Serenade from Don Giovanni KV527 - Bassoon

Zerlina follows the jealous Masetto and tries to pacify him " Batti, batti o bel Masetto " — "Beat, O beat me, handsome Masetto" , but just as she manages to persuade him of her innocence, Don Giovanni's voice from offstage startles and frightens her. Masetto hides, resolving to see for himself what Zerlina will do when Don Giovanni arrives. Zerlina tries to hide from Don Giovanni, but he finds her and attempts to continue the seduction, until he stumbles upon Masetto's hiding place. Confused but quickly recovering, Don Giovanni reproaches Masetto for leaving Zerlina alone, and returns her temporarily to him.

Don Giovanni then leads both offstage to his ballroom. From a balcony, Leporello invites them to his master's party. They accept the invitation and Leporello leaves the balcony.

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As the merriment, featuring three separate chamber orchestras on stage, proceeds, Leporello distracts Masetto by dancing with him, while Don Giovanni leads Zerlina offstage to a private room and tries to assault her. When Zerlina screams for help, Don Giovanni drags Leporello onstage from the room, accuses Leporello of assaulting Zerlina himself, and threatens to kill him.

The others are not fooled. Don Ottavio produces a pistol and points it at Don Giovanni, and the three guests unmask and declare that they know all. But despite being denounced and menaced from all sides, Don Giovanni remains calm and escapes — for the moment. Leporello threatens to leave Don Giovanni, but his master calms him with a peace offering of money Duet: Wanting to seduce Donna Elvira's maid, and believing that she will trust him better if he appears in lower-class clothes, Don Giovanni orders Leporello to exchange cloak and hat with him.

Donna Elvira comes to her window Trio: Seeing an opportunity for a game, Don Giovanni hides and sends Leporello out in the open wearing Don Giovanni's cloak and hat.

From his hiding place Don Giovanni sings a promise of repentance, expressing a desire to return to her and threatening to kill himself if she does not take him back, while Leporello poses as Don Giovanni and tries to keep from laughing. Donna Elvira is convinced and descends to the street. Leporello, continuing to pose as Don Giovanni, leads her away to keep her occupied while Don Giovanni serenades her maid with his mandolin.

Before Don Giovanni can complete his seduction of the maid, Masetto and his friends arrive, looking for Don Giovanni in order to kill him. Don Giovanni poses as Leporello whose clothes he is still wearing and joins the posse, pretending that he also hates Don Giovanni. After cunningly dispersing Masetto's friends Don Giovanni aria: Zerlina arrives and consoles the bruised and battered Masetto "Vedrai carino" — "You'll see, dear one". Leporello abandons Donna Elvira. As he tries to escape, he bumps into Don Ottavio and Donna Anna.

Don Giovanni - Wikipedia

Zerlina and Masetto also enter the scene. Everyone mistakes Leporello for Don Giovanni, whose clothes he is still wearing. They surround Leporello and threaten to kill him. Donna Elvira tries to protect the man who she thinks is Don Giovanni, claiming that he is her husband and begging the others to spare him.

Leporello takes off Don Giovanni's cloak and reveals his true identity. He begs for mercy and, seeing an opportunity, runs off Leporello aria: He swears vengeance " Il mio tesoro " — "My treasure" — though in the Vienna version this was cut. In the Vienna production of the opera, Zerlina follows Leporello and recaptures him. Threatening him with a razor, she ties him to a stool.

He attempts to sweet-talk her out of hurting him. Zerlina goes to find Masetto and the others; Leporello escapes again before she returns. This scene, marked by low comedy, is rarely performed today. Also in the Vienna production, Donna Elvira is still furious at Don Giovanni for betraying her, but she also feels sorry for him. Don Giovanni wanders into a graveyard.

Leporello happens along and the two are reunited.

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Leporello tells Don Giovanni of his brush with danger, and Don Giovanni laughingly taunts him, saying that he took advantage of his disguise as Leporello by trying to seduce one of Leporello's girlfriends. The voice of the statue interrupts and warns Don Giovanni that his laughter will not last beyond sunrise. At the command of his master, Leporello reads the inscription upon the statue's base: The servant trembles, but Don Giovanni scornfully orders him to invite the statue to dinner, and threatens to kill him if he does not.

Leporello makes several attempts to invite the statue to dinner but is too frightened to complete the invitation Duet: Don Giovanni invites the statue to dinner himself. Much to his surprise, the statue nods its head and responds affirmatively. Don Ottavio pressures Donna Anna to marry him, but she thinks it is inappropriate so soon after her father's death. He accuses her of being cruel, and she assures him that she loves him, and is faithful "Non mi dir" — "Tell me not". Don Giovanni revels in the luxury of a great meal, served by Leporello, and musical entertainment during which the orchestra plays music from popular at the time lateth-century operas: Leporello complains that he is sick and tired of hearing Mozart's aria everywhere all the time.

Donna Elvira enters, saying that she no longer feels resentment against Don Giovanni, only pity for him. Don Giovanni, surprised, asks what she wants, and she begs him to change his life. Hurt and angry, Donna Elvira gives up and leaves. Offstage, she screams in sudden terror. Don Giovanni orders Leporello to see what has upset her; when he does, he also cries out, and runs back into the room, stammering that the statue has appeared as promised.

An ominous knocking sounds at the door. Leporello, paralyzed by fear, cannot answer it, so Don Giovanni opens it himself, revealing the statue of the Commendatore. With the rhythmic chords of the overture, now reharmonized with diabolic diminished sevenths accompanying the Commendatore "Don Giovanni!

A cenar teco m'invitasti" — "Don Giovanni! Annotate this sheet music. Complete sheet music 4 pages - Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access. Please log in or create a free account so you can: Do not see this window again for the duration of the session. Mozart, Wolfgang Amadeus - Instrumentation: Voice bass and Piano Style: Lendic, Niksa - Copyright: Don Giovanni Don Juan 35 sheet music Added by nlendic the Be the first to write down a comment.

Dover Publications , Editor Arno van Raaphorst. Editor Wolfgang Plath — Editor Wolfgang Plath — Wolfgang Rehm b. Needs to be cleaned for the parts to be serviceable in performance and personal study. This is an earlier handwritten engraving than M.

Don Giovanni, K.527 (Mozart, Wolfgang Amadeus)

These files are part of the Orchestra Parts Project. Parts cut and pasted from score. Systems are numbered; the number corresponds to a page in the score starting from the beginning of the duet. Louis Durdilly , French text. Natalia Macfarren , English text. Theodore Baker , English text. Editor Alberto Randegger Complete opera with 3 extra numbers arranged for string quartet. BSB notes give the date as This may be a confusion with the plate number.

Plate on violin 2, viola and cello parts refers to a simultaneously published arrangement for flute and strings. Update April 5, Duplicated viola part replaced with correct cello part. Arranger Georges Bizet Arranger Richard Metzdorff Henry Litolff , n.

Arranger Johann Nepomuk Went Arranger Georg Kaspar Sartorius Arranger Hector Salomon Arranger Fidelio Romeo Finke Arranger Franz Xaver Chwatal Arranger Richard Kleinmichel Edition Peters , n. Arranger Hugo Ulrich Marco Berra , n. Arranger Ferdinand Beyer