John Browns Body

His name and memory was immortalized in the words of the song "John Brown's Body". The camp-meeting songs became popular during the Christian revivalist movement referred to as the Second Great Awakening. Union Army Song The words and lyrics to the John Brown's Body changed from the simple words and repetitive phrases learned by rote at religious meetings to more complex and sophisticated words and lyrics aspiring to a greater poetic and literary quality with highly significant meanings. The new words and lyrics to the John Brown's Body song took on this new, highly patriotic flavor with the outbreak of the Civil War in The song "John Brown's Body" became one of the most popular marching songs for the Union army.

Compare the simplicity of these words and lyrics to John Brown's Body with the later version of the song.

John Brown's body lies a-mouldering in the grave, John Brown's body lies a-mouldering in the grave, John Brown's body lies a-mouldering in the grave, But his soul goes marching on. Glory, glory, hallelujah, Glory, glory, hallelujah, Glory, glory, hallelujah, His soul goes marching on. He's gone to be a soldier in the Army of the Lord, He's gone to be a soldier in the Army of the Lord, He's gone to be a soldier in the Army of the Lord, His soul goes marching on. Patton words and lyrics Rev.

William Weston Patton , was a passionate abolitionist who wrote the following words to the tune of John Brown's Body. The publicity surrounding the raid on Harpers Ferry was covered right across the nation. People were extremely familiar with the events and the role of the fanatical abolitionist John Brown.

These ditties underwent various ramifications, until eventually the lines were reached,—. These lines seemed to give general satisfaction, the idea that Brown's soul was "marching on" receiving recognition at once as having a germ of inspiration in it. They were sung over and over again with a great deal of gusto, the "Glory hallelujah" chorus being always added. Some leaders of the battalion, feeling the words were coarse and irreverent, tried to urge the adoption of more fitting lyrics, but to no avail.

The lyrics were soon prepared for publication by members of the battalion, together with publisher C.

They selected and polished verses they felt appropriate, and may even have enlisted the services of a local poet to help polish and create verses. The official histories of the old First Artillery and of the 55th Artillery also record the Tiger Battalion's role in creating the John Brown Song, confirming the general thrust of Kimball's version with a few additional details. In hymnals and folks song collections, the hymn tune for "Say, Brothers" is often attributed to William Steffe.

Allen summarizes Steffe's own story of composing the tune:. Steffe finally told the whole story of the writing of the song. They used it as a song of welcome for the visiting Liberty Fire Company of Baltimore. Though Steffe may have played a role in creating the "Say, Bummers" version of the song, which seems to be a variant of and owe a debt to both "Say, Brothers" and "John Brown", Steffe couldn't have written the "Glory Hallelujah" tune or the "Say, Brothers" text, both of which had been circulating for decades before his birth.

Maine songwriter, musician, band leader, and Union soldier Thomas Brigham Bishop — has also been credited as the originator of the John Brown Song, notably by promoter James MacIntyre in a book and interview. In the late s, during the song's height of popularity, a number of other authors claimed to have played a part in the origin of the song. Jerome, and others as the tune's composer. Randall wrote, "Multiple authors, most of them anonymous, borrowed the tune from "Say, Brothers", gave it new texts, and used it to hail Brown's terrorist war to abolish the centuries-old practice of slavery in America.

Some of those who claimed to have composed the tune may have had a hand in creating and publishing some of the perfectly legitimate variants or alternate texts that used the tune—but all certainly wanted a share of the fame that came with being known as the author of this very well known tune. Once "John Brown's Body" became popular as a marching song, more literary versions of the "John Brown" lyrics were created for the "John Brown" tune. The " Song of the First of Arkansas " was written, or written down, by Capt. Lindley Miller in , [33] although typical of the confusion of authorship among the variants and versions a similar text with the title "The Valiant Soldiers" is also attributed to Sojourner Truth.

Other versions include the "Marching song of the 4th Battalion of Rifles, 13th Reg. The tune was also used for perhaps the most well known labor-union song in the United States, Solidarity Forever. The song became an anthem of the Industrial Workers of the World and all unions that sought more than workplace concessions, but a world run by those who labor. Sailors are known to have adapted "John Brown's Body" into a sea shanty - specifically, into a " Capstan Shanty", used during anchor-raising. The "John Brown" tune has proven popular for folk-created texts, with many irreverent versions created over the years.

The Burning of the School is a well-known parody.

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It is a common football chant, generally called Glory Glory. A version about a baby with a cold is often sung by school-age children.

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Another adaptation sung at the annual match between the Colombo Law and Medical colleges went " Liquor arsenalis and the cannabis indica This was adapted into a trilingual song by Sooty Banda. The lyrics used with the "John Brown" tune generally show an increase in complexity and syllable count as they move from simple, orally-transmitted camp meeting song, to an orally composed marching song, to more consciously literary versions.

The increasing syllable count led to an ever-increasing number of dotted rhythms in the melody to accommodate the increased number of syllables. The result is that the verse and chorus, which were musically identical in the "Say, Brothers", became quite distinct rhythmically—though still identical in melodic profile—in "John Brown's Body. The trend towards ever more elaborate rhythmic variations of the original melody became even more pronounced in the later versions of the "John Brown Song" and in the "Battle Hymn of the Republic", which have far more words and syllables per verse than the early versions.

John Brown's Body - Wikipedia

The extra words and syllables are fit in by adding more dotted rhythms to the melody and by including four separate lines in each verse rather than repeating the first line three times. The result is that in these later versions the verse and the chorus became even more distinct rhythmically and poetically though still remaining identical in their underlying melodic profile.

Chorus Glory , glory, hallelujah! He's gone to be a soldier in the army of the Lord!

Chorus John Brown's knapsack is strapped upon his back! Chorus They will hang Jeff Davis to a sour apple tree! Old John Brown's body lies moldering in the grave, While weep the sons of bondage whom he ventured all to save; But tho he lost his life while struggling for the slave, His soul is marching on. Chorus John Brown was a hero, undaunted, true and brave, And Kansas knows his valor when he fought her rights to save; Now, tho the grass grows green above his grave, His soul is marching on. Chorus He captured Harper's Ferry , with his nineteen men so few, And frightened "Old Virginny" till she trembled thru and thru; They hung him for a traitor, they themselves the traitor crew, But his soul is marching on.

Chorus John Brown was John the Baptist of the Christ we are to see, Christ who of the bondmen shall the Liberator be, And soon thruout the Sunny South the slaves shall all be free, For his soul is marching on. Chorus The conflict that he heralded he looks from heaven to view, On the army of the Union with its flag red, white and blue.

John Brown's Body

And heaven shall ring with anthems o'er the deed they mean to do, For his soul is marching on. Chorus Ye soldiers of Freedom, then strike, while strike ye may, The death blow of oppression in a better time and way, For the dawn of old John Brown has brightened into day, And his soul is marching on. From Wikipedia, the free encyclopedia.

For other uses, see John Brown's Body disambiguation. Original publication of the text of the "John Brown Song" in John Brown's body lies a-mouldering in the grave, His soul's marching on. He's gone to be a soldier in the army of the Lord, His soul's marching on.

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