Doesnt Really Matter

In order of increasing emphasis, i. In sentence 1, really modifies "doesn't matter". In sentence 2, really modifies "matter". The "doesn't matter" factor is more than the "matter" factor. But doesn't matter that much. Doesn't matter a certain amount. Anything that matters at least that much that "certain amount" or more is thought to really matter.

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I can't distinguish the difference in meaning between these two sentences. It really doesn't matter. It doesn't really matter. It seems that there is a nuanced difference, but I cannot see what this is. Might be related to this question: I guess if you can't see the difference then it doesn't really matter Can't disagree more Mehrdad, when you can't tell why it's done differently that's probably precisely when you need to find out.

The difference in meaning is quite large. Someone's taking things way too seriously! I think of this like "It really [doesn't matter]" vs "It doesn't [really matter]" where in both cases "really" intensifies what follows it. When the adverb really comes before a negated auxiliary, the effect is of emphasising the truth of the sentence: I really cannot tell the difference. Here the speaker is emphasising that they honestly are unable to detect any difference. Instead of making the meaning of the sentence absolute, it has the effect of making the commitment vaguer: I can't really tell the difference.

The Original Poster's examples: So the first one is like "I definitely cannot tell the difference" ie I am sure that I can't and the second is like "I cannot definitely tell the difference" ie I am not sure that I can. In fact that's a great way of putting it. MaxWilliams Are you going to do an answer? Maybe to expand, "It is very much true that it doesn't matter" or "It is true that it doesn't matter very much". Both statements could conceivably refer to the same situation, but the first emphasizes how much it doesn't matter while the second emphasizes that there is some small degree to which it may matter.

If we swap "really" for "definitely" this becomes more clear: The first one is like "It definitely doesn't matter" I am sure that it doesn't: Max Williams 21k 5 40 I think it helps a lot to break these two sentences down: It really doesn't matter: The base sentence here is It doesn't matter. Really is an adverb which modifies doesn't. In this case, it puts emphasis on doesn't , meaning that it does not matter to a high degree. It doesn't really matter: The base sentence here is It really matters.

Doesn't modifies really by negating it. So here are the original sentences, adding arrows to indicate what's being modified by "really": I'm treating "doesn't" as a single syntactic "thing to be modified" here; one could also expand the contraction into "does not", where "not" actually modifies "does"—a notable exception to the rule-of-thumb above that modifiers modify what's immediately after them! Sorry if you, like me, are approaching semantic satiation with the word "matter". Kyle Strand 3 8.

Solid answer; I upvote! Maybe you should order those statements by decreasing emphasis , i mean most emphatic statement first, flat statement next and weak statement last? When asked to contribute a single, Jackson said she would consider the idea if she found an appropriate song.

Jam recalled, "He said, 'Now that you've seen the film, if you'd like to do a song for it, that'd be great.

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Its initial concept was based on a poem Jackson had written and found in a notebook. Jackson's original lyrics were kept intact, although its structure was altered. Jam commented "The lyrical idea for 'Doesn't Really Matter' is totally hers, but the music and melody was something I had done with one of our drum programmers, Alex Richburg.

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I thought of it as a slow melody, but we sped it up. Segal decided "Doesn't Really Matter" was a better fit and a "summertime record. In "Doesn't Really Matter", Jackson speaks of looking past physical appearance, choosing to love the person inside.



Using a vocal falsetto , Jackson assures "[It] doesn't really matter what the eye is seeing, 'cause I'm in love with the inner being," considered a "sweet song of unconditional love. Jackson said "It plays a major part in society, it seems today. Their image, what a woman is supposed to look like — all the things you read in the magazines about either being too thin or too this or too that, but it's really about feeling good yourself and accepting yourself. Self-acceptance, which is another story you see here in this film, is the most important thing as well as being happy with who you are.

Jackson said, "I loved this character so much because she didn't care about all the other things that people may have seen or saw and thought was wrong with Sherman. Those were the things she loved about him, and then on top of that she saw beyond that — how genuine of a man he is, how kind he is, a very good-hearted person and that's what she loves about him. The song is about 'it's what's inside that counts. AllMusic called it an "instant smash" and "impossibly catchy", adding that the, "public's appetite for Janet Jackson never wanes. Jackson in years," the song was thought to have "the feel and sound of a young, girlish, naive Janet singing a happy pop song about love as opposed to the hardened, sexually experimental Janet who emerged during the later Velvet Rope years.

It was examined to highlight "Janet's still-youthful vocal musings and a happy beat that will sound great roaring from the radio speakers while at the seaside, or driving down the streets with the windows wide open. The "smile-bearing throwback" was also thought to be "easygoing, fluffy", and "friendly", likening its upbeat aura to "the sand gently running beneath your toes".

Doesn't Really Matter - Wikipedia

The song's theme, which "testifies that in all the world, love makes the most difference in life", was acclaimed as "a nice statement for fans". It was predicted to "entice programmers and listeners across both the mainstream and rhythmic" radio, yet was thought to require "meatier mixes" for other formats. The Huffington Post regarded it as Jackson's best single aside from " Black Cat ", saying its "subliminal Asianness" aids Jackson's "pretty" voice in being "fragile like rice paper ", relating the song to Kyu Sakamoto 's hit " Sukiyaki ".

NME considered it a "comeback single" for the "pop queen". It peaked within the top fifteen of Norway, Sweden, Belgium, and the Netherlands, and among the top twenty in Switzerland. Upon its release, it became the most added song on pop, rhythmic, and urban formats, also added to Hot Adult Contemporary. The album sold over , copies in its first week and was later certified platinum , with over two million copies sold worldwide. Jackson described the video's concept, revealing "its just me hanging out with my friends and going to a club. She's not just doing what other people are doing, she's willing to go and try to create something new.

In doing so, you're taking risks, taking chances, and some people might love it, others may hate hate it, period. The video was choreographed by Shawnette Heard and Marty Kudelka. The clip is famous for its portrayal of futuristic technology and choreographed dance scenes set on a hovering platform. Jackson described the platform to be "like a ride," adding "it tilts, slants, you can slide off or fall. I was literally airborne, it was lifting me right up. The Klumps DVD as an extra feature. Due to being released through another label, it was not included on Jackson's From Janet to Damita Jo: The video was filmed during a turbulent period, in which Jackson was experiencing a divorce from unannounced husband Rene Elizondo, Jr.



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Jackson recalled, "I was up in weight with 'Doesn't Really Matter. In January , Kahn recalled "Janet Jackson has a very charming way of going through her editorial process — she always goes "if you think it works," and she means it. That's awesome, she's freaking Janet Jackson. I studied Janet Jackson videos growing up. So to finally see myself face to face with her and working with her and her calling me on a first name basis and calling my home and tracking me down on my cell phone Even though she's talking to you and trying to be normal, she's not — she's Janet Jackson — and you can never get that out of your head.

You realize that she's a real person and she's got just the same emotions as everyone else, but you can never get around the fact that she's special.

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Asia Pacific Arts considered it a "playful" video which steers away from the film to "focus [on] Janet and her fun, upbeat fantasy world of pet dog-bots and interactive dance floors. It was also "happily free" of scenes from its accompanying film, saying the clip "stands on its own". Jackson opened the show in a black leather outfit in an aerial set among multiple backing dancers. It was considered among the best of Jackson's career by various publications.

The official Roc Nation website considered it the third best performance in the show's history, saying "Flanked by her troop of dancers, the living legend moved effortlessly across the stage in as she executed her signature complex footwork to 'Doesn't Really Matter'" [58] The Orlando Sentinel stated Jackson made "a rare TV performance" featuring a "three-tiered set and 10 backing dancers". For the performance, she wore demure white tee and jeans. Canoe considered the tour's performance "upbeat and warm".

The New York Times praised the performance saying "it's the closest she gets to representing life as lived rather than as performed". Simpson revealed Jackson to be an influence, saying "I absolutely adore her and she is such a sweetheart. Cassie 's " Long Way 2 Go " uses a similar plot; opening with an aerial view, entering an apartment as the lead's friends arrive and are seen through a peephole, in which they perform choreography at a club.

The video was one of the first music videos appearances by actress Jenna Dewan , who stated "I was fortunate enough to work with Janet who treats her dancers amazing," describing it as her most memorable video shoot. The video's popularity saw the AIBO ERS robotic dog generate increased market demand and commercial success, after the "bionic beast got to snuggle up to Janet Jackson" in the clip. The vibrant "red and orange" outfits worn by Jackson, including "sugary pinks and orange tees", items from the Self Esteem line, and "designer duds right off the runway," were described to heighten demand for similar "bright colorful clothes".

Japanese singer Hitomi Shimatani covered the song under the title " Papillon ". The song became the biggest hit of Shitamani's career at the time, and made her one of the biggest acts on the Avex Trax label. The Klumps film score is heard several times throughout the film. French promo CD single [85].

European CD single [86]. UK 12" single [91]. US CD single [95]. US CD promo [96]. AllMusic reviewed several of the song's remixes, citing the " Jonathan Peters Club Mix" as the most superior; transforming the dance-pop original into a "summery, breezy dance record, complete with Spanish guitars and whistles. From Wikipedia, the free encyclopedia. Janet sings of unconditional love and disregarding physical appearance in the upbeat dance-pop single.

Jackson's "Doesn't Really Matter" video has influenced videos from Britney Spears and Jessica Simpson , and was one of the first appearances by actress and dancer Jenna Dewan. French promo CD single [85] Radio Edit — 4: Retrieved February 7, Doesn't Really Matter ". Retrieved April 4,