Travels in Intermedia[lity] (Interfaces: Studies in Visual Culture)

Pittsburgh at the Movies, From the establishing of the wildly well known, eponymous Nickelodeon within the city's downtown to the following outgrowth of nickel theaters in the vast majority of its neighborhoods, Pittsburgh proved to be ideal for the films.

Passion, Pathos, and Entertainment. Like their Hollywood opposite numbers, Latin American movie and television melodramas have consistently been well known and hugely ecocnomic. Written by way of a few of the significant figures in Latin American movie scholarship, the stories variety throughout seventy years of flicks and tv inside a transnational context, focusing particularly at the interval often called the "Golden Age" of melodrama, the influence of vintage melodrama on later varieties, and extra modern different types of melodrama.

UPNE | Interfaces: Studies in Visual Culture

Hollywood Surf and Beach Movies: The First Wave, — Surfers loathed them, childrens flocked to them, critics pushed aside them, manufacturers banked on them—surf and seashore video clips. For a short while within the Nineteen Sixties they have been very popular with more youthful audiences—mainly due to the shirtless surfer boys and bikini-clad seashore women, the musical performers, and the wild browsing photos.

Additional resources for Travels in Intermedia[lity] Interfaces: Studies in Visual Culture. Or is it, surprisingly, a consequence of its contextual circumstances — namely, an age of visual dominance?

Heuristic Hypermediacy or Connectivity Conundrum? If we accept that the technological interface can be held responsible for an ever-increasing blurring of boundaries, we can but simultaneously accept that few contemporary discourses on technological innovation avoid the pitfalls of an If we accept that the technological interface can be held responsible for an ever-increasing blurring of boundaries, we can but simultaneously accept that few contemporary discourses on technological innovation avoid the pitfalls of an ecstatic techno-euphoria.

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Accordingly, the digital interface thus implies a deceptive mechanism of sorts. Indeed new media objects are composed of digital code and thus are constituted by numerical representations and reproductions. This basic premise holds two major consequences: Theorist Lev Manovich additionally denotes a third, equally fundamental function: Yet discretion here no longer serves a solely functional purpose, but also an ideological one on behalf, precisely, of its hypermedial capacity.

Seen from this angle, new media actually act as forerunners of a more general process of wholesale cultural reconceptualization functioning, in essence, as a network.

Travels in Intermedia[lity] (Interfaces: Studies in Visual by Bernd Herzogenrath

Indeed the process of signification these examples typically will all foreground confidently points our perception in the direction of infinite variability — precisely the one certainty one can posit in relation to self-reflexive art. As the pioneer of interactive filmmaking Grahame Weinbren argues in relation to interactive media, making a choice involves a moral responsibility. A Cross-Cultural Perspective, Cheltenham: Call for Papers pl.

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Call For Papers PL. Authors are encouraged to submit papers on topics including, but not limited to: Please note that the papers submitted to the journal must be original, hitherto not published elsewhere in any language.

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The issue is planned for publication in Previous and current issues of the journal are available online at plitonline. Proposals for contributions, with title, a short abstract characters and a brief profile of the author characters should be sent to segreteria. Notification of acceptance or rejection of the subject proposed in the abstract will be communicated by 30 July The deadline for submitting the definitive text of the papers is 15 November The articles should not exceed 45, characters including bibliography and footnotes.

Please note that each paper will be submitted to double blind peer review before being accepted for publication. The summary in the monograph published in Croatian, briefly presents the theoretical model of the picturebook based on the theory of narrative, developed in the book.

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The Picturebook as a Narrative. Slikovnica kao pripovijed, Dal romanzo di Bloch a Rihanna Crane: El presente ensayo explora en algunos de los Icono 14, volumen 15 1 , pp. From the Renaissance to the 20th century, the Promethean symbol slides transmedially from the verbalized narrative towards visual arts.