pandora Records. Ogg Vorbis files can be found here.

The harpsichord is copied from a one manual instrument built by Hans Moerman in Antwerp It was restored by Frank Hubbard in Boston The working plans of the instrument used are due to Lutz Bungart of the Instrument workshop. It was built in the the early seventies by Al Goldstein when he was the partner of Lutz. The instrument has 2 manuals in the usual dispostion of 8x8x4. Javascript is required for this feature. Performer Pages Raymond Smullyan piano.

Performer Pages Peter Bradley-Fulgoni piano. These file s are part of the Werner Icking Music Collection. Staatsbibliothek zu Berlin D-B: Bach P 1.



• Sugarfoots Tattle-Tale Series:Sugarfootn with the Irish with an African Twist.
• ‎Bach: The Well-Tempered Clavier, Books I & II, BWV by Glenn Gould on Apple Music?
• Product details?
• The Kingdom Of Power (Spirit-Led Bible Study).
• More By Glenn Gould!
• Popular Songs!
• Navigation menu.

This file is part of the Sibley Mirroring Project. Editor Franz Kroll — Bach-Gesellschaft Ausgabe , Band 14 Leipzig: