Gedichtinterpretation: Georg Trakl - An die Verstummten (1913) (German Edition)

Interpretation of a poem, of poems. Interpretation eines Gedichtes, von Gedichten. Synonyms and antonyms of Gedichtinterpretation in the German dictionary of synonyms. Examples of use in the German literature, quotes and news about Gedichtinterpretation. Die Todesfuge ist das wohl meist interpretierte Celan Das Gedicht Geburt der Ovid, Amores, 13 Quellen im Literaturverzeichnis, Sprache: Die Arbeit beschaftigt sich thematisch mit der Alle Grausamkeiten unsrer Zeit traten auf sein Inneres. Karl Kraus wirkt als das Gewissen der Welt, die unter ihm lebt. Wedekind regretted that Kraus did not put his talents to use on the stage; Mann praised him whilst also judiciously differentiating between his own concerns as an artist and those of Kraus the polemical anti-journalist.

At the same time, the figure does nothing in particular in the poem. Rather, the text performatively summons the figure up: For Dallago and Heinrich, Kraus becomes a mythological or rhetorical figure Siegfried, Napoleon, or the embodiment of a personified Conscience. For Trakl, too, he is mythologized, but the invocation is not merely hyperbolic but excessive even to the point of meaninglessness. The images of Siegfried and Napoleon reinforce each other as aspects of an underlying warrior archetype. But the epithets used by Trakl are not so easily subsumable: Despite the changes, moving the poem further from immediately comprehensible oppositions, the poem is nevertheless evocative.

It presents a moral authority that is incontrovertible and embodied in a real person so part of this world , but at the same time, the language challenges the tropes available for domesticating that authority: Kraus is not simply a hero. Indeed, for Stieg, the poem pre-empts the critical line that the Brenner circle will come to take on Kraus in the s. They knew how to deal with Kraus, insofar as they could measure his authority by their preferred standard. Here the issue seems to be precisely that it was hard not simply to imitate Kraus: But that need not be seen as a problem. In a note written almost twenty years later, but thinking about the influence of Kraus on his intellectual development, Wittgenstein similarly abandons the claim to independence.

If his authority could not be conceptually contained, it demanded simply to be emulated. In contrast, Trakl could be said not to have invented new images but to stage the failure of existing literary idioms. The figures of the priest, magician, and warrior gesture towards an authority that cannot directly be invoked, but is rather experienced through the failure of the images to represent it.

Or, to put it another way: A Selection from the Posthumous Remains, ed. Blackwell, , p. Doppler argues that the critique of Kraus Stieg finds was simply not yet on the agenda for the Brenner circle in , Trakl included, see Doppler, Die Lyrik Georg Trakls, p. Symbolist and Romantic poetry and the language of the Bible. To his contemporaries, his poems also contained something positive. Sie taten mir wohl. The effect of the poems lay somewhere between these two readings. They were, in other words, an inspiring or invigorating form of nonsense.

Reclam, , pp. Hanna Klessinger, Krisis der Moderne: Ficker, Briefwechsel —, ed. Ignaz Zangerle and others Salzburg: Haymon, , p. For Steuer, this makes Trakl a Futurist. This technique now appears analogous to those that Trakl uses in his aphorism on Kraus, since this poem similarly deprives the reader of a framework with which to make sense of the intense experience with which they have nevertheless become involved. It moved the reader beyond stale patterns of understanding.

At the same time, readers needed some way of coping with the sense of vertigo the poetry engendered. Adorno, Gesammelte Schriften, ed. Suhrkamp, , VII, pp. Heidegger makes this point by engaging with a specific formulation used by Trakl which it is worth looking at in detail since it illustrates very clearly what is at stake in the modernist reading of his poetry.

Es ist ein brauner Baum, der einsam dasteht. The latter phrase, as it is used in everyday language, articulates human purposes. We might, for instance, use it to let someone know there is a good trout stream in the vicinity. Like the phrase Es gibt, it is addressed to and includes human beings, and so acknowledges the way we are addressed by the world, and involved in it. At the same time, it presents us with a world that speaks to us but without being reducible to human purposes, an address to the listener 55 Arthur Rimbaud, Leben und Dichtung, trans. Ammer [5 Karl Klammer] Leipzig: Two essays in particular are relevant to the arguments I am developing in this essay.

Gedichte von Georg Trakl, pp. This reading establishes the pattern for later modernist readings of the poet. Till I return, of posting is no need. Then should I spur, though mounted on the wind, In winged speed no motion shall I know, Then can no horse with my desire keep pace; Therefore desire, of perfect'st love being made, Shall neigh—no dull flesh—in his fiery race; But love, for love, thus shall excuse my jade,— 'Since from thee going, he went wilful-slow, Towards thee I'll run, and give him leave to go.

So am I as the rich, whose blessed key, Can bring him to his sweet up-locked treasure, The which he will not every hour survey, For blunting the fine point of seldom pleasure. Therefore are feasts so solemn and so rare, Since, seldom coming in that long year set, Like stones of worth they thinly placed are, Or captain jewels in the carcanet.

So is the time that keeps you as my chest, Or as the wardrobe which the robe doth hide, To make some special instant special-blest, By new unfolding his imprison'd pride. Blessed are you whose worthiness gives scope, Being had, to triumph; being lacked, to hope. What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one, hath every one, one shade, And you but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you; On Helen's cheek all art of beauty set, And you in Grecian tires are painted new: Speak of the spring, and foison of the year, The one doth shadow of your beauty show, The other as your bounty doth appear; And you in every blessed shape we know.

In all external grace you have some part, But you like none, none you, for constant heart. The rose looks fair, but fairer we it deem For that sweet odour, which doth in it live. The canker blooms have full as deep a dye As the perfumed tincture of the roses. Hang on such thorns, and play as wantonly When summer's breath their masked buds discloses: But, for their virtue only is their show, They live unwoo'd, and unrespected fade; Die to themselves. Sweet roses do not so; Of their sweet deaths, are sweetest odours made: And so of you, beauteous and lovely youth, When that shall vade, by verse distills your truth.

Not marble, nor the gilded monuments Of princes, shall outlive this powerful rhyme; But you shall shine more bright in these contents Than unswept stone, besmear'd with sluttish time. When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword, nor war's quick fire shall burn The living record of your memory. So, till the judgment that yourself arise, You live in this, and dwell in lovers' eyes.

Sweet love, renew thy force; be it not said Thy edge should blunter be than appetite, Which but to-day by feeding is allay'd, To-morrow sharpened in his former might: So, love, be thou, although to-day thou fill Thy hungry eyes, even till they wink with fulness, To-morrow see again, and do not kill The spirit of love, with a perpetual dulness.

Let this sad interim like the ocean be Which parts the shore, where two contracted new Come daily to the banks, that when they see Return of love, more blest may be the view; Or call it winter, which being full of care, Makes summer's welcome, thrice more wished, more rare. Being your slave what should I do but tend, Upon the hours, and times of your desire?

I have no precious time at all to spend; Nor services to do, till you require. Nor dare I chide the world-without-end hour, Whilst I, my sovereign, watch the clock for you, Nor think the bitterness of absence sour, When you have bid your servant once adieu; Nor dare I question with my jealous thought Where you may be, or your affairs suppose, But, like a sad slave, stay and think of nought Save, where you are, how happy you make those.

So true a fool is love, that in your will, Though you do anything, he thinks no ill. That god forbid, that made me first your slave, I should in thought control your times of pleasure, Or at your hand the account of hours to crave, Being your vassal, bound to stay your leisure! Be where you list, your charter is so strong That you yourself may privilage your time To what you will; to you it doth belong Yourself to pardon of self-doing crime. I am to wait, though waiting so be hell, Not blame your pleasure be it ill or well.

If there be nothing new, but that which is Hath been before, how are our brains beguil'd, Which labouring for invention bear amiss The second burthen of a former child! That I might see what the old world could say To this composed wonder of your frame; Wh'r we are mended, or wh'r better they, Or whether revolution be the same.

Like as the waves make towards the pebbled shore, So do our minutes hasten to their end; Each changing place with that which goes before, In sequent toil all forwards do contend. Nativity, once in the main of light, Crawls to maturity, wherewith being crown'd, Crooked eclipses 'gainst his glory fight, And Time that gave doth now his gift confound. Time doth transfix the flourish set on youth And delves the parallels in beauty's brow, Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow: And yet to times in hope, my verse shall stand.

Praising thy worth, despite his cruel hand. Is it thy will, thy image should keep open My heavy eyelids to the weary night? Dost thou desire my slumbers should be broken, While shadows like to thee do mock my sight? Is it thy spirit that thou send'st from thee So far from home into my deeds to pry, To find out shames and idle hours in me, The scope and tenure of thy jealousy? It is my love that keeps mine eye awake: Mine own true love that doth my rest defeat, To play the watchman ever for thy sake: For thee watch I, whilst thou dost wake elsewhere, From me far off, with others all too near.

Sin of self-love possesseth all mine eye And all my soul, and all my every part; And for this sin there is no remedy, It is so grounded inward in my heart. Methinks no face so gracious is as mine, No shape so true, no truth of such account; And for myself mine own worth do define, As I all other in all worths surmount. But when my glass shows me myself indeed Beated and chopp'd with tanned antiquity, Mine own self-love quite contrary I read; Self so self-loving were iniquity. Against my love shall be as I am now, With Time's injurious hand crush'd and o'erworn; When hours have drain'd his blood and fill'd his brow With lines and wrinkles; when his youthful morn Hath travell'd on to age's steepy night; And all those beauties whereof now he's king Are vanishing, or vanished out of sight, Stealing away the treasure of his spring; For such a time do I now fortify Against confounding age's cruel knife, That he shall never cut from memory My sweet love's beauty, though my lover's life: His beauty shall in these black lines be seen, And they shall live, and he in them still green.

When I have seen by Time's fell hand defac'd The rich-proud cost of outworn buried age; When sometime lofty towers I see down-raz'd, And brass eternal slave to mortal rage; When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the watery main, Increasing store with loss, and loss with store; When I have seen such interchange of state, Or state itself confounded, to decay; Ruin hath taught me thus to ruminate— That Time will come and take my love away.

This thought is as a death which cannot choose But weep to have, that which it fears to lose. Since brass, nor stone, nor earth, nor boundless sea, But sad mortality o'ersways their power, How with this rage shall beauty hold a plea, Whose action is no stronger than a flower? Or what strong hand can hold his swift foot back? Or who his spoil of beauty can forbid? Tired with all these, for restful death I cry, As to behold desert a beggar born, And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplac'd, And maiden virtue rudely strumpeted, And right perfection wrongfully disgrac'd, And strength by limping sway disabled And art made tongue-tied by authority, And folly—doctor-like—controlling skill, And simple truth miscall'd simplicity, And captive good attending captain ill: Tir'd with all these, from these would I be gone, Save that, to die, I leave my love alone.

Why should false painting imitate his cheek, And steel dead seeming of his living hue? Why should poor beauty indirectly seek Roses of shadow, since his rose is true? Why should he live, now Nature bankrupt is, Beggar'd of blood to blush through lively veins? For she hath no exchequer now but his, And proud of many, lives upon his gains. Thus is his cheek the map of days outworn, When beauty lived and died as flowers do now, Before these bastard signs of fair were born, Or durst inhabit on a living brow; Before the golden tresses of the dead, The right of sepulchres, were shorn away, To live a second life on second head; Ere beauty's dead fleece made another gay: In him those holy antique hours are seen, Without all ornament, itself and true, Making no summer of another's green, Robbing no old to dress his beauty new; And him as for a map doth Nature store, To show false Art what beauty was of yore.

Those parts of thee that the world's eye doth view Want nothing that the thought of hearts can mend; All tongues—the voice of souls—give thee that due, Uttering bare truth, even so as foes commend. Thy outward thus with outward praise is crown'd; But those same tongues, that give thee so thine own, In other accents do this praise confound By seeing farther than the eye hath shown.

They look into the beauty of thy mind, And that in guess they measure by thy deeds; Then—churls—their thoughts, although their eyes were kind, To thy fair flower add the rank smell of weeds: But why thy odour matcheth not thy show, The soil is this, that thou dost common grow. That thou art blam'd shall not be thy defect, For slander's mark was ever yet the fair; The ornament of beauty is suspect, A crow that flies in heaven's sweetest air.

So thou be good, slander doth but approve Thy worth the greater being woo'd of time; For canker vice the sweetest buds doth love, And thou present'st a pure unstained prime. Thou hast passed by the ambush of young days Either not assail'd, or victor being charg'd; Yet this thy praise cannot be so thy praise, To tie up envy, evermore enlarg'd, If some suspect of ill mask'd not thy show, Then thou alone kingdoms of hearts shouldst owe.

No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world with vilest worms to dwell: Nay, if you read this line, remember not The hand that writ it, for I love you so, That I in your sweet thoughts would be forgot, If thinking on me then should make you woe. For I am shamed by that which I bring forth, And so should you, to love things nothing worth. That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang.

In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest. In me thou see'st the glowing of such fire, That on the ashes of his youth doth lie, As the death-bed, whereon it must expire, Consum'd with that which it was nourish'd by.

This thou perceiv'st, which makes thy love more strong, To love that well, which thou must leave ere long. When thou reviewest this, thou dost review The very part was consecrate to thee: The earth can have but earth, which is his due; My spirit is thine, the better part of me: So then thou hast but lost the dregs of life, The prey of worms, my body being dead; The coward conquest of a wretch's knife, Too base of thee to be remembered. The worth of that is that which it contains, And that is this, and this with thee remains.

So are you to my thoughts as food to life, Or as sweet-season'd showers are to the ground; And for the peace of you I hold such strife As 'twixt a miser and his wealth is found. Now proud as an enjoyer, and anon Doubting the filching age will steal his treasure; Now counting best to be with you alone, Then better'd that the world may see my pleasure: Sometime all full with feasting on your sight, And by and by clean starved for a look; Possessing or pursuing no delight, Save what is had, or must from you be took.

Thus do I pine and surfeit day by day, Or gluttoning on all, or all away. Why is my verse so barren of new pride, So far from variation or quick change? Why with the time do I not glance aside To new-found methods, and to compounds strange? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth, and where they did proceed? For as the sun is daily new and old, So is my love still telling what is told. Thy glass will show thee how thy beauties wear, Thy dial how thy precious minutes waste; These vacant leaves thy mind's imprint will bear, And of this book, this learning mayst thou taste.

The wrinkles which thy glass will truly show Of mouthed graves will give thee memory; Thou by thy dial's shady stealth mayst know Time's thievish progress to eternity. These offices, so oft as thou wilt look, Shall profit thee and much enrich thy book. So oft have I invoked thee for my Muse, And found such fair assistance in my verse As every alien pen hath got my use And under thee their poesy disperse. Thine eyes, that taught the dumb on high to sing And heavy ignorance aloft to fly, Have added feathers to the learned's wing And given grace a double majesty.

Yet be most proud of that which I compile, Whose influence is thine, and born of thee: In others' works thou dost but mend the style, And arts with thy sweet graces graced be; But thou art all my art, and dost advance As high as learning, my rude ignorance. Whilst I alone did call upon thy aid, My verse alone had all thy gentle grace; But now my gracious numbers are decay'd, And my sick Muse doth give an other place.

I grant, sweet love, thy lovely argument Deserves the travail of a worthier pen; Yet what of thee thy poet doth invent He robs thee of, and pays it thee again. He lends thee virtue, and he stole that word From thy behaviour; beauty doth he give, And found it in thy cheek: Then thank him not for that which he doth say, Since what he owes thee, thou thyself dost pay. But since your worth—wide as the ocean is,— The humble as the proudest sail doth bear, My saucy bark, inferior far to his, On your broad main doth wilfully appear.

Your shallowest help will hold me up afloat, Whilst he upon your soundless deep doth ride; Or, being wrack'd, I am a worthless boat, He of tall building, and of goodly pride: Then if he thrive and I be cast away, The worst was this,—my love was my decay. Or I shall live your epitaph to make, Or you survive when I in earth am rotten; From hence your memory death cannot take, Although in me each part will be forgotten. Your name from hence immortal life shall have, Though I, once gone, to all the world must die: The earth can yield me but a common grave, When you entombed in men's eyes shall lie.

Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read; And tongues to be, your being shall rehearse, When all the breathers of this world are dead; You still shall live,—such virtue hath my pen,— Where breath most breathes, even in the mouths of men. I grant thou wert not married to my Muse, And therefore mayst without attaint o'erlook The dedicated words which writers use Of their fair subject, blessing every book.

Thou art as fair in knowledge as in hue, Finding thy worth a limit past my praise; And therefore art enforced to seek anew Some fresher stamp of the time-bettering days. And do so, love; yet when they have devis'd, What strained touches rhetoric can lend, Thou truly fair, wert truly sympathiz'd In true plain words, by thy true-telling friend; And their gross painting might be better us'd Where cheeks need blood; in thee it is abus'd.

I never saw that you did painting need, And therefore to your fair no painting set; I found, or thought I found, you did exceed That barren tender of a poet's debt: And therefore have I slept in your report, That you yourself, being extant, well might show How far a modern quill doth come too short, Speaking of worth, what worth in you doth grow. This silence for my sin you did impute, Which shall be most my glory being dumb; For I impair not beauty being mute, When others would give life, and bring a tomb. There lives more life in one of your fair eyes Than both your poets can in praise devise.

Who is it that says most, which can say more, Than this rich praise,—that you alone, are you? In whose confine immured is the store Which should example where your equal grew. Lean penury within that pen doth dwell That to his subject lends not some small glory; But he that writes of you, if he can tell That you are you, so dignifies his story, Let him but copy what in you is writ, Not making worse what nature made so clear, And such a counterpart shall fame his wit, Making his style admired every where.

You to your beauteous blessings add a curse, Being fond on praise, which makes your praises worse. My tongue-tied Muse in manners holds her still, While comments of your praise richly compil'd, Reserve their character with golden quill, And precious phrase by all the Muses fil'd. I think good thoughts, whilst others write good words, And like unlettered clerk still cry 'Amen' To every hymn that able spirit affords, In polish'd form of well-refined pen. Hearing you praised, I say ''tis so, 'tis true,' And to the most of praise add something more; But that is in my thought, whose love to you, Though words come hindmost, holds his rank before.

Then others, for the breath of words respect, Me for my dumb thoughts, speaking in effect.

Was it the proud full sail of his great verse, Bound for the prize of all too precious you, That did my ripe thoughts in my brain inhearse, Making their tomb the womb wherein they grew? Was it his spirit, by spirits taught to write, Above a mortal pitch, that struck me dead? No, neither he, nor his compeers by night Giving him aid, my verse astonished. He, nor that affable familiar ghost Which nightly gulls him with intelligence, As victors of my silence cannot boast; I was not sick of any fear from thence: But when your countenance fill'd up his line, Then lacked I matter; that enfeebled mine.

For how do I hold thee but by thy granting? And for that riches where is my deserving? The cause of this fair gift in me is wanting, And so my patent back again is swerving. Thy self thou gav'st, thy own worth then not knowing, Or me to whom thou gav'st it, else mistaking; So thy great gift, upon misprision growing, Comes home again, on better judgement making. Thus have I had thee, as a dream doth flatter, In sleep a king, but waking no such matter. When thou shalt be dispos'd to set me light, And place my merit in the eye of scorn, Upon thy side, against myself I'll fight, And prove thee virtuous, though thou art forsworn.

With mine own weakness, being best acquainted, Upon thy part I can set down a story Of faults conceal'd, wherein I am attainted; That thou in losing me shalt win much glory: And I by this will be a gainer too; For bending all my loving thoughts on thee, The injuries that to myself I do, Doing thee vantage, double-vantage me. Such is my love, to thee I so belong, That for thy right, myself will bear all wrong.

Say that thou didst forsake me for some fault, And I will comment upon that offence: Speak of my lameness, and I straight will halt, Against thy reasons making no defence. Thou canst not love disgrace me half so ill, To set a form upon desired change, As I'll myself disgrace; knowing thy will, I will acquaintance strangle, and look strange; Be absent from thy walks; and in my tongue Thy sweet beloved name no more shall dwell, Lest I, too much profane, should do it wrong, And haply of our old acquaintance tell.

For thee, against my self I'll vow debate, For I must ne'er love him whom thou dost hate. Then hate me when thou wilt; if ever, now; Now, while the world is bent my deeds to cross, Join with the spite of fortune, make me bow, And do not drop in for an after-loss: If thou wilt leave me, do not leave me last, When other petty griefs have done their spite, But in the onset come: Some glory in their birth, some in their skill, Some in their wealth, some in their body's force, Some in their garments though new-fangled ill; Some in their hawks and hounds, some in their horse; And every humour hath his adjunct pleasure, Wherein it finds a joy above the rest: But these particulars are not my measure, All these I better in one general best.

Thy love is better than high birth to me, Richer than wealth, prouder than garments' costs, Of more delight than hawks and horses be; And having thee, of all men's pride I boast: Wretched in this alone, that thou mayst take All this away, and me most wretchcd make. But do thy worst to steal thyself away, For term of life thou art assured mine; And life no longer than thy love will stay, For it depends upon that love of thine.

Then need I not to fear the worst of wrongs, When in the least of them my life hath end. I see a better state to me belongs Than that which on thy humour doth depend: Thou canst not vex me with inconstant mind, Since that my life on thy revolt doth lie. But what's so blessed-fair that fears no blot?

Thou mayst be false, and yet I know it not. So shall I live, supposing thou art true, Like a deceived husband; so love's face May still seem love to me, though alter'd new; Thy looks with me, thy heart in other place: For there can live no hatred in thine eye, Therefore in that I cannot know thy change.

• !
• Fix Any NICD Bosch Battery GSR 14.4 VPE-2 GSR 14.4V-2B GSR 18 V?
• The Beatles and Vedic Astrology!
• .

In many's looks, the false heart's history Is writ in moods, and frowns, and wrinkles strange. But heaven in thy creation did decree That in thy face sweet love should ever dwell; Whate'er thy thoughts, or thy heart's workings be, Thy looks should nothing thence, but sweetness tell. How like Eve's apple doth thy beauty grow, If thy sweet virtue answer not thy show! They that have power to hurt, and will do none, That do not do the thing they most do show, Who, moving others, are themselves as stone, Unmoved, cold, and to temptation slow; They rightly do inherit heaven's graces, And husband nature's riches from expense; They are the lords and owners of their faces, Others, but stewards of their excellence.

The summer's flower is to the summer sweet, Though to itself, it only live and die, But if that flower with base infection meet, The basest weed outbraves his dignity: For sweetest things turn sourest by their deeds; Lilies that fester, smell far worse than weeds. How sweet and lovely dost thou make the shame Which, like a canker in the fragrant rose, Doth spot the beauty of thy budding name! That tongue that tells the story of thy days, Making lascivious comments on thy sport, Cannot dispraise, but in a kind of praise; Naming thy name, blesses an ill report.

Take heed, dear heart, of this large privilege; The hardest knife ill-us'd doth lose his edge. Some say thy fault is youth, some wantonness; Some say thy grace is youth and gentle sport; Both grace and faults are lov'd of more and less: Thou mak'st faults graces that to thee resort. As on the finger of a throned queen The basest jewel will be well esteem'd, So are those errors that in thee are seen To truths translated, and for true things deem'd. How many lambs might the stern wolf betray, If like a lamb he could his looks translate!

How many gazers mightst thou lead away, if thou wouldst use the strength of all thy state! But do not so; I love thee in such sort, As, thou being mine, mine is thy good report. How like a winter hath my absence been From thee, the pleasure of the fleeting year! What freezings have I felt, what dark days seen!

What old December's bareness everywhere! And yet this time removed was summer's time; The teeming autumn, big with rich increase, Bearing the wanton burden of the prime, Like widow'd wombs after their lords' decease: Yet this abundant issue seem'd to me But hope of orphans, and unfather'd fruit; For summer and his pleasures wait on thee, And, thou away, the very birds are mute: Or, if they sing, 'tis with so dull a cheer, That leaves look pale, dreading the winter's near. From you have I been absent in the spring, When proud-pied April, dress'd in all his trim, Hath put a spirit of youth in every thing, That heavy Saturn laugh'd and leap'd with him.

Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew: Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem'd it winter still, and you away, As with your shadow I with these did play.

The forward violet thus did I chide: Sweet thief, whence didst thou steal thy sweet that smells, If not from my love's breath? The purple pride Which on thy soft cheek for complexion dwells In my love's veins thou hast too grossly dy'd. The lily I condemned for thy hand, And buds of marjoram had stol'n thy hair; The roses fearfully on thorns did stand, One blushing shame, another white despair; A third, nor red nor white, had stol'n of both, And to his robbery had annex'd thy breath; But, for his theft, in pride of all his growth A vengeful canker eat him up to death.

Meaning of "Trakl" in the German dictionary

More flowers I noted, yet I none could see, But sweet, or colour it had stol'n from thee. Where art thou Muse that thou forget'st so long, To speak of that which gives thee all thy might? Spend'st thou thy fury on some worthless song, Darkening thy power to lend base subjects light? Return forgetful Muse, and straight redeem, In gentle numbers time so idly spent; Sing to the ear that doth thy lays esteem And gives thy pen both skill and argument.

Rise, resty Muse, my love's sweet face survey, If Time have any wrinkle graven there; If any, be a satire to decay, And make time's spoils despised every where. Give my love fame faster than Time wastes life, So thou prevent'st his scythe and crooked knife. O truant Muse what shall be thy amends For thy neglect of truth in beauty dy'd? Both truth and beauty on my love depends; So dost thou too, and therein dignified. Because he needs no praise, wilt thou be dumb? Excuse not silence so, for't lies in thee To make him much outlive a gilded tomb And to be prais'd of ages yet to be.

Then do thy office, Muse; I teach thee how To make him seem long hence as he shows now. My love is strengthen'd, though more weak in seeming; I love not less, though less the show appear; That love is merchandiz'd, whose rich esteeming, The owner's tongue doth publish every where. Our love was new, and then but in the spring, When I was wont to greet it with my lays; As Philomel in summer's front doth sing, And stops her pipe in growth of riper days: Not that the summer is less pleasant now Than when her mournful hymns did hush the night, But that wild music burthens every bough, And sweets grown common lose their dear delight.

Therefore like her, I sometime hold my tongue: Because I would not dull you with my song. Look in your glass, and there appears a face That over-goes my blunt invention quite, Dulling my lines, and doing me disgrace. Were it not sinful then, striving to mend, To mar the subject that before was well? For to no other pass my verses tend Than of your graces and your gifts to tell; And more, much more, than in my verse can sit, Your own glass shows you when you look in it.

To me, fair friend, you never can be old, For as you were when first your eye I ey'd, Such seems your beauty still. Three winters cold, Have from the forests shook three summers' pride, Three beauteous springs to yellow autumn turn'd, In process of the seasons have I seen, Three April perfumes in three hot Junes burn'd, Since first I saw you fresh, which yet are green.

For fear of which, hear this thou age unbred: Ere you were born was beauty's summer dead. Let not my love be call'd idolatry, Nor my beloved as an idol show, Since all alike my songs and praises be To one, of one, still such, and ever so. Kind is my love to-day, to-morrow kind, Still constant in a wondrous excellence; Therefore my verse to constancy confin'd, One thing expressing, leaves out difference. Fair, kind, and true, have often liv'd alone, Which three till now, never kept seat in one. When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rime, In praise of ladies dead and lovely knights, Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.

So all their praises are but prophecies Of this our time, all you prefiguring; And for they looked but with divining eyes, They had not skill enough your worth to sing: For we, which now behold these present days, Have eyes to wonder, but lack tongues to praise.

GEDICHTINTERPRETATION - Definition and synonyms of Gedichtinterpretation in the German dictionary

Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confin'd doom. The mortal moon hath her eclipse endur'd, And the sad augurs mock their own presage; Incertainties now crown themselves assur'd, And peace proclaims olives of endless age.

Now with the drops of this most balmy time, My love looks fresh, and Death to me subscribes, Since, spite of him, I'll live in this poor rime, While he insults o'er dull and speechless tribes: And thou in this shalt find thy monument, When tyrants' crests and tombs of brass are spent. What's in the brain, that ink may character, Which hath not figur'd to thee my true spirit? What's new to speak, what now to register, That may express my love, or thy dear merit? Nothing, sweet boy; but yet, like prayers divine, I must each day say o'er the very same; Counting no old thing old, thou mine, I thine, Even as when first I hallow'd thy fair name.

So that eternal love in love's fresh case, Weighs not the dust and injury of age, Nor gives to necessary wrinkles place, But makes antiquity for aye his page; Finding the first conceit of love there bred, Where time and outward form would show it dead. That is my home of love: Never believe though in my nature reign'd, All frailties that besiege all kinds of blood, That it could so preposterously be stain'd, To leave for nothing all thy sum of good; For nothing this wide universe I call, Save thou, my rose, in it thou art my all.

Now all is done, save what shall have no end: Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confin'd. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast. Thence comes it that my name receives a brand, And almost thence my nature is subdu'd To what it works in, like the dyer's hand: Pity me, then, and wish I were renew'd; Whilst, like a willing patient, I will drink, Potions of eisel 'gainst my strong infection; No bitterness that I will bitter think, Nor double penance, to correct correction.

Meaning of "Gedichtinterpretation" in the German dictionary

Pity me then, dear friend, and I assure ye, Even that your pity is enough to cure me. Your love and pity doth the impression fill, Which vulgar scandal stamp'd upon my brow; For what care I who calls me well or ill, So you o'er-green my bad, my good allow? You are my all-the-world, and I must strive To know my shames and praises from your tongue; None else to me, nor I to none alive, That my steel'd sense or changes right or wrong. In so profound abysm I throw all care Of others' voices, that my adder's sense To critic and to flatterer stopped are.

Mark how with my neglect I do dispense: You are so strongly in my purpose bred, That all the world besides methinks are dead. Since I left you, mine eye is in my mind; And that which governs me to go about Doth part his function and is partly blind, Seems seeing, but effectually is out; For it no form delivers to the heart Of bird, of flower, or shape which it doth latch: Of his quick objects hath the mind no part, Nor his own vision holds what it doth catch; For if it see the rud'st or gentlest sight, The most sweet favour or deformed'st creature, The mountain or the sea, the day or night: The crow, or dove, it shapes them to your feature.

Incapable of more, replete with you, My most true mind thus maketh mine untrue. Or whether doth my mind, being crown'd with you, Drink up the monarch's plague, this flattery? Or whether shall I say, mine eye saith true, And that your love taught it this alchemy, To make of monsters and things indigest Such cherubins as your sweet self resemble, Creating every bad a perfect best, As fast as objects to his beams assemble? Mine eye well knows what with his gust is 'greeing, And to his palate doth prepare the cup: If it be poison'd, 'tis the lesser sin That mine eye loves it and doth first begin.

Those lines that I before have writ do lie, Even those that said I could not love you dearer: Yet then my judgment knew no reason why My most full flame should afterwards burn clearer. But reckoning Time, whose million'd accidents Creep in 'twixt vows, and change decrees of kings, Tan sacred beauty, blunt the sharp'st intents, Divert strong minds to the course of altering things; Alas!

Love is a babe, then might I not say so, To give full growth to that which still doth grow? Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom.

If this be error and upon me prov'd, I never writ, nor no man ever lov'd. Book both my wilfulness and errors down, And on just proof surmise, accumulate; Bring me within the level of your frown, But shoot not at me in your waken'd hate; Since my appeal says I did strive to prove The constancy and virtue of your love. Like as, to make our appetite more keen, With eager compounds we our palate urge; As, to prevent our maladies unseen, We sicken to shun sickness when we purge; Even so, being full of your ne'er-cloying sweetness, To bitter sauces did I frame my feeding; And, sick of welfare, found a kind of meetness To be diseas'd, ere that there was true needing.

Thus policy in love, to anticipate The ills that were not, grew to faults assur'd, And brought to medicine a healthful state Which, rank of goodness, would by ill be cur'd; But thence I learn and find the lesson true, Drugs poison him that so fell sick of you.

What potions have I drunk of Siren tears, Distill'd from limbecks foul as hell within, Applying fears to hopes, and hopes to fears, Still losing when I saw myself to win! What wretched errors hath my heart committed, Whilst it hath thought itself so blessed never! How have mine eyes out of their spheres been fitted, In the distraction of this madding fever! O benefit of ill! So I return rebuk'd to my content, And gain by ill thrice more than I have spent.

That you were once unkind befriends me now, And for that sorrow, which I then did feel, Needs must I under my transgression bow, Unless my nerves were brass or hammer'd steel. For if you were by my unkindness shaken, As I by yours, you've pass'd a hell of time; And I, a tyrant, have no leisure taken To weigh how once I suffer'd in your crime.

• Hunde die bellen beissen doch!: Einmal Kommunist — immer Kommunist (German Edition)!
• Dresdner Italienbild (German Edition)!
• The Erotic Rendezvous With My Millionaire Secret Lover - All Over The Bike and Ski Lift Heaven (Red Erotica).
• TRAKL - Definition and synonyms of Trakl in the German dictionary;
• Translation of «Gedichtinterpretation» into 25 languages!
• A Slave to His Love - Erotic Short Story for Women.

But that your trespass now becomes a fee; Mine ransoms yours, and yours must ransom me. For why should others' false adulterate eyes Give salutation to my sportive blood? Or on my frailties why are frailer spies, Which in their wills count bad what I think good? No, I am that I am, and they that level At my abuses reckon up their own: I may be straight though they themselves be bevel; By their rank thoughts, my deeds must not be shown; Unless this general evil they maintain, All men are bad and in their badness reign.

Thy gift, thy tables, are within my brain Full character'd with lasting memory, Which shall above that idle rank remain, Beyond all date; even to eternity: Or, at the least, so long as brain and heart Have faculty by nature to subsist; Till each to raz'd oblivion yield his part Of thee, thy record never can be miss'd.

That poor retention could not so much hold, Nor need I tallies thy dear love to score; Therefore to give them from me was I bold, To trust those tables that receive thee more: To keep an adjunct to remember thee Were to import forgetfulness in me. No, Time, thou shalt not boast that I do change: Thy pyramids built up with newer might To me are nothing novel, nothing strange; They are but dressings of a former sight. Our dates are brief, and therefore we admire What thou dost foist upon us that is old; And rather make them born to our desire Than think that we before have heard them told.

Thy registers and thee I both defy, Not wondering at the present nor the past, For thy records and what we see doth lie, Made more or less by thy continual haste. This I do vow and this shall ever be; I will be true despite thy scythe and thee. If my dear love were but the child of state, It might for Fortune's bastard be unfather'd, As subject to Time's love or to Time's hate, Weeds among weeds, or flowers with flowers gather'd. No, it was builded far from accident; It suffers not in smiling pomp, nor falls Under the blow of thralled discontent, Whereto th' inviting time our fashion calls: It fears not policy, that heretic, Which works on leases of short-number'd hours, But all alone stands hugely politic, That it nor grows with heat, nor drowns with showers.

To this I witness call the fools of time, Which die for goodness, who have lived for crime. Were't aught to me I bore the canopy, With my extern the outward honouring, Or laid great bases for eternity, Which proves more short than waste or ruining? Have I not seen dwellers on form and favour Lose all and more by paying too much rent For compound sweet; forgoing simple savour, Pitiful thrivers, in their gazing spent?

No; let me be obsequious in thy heart, And take thou my oblation, poor but free, Which is not mix'd with seconds, knows no art, But mutual render, only me for thee. Hence, thou suborned informer! O thou, my lovely boy, who in thy power Dost hold Time's fickle glass, his fickle hour; Who hast by waning grown, and therein show'st Thy lovers withering, as thy sweet self grow'st. If Nature, sovereign mistress over wrack, As thou goest onwards, still will pluck thee back, She keeps thee to this purpose, that her skill May time disgrace and wretched minutes kill.

Yet fear her, O thou minion of her pleasure! She may detain, but not still keep, her treasure: Her audit though delayed answered must be, And her quietus is to render thee. In the old age black was not counted fair, Or if it were, it bore not beauty's name; But now is black beauty's successive heir, And beauty slander'd with a bastard shame: For since each hand hath put on Nature's power, Fairing the foul with Art's false borrowed face, Sweet beauty hath no name, no holy bower, But is profan'd, if not lives in disgrace.

Synonyms and antonyms of Trakl in the German dictionary of synonyms

Therefore my mistress' eyes are raven black, Her eyes so suited, and they mourners seem At such who, not born fair, no beauty lack, Sland'ring creation with a false esteem: Yet so they mourn becoming of their woe, That every tongue says beauty should look so. How oft when thou, my music, music play'st, Upon that blessed wood whose motion sounds With thy sweet fingers when thou gently sway'st The wiry concord that mine ear confounds, Do I envy those jacks that nimble leap, To kiss the tender inward of thy hand, Whilst my poor lips which should that harvest reap, At the wood's boldness by thee blushing stand!

To be so tickled, they would change their state And situation with those dancing chips, O'er whom thy fingers walk with gentle gait, Making dead wood more bless'd than living lips. Since saucy jacks so happy are in this, Give them thy fingers, me thy lips to kiss. The expense of spirit in a waste of shame Is lust in action: Mad in pursuit and in possession so; Had, having, and in quest, to have extreme; A bliss in proof,— and prov'd, a very woe; Before, a joy propos'd; behind a dream.

All this the world well knows; yet none knows well To shun the heaven that leads men to this hell. My mistress' eyes are nothing like the sun; Coral is far more red, than her lips red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head.

I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound: I grant I never saw a goddess go,— My mistress, when she walks, treads on the ground: And yet by heaven, I think my love as rare, As any she belied with false compare.

Thou art as tyrannous, so as thou art, As those whose beauties proudly make them cruel; For well thou know'st to my dear doting heart Thou art the fairest and most precious jewel. Yet, in good faith, some say that thee behold, Thy face hath not the power to make love groan; To say they err I dare not be so bold, Although I swear it to myself alone. And to be sure that is not false I swear, A thousand groans, but thinking on thy face, One on another's neck, do witness bear Thy black is fairest in my judgment's place.

In nothing art thou black save in thy deeds, And thence this slander, as I think, proceeds. Thine eyes I love, and they, as pitying me, Knowing thy heart torment me with disdain, Have put on black and loving mourners be, Looking with pretty ruth upon my pain. And truly not the morning sun of heaven Better becomes the grey cheeks of the east, Nor that full star that ushers in the even, Doth half that glory to the sober west, As those two mourning eyes become thy face: Then will I swear beauty herself is black, And all they foul that thy complexion lack.

Beshrew that heart that makes my heart to groan For that deep wound it gives my friend and me! Is't not enough to torture me alone, But slave to slavery my sweet'st friend must be? Me from myself thy cruel eye hath taken, And my next self thou harder hast engross'd: Of him, myself, and thee I am forsaken; A torment thrice three-fold thus to be cross'd: Prison my heart in thy steel bosom's ward, But then my friend's heart let my poor heart bail; Whoe'er keeps me, let my heart be his guard; Thou canst not then use rigour in my jail: And yet thou wilt; for I, being pent in thee, Perforce am thine, and all that is in me.

So, now I have confess'd that he is thine, And I my self am mortgag'd to thy will, Myself I'll forfeit, so that other mine Thou wilt restore to be my comfort still: But thou wilt not, nor he will not be free, For thou art covetous, and he is kind; He learn'd but surety-like to write for me, Under that bond that him as fast doth bind.

The statute of thy beauty thou wilt take, Thou usurer, that putt'st forth all to use, And sue a friend came debtor for my sake; So him I lose through my unkind abuse. Him have I lost; thou hast both him and me: He pays the whole, and yet am I not free. Whoever hath her wish, thou hast thy 'Will,' And 'Will' to boot, and 'Will' in over-plus; More than enough am I that vex'd thee still, To thy sweet will making addition thus. Wilt thou, whose will is large and spacious, Not once vouchsafe to hide my will in thine?

Shall will in others seem right gracious, And in my will no fair acceptance shine? The sea, all water, yet receives rain still, And in abundance addeth to his store; So thou, being rich in 'Will,' add to thy 'Will' One will of mine, to make thy large will more. Let no unkind 'No' fair beseechers kill; Think all but one, and me in that one 'Will. If thy soul check thee that I come so near, Swear to thy blind soul that I was thy 'Will', And will, thy soul knows, is admitted there; Thus far for love, my love-suit, sweet, fulfil.

In things of great receipt with ease we prove Among a number one is reckon'd none: Then in the number let me pass untold, Though in thy store's account I one must be; For nothing hold me, so it please thee hold That nothing me, a something sweet to thee: Make but my name thy love, and love that still, And then thou lov'st me for my name is 'Will. Thou blind fool, Love, what dost thou to mine eyes, That they behold, and see not what they see? They know what beauty is, see where it lies, Yet what the best is take the worst to be.